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Set I
Mississippi Half Step-> Franklin's Tower, Mama Tried-> Mexicali Blues, Peggy-O, Minglewood Blues, Stagger Lee, El Paso, Brown Eyed Women, Passenger
Set II
Don't Ease Me In, Samson & Delilah, Sugaree, Terrapin Station-> Playin' In The Band-> Drums-> Space-> Stella Blue-> Truckin'-> Around & Around, E: Shakedown Street
Set III
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Last Changed By
System
Sources
(315) View Source
View Archive
no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation
(90696) View Source
View Archive
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
(93433) View Source
View Archive
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(95742) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(105210) View Source
View Archive
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
(141412) View Source
View Archive
flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
(141413) View Source
View Archive
flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
(141414) View Source
View Archive
flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
(141415) View Source
View Archive
flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
(315) View Source
View Archive no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation
(90696) View Source
View Archive flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
(93433) View Source
View Archive flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(95742) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(105210) View Source
View Archive flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
(141412) View Source
View Archive flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
(141413) View Source
View Archive flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
(141414) View Source
View Archive flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
(141415) View Source
View Archive flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| al zeffer (2/0) | DAT / 1 | View | MSR>??>DAT | |||
| Rob Harrison (2/5) | DAT / 1 | View | SBD | |||
| Notes: | First set only. Soundboard>Unknown media (beg. 1/2 Step cut) | |||||
| hobbs (2/0) | cdr / 3 | View | sbd | |||
| Jay (2/0) | shn / 2 | View | 315 | |||
| Tim Onorato (2/0) | CDR / 1 | B | B | View | ||
| Notes: | ONly have the 3rd disk | |||||
| Rob Dutton (2/5) | / 0 | View | ||||
| John Mylan (2/0) | shn / 2 | A | A | View | 315 | no source info |
| David Rothenberger (2/5) | SHN / 2 | View | 315 | |||
| Notes: | [M] | |||||
| Jeff (2/4) | CDR / 2 | View | ||||
| Jeff (2/4) | CDR / 2 | View | ||||
| Stuart Ferguson (2/0) | CDR / 3 | B+ | View | S:MC>DAT>CDR | ||
| KerouacAW (1/0) | ? / 0 | ? | View | |||
| KerouacAW (1/0) | ? / 0 | ? | View | |||
| Gary Field (1/5) | SHN / 2 | View | 315 | SBD | ||
| Notes: | [unknown lineage] may be SMC> VHS HiFi> R> D | |||||
| Gary Field (1/5) | 95742 / 2 | View | 95742 | MTX | ||
| Notes: | Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) [081119.3] | |||||
| Gary Field (1/5) | 93433 / 2 | View | 93433 | SBD | ||
| Notes: | Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC [080801.3] | |||||
| Gary Field (1/5) | 90696 / 2 | View | 90696 | AUD | ||
| Notes: | Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [080401.1] | |||||
| Gary Field (1/5) | 105210 / 2 | View | 105210 | AUD | ||
| Notes: | Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke [100127.2] | |||||
| Gary Field (1/5) | / 0 | View | ||||
| Notes: | [100129.1] | |||||
| Gary Field (1/5) | 141412 / 0 | View | 141412 | |||
| Gary Field (1/5) | 141413 / 0 | View | 141413 | |||
| Gary Field (1/5) | 141414 / 0 | View | 141414 | |||
| Gary Field (1/5) | 141415 / 0 | View | 141415 | |||
| Marc Deardorff (1/5) | shn / 2 | View | 315 | |||
| Notes: | no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 90696 | |||
| Notes: | Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 93433 | |||
| Notes: | SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 95742 | |||
| Notes: | Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) | |||||
| Ed Izsak (1/5) | CDR / 3 | B | View | SDBD | ||
| Notes: | INCOMPLETE SET | |||||
| Boedi-taper (1/4.8) | CDR / 3 | A | A | View | Soundboard Recording | |
| Notes: | Soundboard Recording | |||||
| Brian C (1/4.7) | SHN / 2 | A | A | View | SBD>MR>DAT>CDR | |
| Notes: | w/ja 77 mpg | |||||