<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 810 | 811 - 840 | 841 - 870 | 871 - 900 | 901 - 930 | 931 - 960 | 961 - 990 Next >>
User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
@dam (3/5) | CDR / 3 | A | A | View | DAT @ 44.1 | |
Andrew Schultz (3/5) | SHN / 2 | View | 3281 | |||
Bob Williams (3/0) | SHN / 2 | View | see notes | |||
Notes: | Phish 11/03/90 Boulder Theater - Boulder, CO
Source: Separate from Soundboard 16 track Mix (see notes below) > [email protected]
Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus >
Samplitude v5.5 > CD Wave > mkwACT v0.97
(shn files have seek tables appended)
**No DAE or resampling at all**
Minor Edits: None
"Sbd/Aud mixes: The following shows were recorded to DAT from a separate
recording board at the shows. They are some of the highest quality
Phish tapes in existence: 4/22/90, 10/30/90, 10/31/90, 11/2/90,
11/3/90, 11/4/90, 3/13/91, 3/15/91, 3/16/91, 3/17/91, 3/22/91,
3/23/91, 4/5/92.
Except for the 4/5/92 tape, they have all been fairly widely circulated.
They were done on a large recording console (not EQ) and mixed completely
separately from the board mix, rumoredly done in a truck outside the venue.
The engineer used 2 audience mics to mix in crowd/hall ambience (on most of them).
See also, PA info."
Quoted from: http://www.phish.net/PhishFAQ/tquality.html
Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4)
were all done by Mike Grace through a separate 16 track mixer and ran direct to 2
track DAT. He basically used the same setup in Spring 1991 too."
Mastered by Mike Grace, DATs for this transfer provided by Mikey Perrott. Thanks Mikey!
Transferred and uploaded by Jim Raras |
|||||
Paul Birdsall (3/4) | shn / 2 | View | 3281 | see notes | ||
Matt Falcone (3/5) | CDR / 3 | A | View | SBD | ||
Chris Jech (3/0) | CDR / 3 | A | View | CDR | ||
Ryan & Drew (3/5) | CDR / 3 | View | 434 | Separate from Soundboard 16 track Mix (see notes below) > [email protected] | ||
Matt Eskowitz (3/0) | CDR/SHN / 3 | View | ||||
Jack (3/0) | SHN / 2 | View | Separate from Soundboard 16 track Mix (see notes) > [email protected] | |||
William (3/0) | CDR / 3 | A | A+ | View | ||
Spencer Cunningham (3/0) | shn / 3 | View | ||||
norm (3/0) | shn / 2 | View | ||||
chefjason (3/0) | Analog / 1 | A+ | View | SBD | ||
Tim Settle (3/0) | / 2 | View | DSBD | |||
Joe Blow From Idaho (2/0) | shn / 0 | View | 3281 | |||
gruven42 (2/4.7) | CDR / 3 | A+ | View | 3281 | Sbd/Aud mix > [email protected]; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CD... | |
Mike Langen (2/4.9) | cdr / 3 | A | View | 3281 | Sbrd | |
Notes: | Phish 11/03/90 Boulder Theater - Boulder, CO
Source: Separate from Soundboard 16 track Mix (see notes below) > [email protected]
Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus >
Samplitude v5.5 > CD Wave > mkwACT v0.97
(shn files have seek tables appended)
**No DAE or resampling at all**
Minor Edits: None
"Sbd/Aud mixes: The following shows were recorded to DAT from a separate
recording board at the shows. They are some of the highest quality
Phish tapes in existence: 4/22/90, 10/30/90, 10/31/90, 11/2/90,
11/3/90, 11/4/90, 3/13/91, 3/15/91, 3/16/91, 3/17/91, 3/22/91,
3/23/91, 4/5/92.
Except for the 4/5/92 tape, they have all been fairly widely circulated.
They were done on a large recording console (not EQ) and mixed completely
separately from the board mix, rumoredly done in a truck outside the venue.
The engineer used 2 audience mics to mix in crowd/hall ambience (on most of them).
See also, PA info."
Quoted from: http://www.phish.net/PhishFAQ/tquality.html
Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4)
were all done by Mike Grace through a separate 16 track mixer and ran direct to 2
track DAT. He basically used the same setup in Spring 1991 too."
Mastered by Mike Grace, DATs for this transfer provided by Mikey Perrott. Thanks Mikey!
Transferred and uploaded by Jim Raras |
|||||
Brian DeLong (2/5) | SHN / 2 | View | 3281 | SBD | ||
Notes: | Dankseed Certified | |||||
Colin Waldschutz (2/4.9) | CDR / 3 | View | 3281 | SHN | ||
Brian Colligan (2/0) | shn / 2 | View | 3281 | |||
Notes: | SBD (16 track mix)** | |||||
Mark Domyancich (2/4.6) | flac16 / 0 | View | SBD/AUD matrix > 2-track DAT @ 44.1kHz; Fostex D5 > Sek'd Prodif Plus > Samplitude >... | |||
Joe Breault (2/0) | cdr / 3 | View | ||||
Lew (2/5) | cdr / 3 | A | A | View | 3281 | |
Amy Booth & Jim Himmelein (2/3) | SHN(*) / 0 | View | 3281 | |||
Jonathan Hatgis (2/0) | shn / 3 | View | 3281 | |||
Jonathan Hatgis (2/0) | shn / 3 | View | 3281 | |||
Notes: | Separate from Soundboard 16 track Mix | |||||
Ace Mace (2/0) | / 0 | View | 3281 | |||
Kurt Hafer (2/5) | SHN / 2 | View | 3281 | |||
Jason Moleton (2/0) | cdr / 3 | View | 3281 | |||
Notes: | matrix sbd | |||||
Jeff Hannan (2/0) | SHN / 2 | View | 3281 | SBD > DAT > Sek'd Prodif Plus > SHN |