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Phish 09/22/90
University of Massachusetts, Amherst, MA
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Set I
Buried Alive, Horn, My Sweet One, Divided Sky, Tela, Oh Kee Pa Ceremony > Suzie Greenberg, Magilla, Wilson, The Landlady, I Didn't Know, David Bowie
Set II
The Squirming Coil, Tweezer, Destiny Unbound, Fee, Uncle Pen, Bouncing Around the Room, Stash, Lizards, Lawn Boy, Possum, E: The Asse Festival, Golgi Apparatus
Set III

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Last Changed By System
Sources
(20617) View Source   
Nak 300s > D5 > Cass/0 (Maxell MX 100, Maxell XLII-S 90) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file > SHNv3; Taped by John Redmond
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Dustin (3/0) / 0 View  
multipliedspace (3/0) / 0 View 20617
Notes: AUD > MC
Ron Hollatz (3/0) SHN (2) / 2 View 20617 Nak 300s > D5 > Cass/0 (Maxell MX 100, Maxell XLII-S 90) > Sony TC-WE805S > Art DI/O...
Philzone (3/4.9) Cdr / 2 A A- View 20617 DAUD>DAT>Cdr
jason (3/0) shn/cdr / 2 A View   Nak 300s > D5 AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony...
Notes: Phish University of Massachusetts Amherst, MA 09/22/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: There was a very bad humming noise for the 1st 2 minutes of the show, I removed it with X-Noise, there was also some sortof adjustment made during Buried Alive after which everything sounds really nice. For the tuning and first minute of Buried Alive I adjusted volume (gain from the FA770) and bass levels (BBE lo contour) to make it somewhat listenable, there is a tiny crossfade at the switch point to make it smooth. The tape was stopped in Wilson, it picks back up almost right away, I deleted the blank spot and bumped the 2 sections together. There is a crossfade in Landlady to cover the tapeflip. The tape flip right after Coil before Tweezer was quick, you can't tell it's there with the crossfade in place. The final tapeflip after Bouncin' cut no music, only crowd noise. 2dB was added to the second set to match the levels from the first. The following mastering processes were rendered: Waves REQ (rolloff @ 40Hz), FA770 Compressor, BBE Sonic Maximizer (0.5, 2.5, -1), Waves L2 Ultramaximzer. The 192kHz stereo resampler was used to downsample, UV22 HR was used to dither to 16-bits. Transfer>24bit FLAC files by Weave - [email protected] on 10/23/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/03/03. DISC ONE set I: 01. intro/tuning 02. Buried Alive 03. My Sweet One 04. Divided Sky 05. Tela 06. Oh Kee Pah > 07. Suzy Greenberg 08. Magilla 09. Wilson 10. The// Landlady 11. I Did'nt Know 12. David Bowie DISC TWO set II: 01. tuning/crowd 02. Squirming Coil 03. //Tweezer 04. Destiny Unbound 05. Fee 06. Uncle Pen 07. Bouncin' 08. Stash 09. Lizards 10. Lawn Boy 11. Possum encore: 12. The Asse Festival 13. Golgi Apparatus Notes: Trey must have been listening to Vangelis on the way to the gig; Golgi, Possum, Suzy Greenberg, Magilla and David Bowie all have Chariots of Fire teases. A really nice jam opens up after the first teases in the (very playful) David Bowie intro. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)
Djake (3/0) cdr / 2 A- View   Nak 300s > D5
Scott Bernstein (3/0) CDR / 2 View 20617 Nak 300s > D5
Notes: (35)
Chris Perry (3/0) CD / 2 A- View  
Jeff Crowe (3/0) .shn / 2 View  
Rob Schuller (3/4) cda / 3 View 20617 aud
James Dineen (3/1) Cassette / 0 B+/ View   Aud
Andrew Schultz (3/5) SHN / 2 View 20617
Joe Breault (2/0) cdr / 2 View  
Jonathan Hatgis (2/0) shn / 2 View 20617
Kurt Hafer (2/5) SHN / 2 View 20617
Luke Bailey (2/0) SHN / 2 View 20617 Nak 300s > D5 > Cass/0 (Maxell MX 100, Maxell XLII-S 90) > Sony TC-WE805S > Art DI/O...
Notes: Nak 300s > D5 > Cass/0 (Maxell MX 100, Maxell XLII-S 90) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file > SHN
Dave Caimotto (2/0) CD-R/SHN / 2 A View   Nak 300s > D5 > See Notes
Notes: AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: There was a very bad humming noise for the 1st 2 minutes of the show, I removed it with X-Noise, there was also some sortof adjustment made during Buried Alive after which everything sounds really nice. For the tuning and first minute of Buried Alive I adjusted volume (gain from the FA770) and bass levels (BBE lo contour) to make it somewhat listenable, there is a tiny crossfade at the switch point to make it smooth. The tape was stopped in Wilson, it picks back up almost right away, I deleted the blank spot and bumped the 2 sections together. There is a crossfade in Landlady to cover the tapeflip. The tape flip right after Coil before Tweezer was quick, you can't tell it's there with the crossfade in place. The final tapeflip after Bouncin' cut no music, only crowd noise. 2dB was added to the second set to match the levels from the first. The following mastering processes were rendered: Waves REQ (rolloff @ 40Hz), FA770 Compressor, BBE Sonic Maximizer (0.5, 2.5, -1), Waves L2 Ultramaximzer. The 192kHz stereo resampler was used to downsample, UV22 HR was used to dither to 16-bits. Transfer>24bit FLAC files by Weave - [email protected] on 10/23/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/03/03. Trey must have been listening to Vangelis on the way to the gig; Golgi, Possum, Suzy Greenberg, Magilla and David Bowie all have Chariots of Fire teases. A really nice jam opens up after the first teases in the (very playful) David Bowie intro. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends)
khanti (2/3) SHN / 2 View 20617
patrick metsker (2/0) SHN / 2 View 20617 AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)>
Brad (2/0) SHN / 0 View 20617 Nak 300s > D5 > Cass/0 > Sony TC-WE805S
Shoreline99 (2/4) shn / 2 View 20617
William Ferdinandsen (2/5) CDR / 2 View  
Chris (2/2.5) shn / 2 View 20617
perry (2/0) cdr / 2 View  
Mace (2/0) cdr / 2 View   Nak 300s > D5AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S90 min)>Sony...
Kenneth Barner (2/0) SHN / 2 View 20617
Ron (2/5) SHN / 2 A View 20617
JesseJ (2/0) SHN / 2 View   Nak 300s > D5>AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)>Sony...
Pete Raber (2/0) FLAC / 2 View 20617
webalienz (2/0) SHN / 2 View 20617 Nak 300s