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Phish 02/04/93
Providence Performing Arts Center, Providence, RI
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Set I
Axilla, Foam, Bouncing Around the Room, Maze, Fast Enough For You, All Things Reconsidered, Stash, Lizards, Sample in a Jar, Glide, Run Like an Antelope
Set II
Chalk Dust Torture, The Wedge, Mike's Song > T.M.W.S.I.Y. > Avenu Malkenu > T.M.W.S.I.Y. > Weekapaug Groove*, Lawn Boy, Uncle Pen, Big Ball Jam, Lengthwise, Harry Hood, Cavern, E: Amazing Grace, Good Times Bad Times
Set III
 
Comment
* with Push The Little Daisies (Ween from their 1993 album Pure Guava) vocal tease
Last Changed By System
Sources
(20850) View Source   
AKG 451 > ? > Sony D3; Tascam DA30mkII > Apogee WydeEye > WaveCenter PCI (S/PDIF) > Cool Edit Pro v1.2 (48>44.1kHz) > mkwACT > SHN; Patched by Jeffrey Frascona; Transferred by Will Herrmann
(87504) View Source   
(FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, 48 > 44.1 kHz, fades, patch) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Feel the Heat (5/5) SHN/CDR / 2 View 20850
Notes: MD5's match etree
Timothy Henningsen (5/5) wav/SHN / 3 A A View   AKG 451
Tim (5/5) shn / 2 View 20850 AKG 451
Mike Acerra (5/0) CDR / 3 View   AUD
Notes: None
phishinNYC (5/5) SHN / 2 View 20850 AKG 451 > ? > Sony D3
Notes: Phish 2-4-93 Providence Performing Arts Center, Providence, RI source: AKG 451 from tapers area, immediately behind soundboard in open floor area of orchestra section (NOT under balcony overhang) (no further mic info available, patched with Sony D3) .shn transfer: DAT patch master->Tascam DA30mkII->Apogee WydeEye Coax digital cable->Frontier Design Group WaveCenter PCI (SPDIF In)->Cool Edit Pro v1.2 (48 to 44.1, fades)->MKWACT->.shn Original Taper: Unknown Patch by: Jeffrey Frascona DAT->.shn transfer: Will Herrmann Known Flaws: Set 1, Track 1 (Axilla) cuts in shortly before vocals start. I faded in the track to make the abrupt start a little more tolerable. In addition, there is substantial level flux and minor distortion during the first half of Axilla. The levels start out VERY high and the preamp and/or mics overload. An attenuator is subsequently switched on and the distortion ends. Record level fluctuations are also present as the taper and patcher adjust levels. Disc 1 (set 1, requires 80 minute disc): 1. Axilla Part 1 2. Foam 3. Bouncing 'Round the Room 4. Maze 5. Fast Enough For You 6. All Things Reconsidered 7. Stash 8. Lizards 9. Sample in a Jar* 10. Glide 11. Run Like an Antelope Disc 2 (set 2, requires 80 minute disc): 1. Chalkdust Torture 2. The Wedge** 3. Mike's Song-> 4. TMWSIY-> 5. Avenue Malkenu-> 6. TMWSIY-> 7. Weekapaug Groove 8. Lawn Boy 9. Uncle Pen 10. Big Ball Jam 11. HYHU-> 12. Lengthwise^-> 13. HYHU 14. Harry Hood 15. Cavern Disc 3 (encore) 1. Amazing Grace (unmic'd) 2. Good Times Bad Times notes: * First Time Played ** With early, jammed intro before lyrics ^ Reggae version, one of three times ever performed reggae style
Erin (5/5) CDR/SHN / 3 View 20850 AKG 451
jlaughli (5/0) shn / 0 View 20850
Mike Woellert (5/4.6) CD-R / 3 View   AKG 451 (patched with Sony D3)
Notes: AKG 451 (patched with Sony D3)
mike (5/0) / 3 View 20850
Stephen Olker (5/0) cd-r / 3 View  
Paul R. Giunta (5/5) SHN / 2 A View   AKG 451
Paul R. Giunta (5/5) SHN / 2 A View   AKG 451
arnie (5/5) shn / 3 View   AKG 451 from tapers area, immediately behind soundboard in open floor area of orchestra section...
Shawn Dugan (5/1) shn / 1 View  
Duffy (5/4.5) SHN / 2 View   AKG 451 from tapers area, immediately behind soundboard in open floor area of orchestra section...
