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Phish 05/26/94
Warfield Theater, San Francisco, CA
Set I
Buried Alive > Poor Heart > Cavern, Demand, Split Open and Melt, Sparkle, It's Ice > Catapult, Divided Sky, Sample in a Jar
Set II
Also Sprach Zarathustra > Run Like an Antelope, Fluffhead, Down With Disease > Mound, Ginseng Sullivan*, Dog Faced Boy*, You Enjoy Myself, Amazing Grace, E: Good Times Bad Times
Set III

Comment
* Acoustic and without mics.
Last Changed By System
Sources
(1066) View Source   
reported DSBD/Matrix, but Chad reports, "it just doesn't seem like a sbd to my ears"; via Chad Plemons to offer, later to etree; see public comments
(4725) View Source   
Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz [Dankseeds]
(132580) View Source   
flac16, 48kHz; (FOB/ortf) Schoeps cmc5/mk21's > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10 pro II > Sony TCD-D3 > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > SOX > CDWave > FLAC; Source by Eliot Byron; Patch by Unknown; DAT(c) provided by Steve Mortlock; Transfer by Terry Watts
(132882) View Source   
flac16, 48kHz; (spaced omni's) B&K 4010's > Stewart PS > Sony TCD-D3 > Sony TCD-D3 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > SOX > CDWave > FLAC (16/48); Source by Mikey Perrot; Analog Patch DAT(m) provided by Bill Shaw; Transfer by Terry Watts
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
FutureAge (1/5) / 0 View 4725
MaxPaine (1/0) CD / 3 View 4725
arthur (1/4.9) shn / 2 View 4725
STLBlues (1/5) CDR/SHN / 3 View 4725 Schoeps cmc5/mk21 (see db link)
Notes: Schoeps cmc5/mk21 (Vol. 61)
Trey (1/5) shn / 0 View 4725
brett garvey (1/5) SHN / 2 A View 1066 DSBD/Matrix > DAT > Sony R500 > AES/EBU monster cable > ZA2
Notes: ph1994 10 of 34
brett garvey (1/5) SHN / 3 A View 4725 Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz
Notes: ph1994 10 of 34
LossLess Legs (1/0) CDR / 3 View 4725 Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E
Notes: 2/8/2008 - weeble94
LossLess Legs (1/0) CDR / 2 View 1066 DSBD/Matrix > DAT > Sony R500 > AES/EBU monster cable > ZA2
Notes: 2/8/2008 - kingfishcigars
Augustus. (1/5) / 0 View 4725
Notes: Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz [Dankseeds]
David Backus (1/5) CDR-SHN / 2 View   Aud
Notes: dankseed
Tom (1/0) CDR / 3 View 4725
Ken Doughty (1/5) cdr / 2 A View   aud
Will (1/5) CDR / 3 View 4725 Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz
hipkosh (1/2) CDR / 3 View 4725 (DFOB; Master DAT) Schoeps CMC5/Mk21 (ORTF)>Sonosax SX-M2>Apogee AD-500E>Sony D-10 @48KHz
Notes: Dankseed
Sigmund BoPs (1/5) CD-R / 2 View  
Marklar (1/0) CDR / 2 View   ?
Notes: Missing Divided Sky
Brian Kaznocha (1/0) shn / 3 A A View  
Hans Voight (1/5) SHN / 2 A View 4725 Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz;...
Notes: *dank* certified...(wow!)
Alec (1/5) SHN / 0 View 1066
Mark Reaume (1/0) 2cd-shn / 2 A View 1066
Notes: *DSBD/Matrix is the source that was given to me. However, this show does not appear on Phil Nazzaro's Phish SBDs List, and it just doesn't seem like a sbd to my ears. Regardless of whether it is a sbd or aud recording, it sounds excellent. Also, I do not know who did the original transfer/encoding - I received these in a trade.
Al Newhouse (1/4.9) / 0 View 4725
denance (1/4.9) shn / 0 View 1066
Patrick M. (1/4.9) SHN / 2 View 1066 ??DSBD/Matrix??
Brian (1/5) CD-R / 2 View 4725 Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz
Justin D. (1/5) CDR / 2 A A+ View   DSBD/Matrix; Sony R500 > AES/EBU Monster Cable > ZA2 > HD > CDR > EAC > SHN
rhett lieberman (1/5) / 2 View 1066
Chris Gallen (1/0) SHN / 3 A A View 4725 Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz
Notes: *Dankseed Certification received 01-07-27*
Daniel Shay (1/5) CD-R / 3 View 4725 (FOB) Schoeps CMC5/mk4 > SX-M2 > AD-500E > D10
zerbini mike (1/0) cd-r / 3 View