<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 807 Next >>
User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Chris Short (1/0) | CD-R / 3 | View | ||||
Chris Short (1/0) | CD-R / 3 | View | ||||
Phalls420 (1/5) | shn / 2 | B | View | 14317 | unknown->EAC->SHN | |
pm (1/0) | / 0 | View | 18911 | |||
pm (1/0) | / 0 | View | 14317 | |||
Kevin (1/0) | CDR / 3 | View | MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN | |||
Kevin (1/0) | shn / 2 | View | 18911 | |||
Joel (1/0) | SHN / 3 | View | 18911 | |||
Stephen Olker (1/0) | shn / 1 | View | 18911 | |||
Chris Clark (1/4.6) | SHN / 2 | A | View | MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN | ||
dave solomon (1/0) | shn / 2 | View | ||||
Phamily Tree (1/0) | / 3 | View | ||||
Dave (1/0) | / 0 | View | 18911 | |||
Jeff Engel (1/0) | CD, SHN / 3 | View | Sbd | |||
Josh Adams (1/0) | shn / 0 | View | ||||
Andrew Patrick (1/0) | / 1 | View | SBD>Cass/?>DAT>CDR | |||
Notes: | Set I only | |||||
James L (1/5) | / 3 | View | S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN | |||
Notes: | from the info file: "The "?" in the lineage is not an extra analog generation. I'm just not sure if the PCM came from a DAT or not, thus I put the question mark in. I transferred the PCM, removed the DC offset, converted from 44.056Khz to 44.1Khz at the highest quality setting, tracked, and burned this show on July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and played back with it off. It seems a bit too bright to me. However, I did not mess with the recording in any way. Enjoy! * - There is a very small dropout at 2:10. I tried several times to get a clean read off the PCM tape at that spot, but could not. It's hardly noticable, though.***RE-MASTERING NOTES 8/2003*** This show almost certainly has the pre-emphisis enabled if this a *true* PCM recording. That is the most likely cause for the overly harsh sound of the show. Upon getting these SHN's, they were loaded into REBA and passed through a 20band Parametric EQ with the J17 de-emphisis setting. Next in store for this show was a pass through the BBE Sonic Maximizer. This was used to really bring the mix together....it really brought out the low end very well. You can actually hear Mike's bass now ;-) The reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics....the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right...I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to "lessen" the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone....most of the distortion you hear is not dropouts but rather mic overload. The show was re-mastered, re-tracked, then shn'd in August 2003. Remastering by Mr. Marmar" | |||||
Space_Pickel (1/0) | CD / 3 | A | A | View | S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN | |
Notes: | Notes: The "?" in the lineage is not an extra analog generation. I'm just not sure if the PCM came from a DAT or not, thus I put the question mark in. I transferred the PCM, removed the DC offset, converted from 44.056Khz to 44.1Khz at the highest quality setting, tracked, and burned this show on July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and played back with it off. It seems a bit too bright to me. However, I did not mess with the recording in any way. Enjoy! * - There is a very small dropout at 2:10. I tried several times to get a clean read off the PCM tape at that spot, but could not. It's hardly noticable, though. ^ - Has a vocal jam based on "Hawaii" and a "Lullabye" tease in it. ^^ - "Somewhere Over the Rainbow" tease to start ^^^ - Trey explains secret language David Hollister ***RE-MASTERING NOTES 8/2003*** This show almost certainly has the pre-emphisis enabled if this a *true* PCM recording. That is the most likely cause for the overly harsh sound of the show. Upon getting these SHN's, they were loaded into REBA and passed through a 20band Parametric EQ with the J17 de-emphisis setting. Next in store for this show was a pass through the BBE Sonic Maximizer. This was used to really bring the mix together....it really brought out the low end very well. You can actually hear Mike's bass now ;-) The reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics....the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right...I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to "lessen" the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone....most of the distortion you hear is not dropouts but rather mic overload. The show was re-mastered, re-tracked, then shn'd in August 2003. Remastering by Mr. Marmar | |||||
Dan Nelson (1/0) | CDR / 3 | View | 18911 | SBD | ||
j williams (1/5) | SHN / 2 | View | Unknown SBD | |||
j williams (1/5) | SHN / 2 | View | SBD>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN | |||
Notes: | Remastered version | |||||
Scott Rosen (1/5) | cdr / 3 | View | ||||
Aaron and Dara (1/5) | CDR / 3 | View | ||||
Matthew H. Wier (1/5) | CDR / 3 | A | View | 18911 | S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN | |
Notes: | (2 SHN) | |||||
Kyle Wallace (1/5) | cdr / 3 | View | ||||
travis nordgren (1/0) | shn / 2 | View | 18911 | |||
Notes: | S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN | |||||
bwdst3 (1/0) | CDR / 3 | View | ||||
Notes: | SBD, possible cass in lineage | |||||
jnyaplsd (1/0) | CDR / 3 | View | ||||
Natalie (1/0) | cdr / 3 | View | ||||
Natalie (1/0) | cdr / 3 | View |