Krismarn (5/0) SHN/FLAC / 3 View  
Derreck (4/4.6) tape / 1 View  
Notes: Set II only; No Grace, GTBT
Brad Foster (4/4.9) FLAC / 2 View   (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Teac DA-P20
Joseph Lawson (4/5) SHN / 2 View   AKG 451 -> Sony D3 -> DAT patch master->Tascam DA30mkII
shakedown80 (4/3.5) / 0 View 20850
shakedown80 (4/3.5) / 0 View 87504
Jeff Fursetzer (4/5) CDR / 3 A A View 20850 AKG 451 > ? > Sony D3
Notes: AKG 451 > ? > Sony D3
boyd (4/1) shn / 3 View 20850 akg 451; DAT patch master->Tascam DA30mkII->Apogee WydeEye Coax digital cable->Frontier Design...
The Iguana (4/0) DataDVD / 1 View 87504 (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz)
Notes: ph1993-02-04.87504.flac16
The Iguana (4/0) DataDVD / 1 View 20850 AKG 451 > ? > Sony D3
Notes: ph1993-02-04.20850.sbefail.shnf
Thom Mann (4/1) CDR / 3 View 87504
Mike Simpson (4/4.4) SHN / 2 View  
Notes: source: AKG 451 from tapers area, immediately behind soundboard in open floor area of orchestra section (NOT under balcony overhang) (no further mic info available, patched with Sony D3) .shn transfer: DAT patch master->Tascam DA30mkII->Apogee WydeEye Coax digital cable->Frontier Design Group WaveCenter PCI (SPDIF In)->Cool Edit Pro v1.2 (48 to 44.1, fades)->MKWACT->.shn Original Taper: Unknown Patch by: Jeffrey Frascona DAT->.shn transfer: Will Herrmann Known Flaws: Set 1, Track 1 (Axilla) cuts in shortly before vocals start. I faded in the track to make the abrupt start a little more tolerable. In addition, there is substantial level flux and minor distortion during the first half of Axilla. The levels start out VERY high and the preamp and/or mics overload. An attenuator is subsequently switched on and the distortion ends. Record level fluctuations are also present as the taper and patcher adjust levels.
Dylan (4/0) CDR / 2 View 20850 AKG 451
Scott (4/5) CD, SHN / 3 View 20850 AKG 451 > ? > Sony D3; DAT patch master->Tascam DA30mkII->Apogee WydeEye Coax digital...
Notes: Phish 2-4-93 Providence Performing Arts Center, Providence, RI source: AKG 451 from tapers area, immediately behind soundboard in open floor area of orchestra section (NOT under balcony overhang) (no further mic info available, patched with Sony D3) .shn transfer: DAT patch master->Tascam DA30mkII->Apogee WydeEye Coax digital cable->Frontier Design Group WaveCenter PCI (SPDIF In)->Cool Edit Pro v1.2 (48 to 44.1, fades)->MKWACT->.shn Original Taper: Unknown Patch by: Jeffrey Frascona DAT->.shn transfer: Will Herrmann Known Flaws: Set 1, Track 1 (Axilla) cuts in shortly before vocals start. I faded in the track to make the abrupt start a little more tolerable. In addition, there is substantial level flux and minor distortion during the first half of Axilla. The levels start out VERY high and the preamp and/or mics overload. An attenuator is subsequently switched on and the distortion ends. Record level fluctuations are also present as the taper and patcher adjust levels. Disc 1 (set 1, requires 80 minute disc): 1. Axilla Part 1 2. Foam 3. Bouncing 'Round the Room 4. Maze 5. Fast Enough For You 6. All Things Reconsidered 7. Stash 8. Lizards 9. Sample in a Jar* 10. Glide 11. Run Like an Antelope Disc 2 (set 2, requires 80 minute disc): 1. Chalkdust Torture 2. The Wedge** 3. Mike's Song-> 4. TMWSIY-> 5. Avenue Malkenu-> 6. TMWSIY-> 7. Weekapaug Groove 8. Lawn Boy 9. Uncle Pen 10. Big Ball Jam 11. HYHU-> 12. Lengthwise^-> 13. HYHU 14. Harry Hood 15. Cavern Disc 3 (encore) 1. Amazing Grace (unmic'd) 2. Good Times Bad Times notes: * First Time Played ** With early, jammed intro before lyrics ^ Reggae version, one of three times ever performed reggae style
Cindy (4/5) cd/shn / 3 View   AKG 451 from tapers area