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Jeff Tweedy 05/23/05
Pick-Staiger Concert Hall, Northwestern University, Evanston, IL
Set I
Remember The Mountain Bed
Airline To Heaven
Sunken Treasure
Muzzle Of Bees
I Am Trying To Break Your Heart
Forget The Flowers
Far, Far Away
Bob Dylan's 49th Beard
John Wesley Harding
Blasting Fonda
How To Fight Loneliness
Nothing'severgonnastandinmyway(again)
Summer Teeth
Hesitating Beauty
ELT
Gun
I'm The Man Who Loves You

Encore:
Laminated Cat *
Chinese Apple *
The Late Greats *
CandyFloss *
Passenger Side *
Set II
 
Set III
 
Comment
* With Glenn Kotche
Last Changed By Tom Wilder
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Shin (5/5) CDR / 2 A View   AUD
Chad B (5/5) CD-R / 2 A View  
dazzer3435 (5/5) CDR / 2 A- View   AUD
crosseyedstrangers (5/4.6) FLAC / 1 View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
Notes: *2 CD-R*
Tom Wilder (5/4.3) / 0 View  
Dave Hubbs (4/4.5) FLAC / 2 View  
Raulie (4/5) CDR / 2 View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
Zack Silver (4/5) CDR / 2 View  
Henry (3/4.5) CDR / 2 View  
Clint (3/0) flac / 0 C View  
Tangled&Twisted (3/0) CDR / 2 A B+ View  
Notes: Glenn joins for encore...
Crazytigerrabbitman (3/4.8) CDR / 2 A View   Source: Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
bryan voelzke (3/0) / 0 View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
Notes: 2 CD-R
Greg Marchildon (3/5) CDR / 2 A A View  
VJ (3/5) CDR / 2 B+ B View  
Justin Brown (3/5) CDR / 2 View  
aliste (2/5) FLAC / 1 View  
Brian C (1/4.7) FLAC / 1 A A View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
Notes: w/ep 9/3/72 flac
jetydo (1/5) FLAC / 1 View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3 >Adaptec FireConnect 4300 > Notmad...
Notes: 98min
Charlie Yohe (1/5) CDR / 2 View  
Cheryl (1/0) flac / 1 View   AUD: Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
Notes: Also have Glenn Kotche set w/ same source
A.J. Lee (1/0) / 2 View  
PlanetChad (1/5) cd-r/flac / 2 View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
Mike Kellogg (1/5) CDR / 2 ex View   aud
John Wolf (1/0) CDR / 2 View   aud
BK (1/0) 2CDR/1FLAC / 2 View  
Seth (1/5) FLAC / 1 A View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
shiroo t (0/0) CDR / 2 A A View   AUD
bldad (0/5) CD-R / 2 A View   Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3
Notes: *ARCHIVED*(FLAC/1)
justicemoney (0/0) / 2 View  
Notes: Jeff Tweedy 2005-05-23 Evanston, IL - Northwestern U - Pick-Staiger Concert Hall * w/ Glenn Kotche Taper: Brian Skalinder / [email protected] Location: Center, Row 6, ~5' stand (seated crowd) Mic Config: NOS (30cm, 90?) Source: Schoeps MK21/KC5/CMC6 > Lunatec V3 > Nomad JB3 Conversion: Nomad JB3 > Adaptec FireConnect 4300 > Notmad Explorer > PC Format: 16-bit, 44.1 kHz Editing: CD-Wave (tracking), Cool Edit Pro 2.1 (fades) DISC ONE 01. [ intro ] 02. Remember The Mountain Bed 03. Airline To Heaven 04. Sunken Treasure 05. Muzzle Of Bees 06. I Am Trying To Break Your Heart 07. Forget The Flowers 08. Far, Far Away 09. Bob Dylan's 49th Beard 10. John Wesley Harding 11. Blasting Fonda 12. How To Fight Loneliness 13. Nothing'severgonnastandinmyway(again) 14. Summerteeth 15. Hesitating Beauty 16. ELT 17. Gun 18 [ fade out ] DISC TWO 01. [ fade in ] 02. I'm The Man Who Loves You 03. [ applause ] ENCORE 04. Not For The Season (aka Laminated Cat) * 05. Chinese Apple * 06. The Late Greats * 07. CandyFloss * 08. Passenger Side * NOTES: To seamlessly join the two discs, simply remove D1T18 and D2T01. Pick-Staiger, a classical performance space at ~1,000 person capacity, provided a pleasantly intimate performance space without feeling jam-packed uncomfortable. Instead of opting for raw, powerful amplification, Stan provided solid sound reinforcement in this acoustically pleasing venue - makes sense for a solo acoustic performance, after all. The result: a clean ambient recording conveying how it actually sounded 6th row, dead center. Of course, an ambient recording of a solo acoustic show not only captures the sound of the performance and space, but also preserves the hollers from audience members nearby. Fortunately, the courteous audience really only applauded and hooted between songs. But boy, did they ever belt it out at times. Rather than set my levels for the howling crowd and ending up with low levels and therefore poor resolution for the music, I set my levels for the music. As a result, some of the especially loud hoots and hollers don't sound all that nice since fans essentially yelled straight into the mics. At any rate, I compressed the applause between songs to minimize the shock of quiet playing followed by THUNDEROUS crowd. But enough focus on the crowd. If you can get past the crowd between songs (seems a small price to pay), the real treat here: a fine audience recording of an incredibly talented musician in a beautiful sounding acoustic space.