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Phish 09/20/90
Somerville Theater, Somerville, MA
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Set I
[tuning/crowd]
The Landlady
AC/DC Bag
Bouncing Around the Room
The Asse Festival
The Squirming Coil
My Sweet One
Divided Sky
Magilla
The Oh Kee Pa Ceremony >
Suzy Greenberg
Possum
Set II
Funky Bitch
Stash
Uncle Pen
Tube
Lawn Boy %
Tweezer >
Buried Alive >
Tweezer Reprise >
McGrupp and the Watchful Hosemasters
HYHU > Love You > HYHU
Run Like an Antelope

E: The Lizards
Set III

Comment

Last Changed By c4seyj0nes
Sources
(20615) View Source   
Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file) > CDWav > SHNv3
(132468) View Source   
flac16 48kHz Nakamichi 100 > D6 > MC > DAT; DAT @ 48kHz > Tascam DA-20mkII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.2.284 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
khanti (2/3) SHN / 2 View 20615
patrick metsker (2/0) SHN / 2 View 20615 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S
Mike (2/5) cd / 2 A View  
Notes: boys are on!!!
Shoreline99 (2/4) shn / 2 View 20615
William Ferdinandsen (2/5) CDR / 2 View  
Jon Landis (2/0) SHN / 2 View   AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube...
Justin (2/5) SHN / 2 View 20615
Mace (2/0) cdr / 2 View   Nak 300s > D5 atch source: Sony ECM-MS5sAUD MCass (Maxell MX 100 min)> Sony TC-WE805S...
Ron (2/5) SHN / 2 A View 20615
Jeff Woolfall (2/0) CD / 2 A+ View   Nak 300s > D5
Notes: Phish Somerville Theater Somerville, MA 9/20/90 TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/7/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set One: 01. tuning/crowd 02. The Landlady 03. AC/DC Bag 04. Bouncin' 05. The Asse Festival 06. Squirming Coil 07. My Sweet One 08. Divided Sky 09. Magilla 10. Oh // Kee Pah > 11. Suzy Greenberg 12. Possum DISC TWO Set Two: 01. Funky Bitch 02. Stash 03. Uncle Penn 04. Tube 05. Lawn Boy // 06. Tweezer > 07. Buried Alive > 08. Tweezer Reprise > 09. McGrupp 10. HYHU > Love You > HYHU 11. Run Like An Antelope Encore: 12. Lizards Notes The first Tweezer Reprise? The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by shakedown
JesseJ (2/0) SHN / 2 View   AUD MCass> Sony TC-WE805S >Delta DIO 2496> WaveLab v4.0c> WAV> FLAC> Mastering...
Pete Raber (2/0) SHN / 2 View 20615
Kate F. (2/4.2) shn / 2 View 20615
webalienz (2/0) SHN / 2 View 20615 Nak 300s
Lee Ascher (2/5) SHN / 2 View 20615 Nak 300s > D5
A. Davis (2/4.2) SHN / 2 View 20615 Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input...
Notes: Old School Phish Project
Weave (2/0) SHN / 2 View 20615
Chris (2/0) / 2 View  
jake (2/0) shn / 2 View   Nak 300s > D5 patch source: Sony ECM-MS5s
Matthew Kiefer (2/4) CD-R / 2 View 20615 Nak 300s > D5
bfish (2/0) / 0 View  
EMSheldon (2/0) SHN / 2 View   Nak 300s > D5
Notes: Phish Somerville Theater Somerville, MA 9/20/90 TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/7/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set One: 01. tuning/crowd 02. The Landlady 03. AC/DC Bag 04. Bouncin' 05. The Asse Festival 06. Squirming Coil 07. My Sweet One 08. Divided Sky 09. Magilla 10. Oh // Kee Pah > 11. Suzy Greenberg 12. Possum DISC TWO Set Two: 01. Funky Bitch 02. Stash 03. Uncle Pen 04. Tube 05. Lawn Boy // 06. Tweezer > 07. Buried Alive > 08. Tweezer Reprise > 09. McGrupp 10. HYHU > Love You > HYHU 11. Run Like An Antelope Encore: 12. Lizards Notes The first Tweezer Reprise? The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by shakedown
nick (2/0) / 0 View 20615
Derall Riley (1/5) SHN / 2 View 20615 Nak 300s > D5
Ed Izsak (1/5) DAUD / 2 View 132468
Hanf (1/5) Shn / 0 View 20615
John Peters (1/0) FLAC / 1 View 132468 Nakamichi 100: D6 > MC > DAT; DAT @ 48kHz > Tascam DA-20mkII > Canare Coax > Korg MR-2000S >...
Peterphan (1/0) SHN / 2 View   Nak 300s > D5
Sky (1/4) DVD / 1 View  
Notes: 891 MB
MaxPaine (1/0) CD / 2 View 20615