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Set I
Chalk Dust Torture, Weigh-> Rift-> Guelah Papyrus, Stash, Waste, Guyute, Free-> Tela, Character Zero,
Set II
Suzie Greenberg-> Bathtub Gin, HYHU-> Bike-> HYHU, You Enjoy Myself, E: Frankenstein
Set III
Comment
Set 1: 72 minutes. Set 2: 78 minutes.
Last Changed By
Daniel Shay
Sources
(4755) View Source
Nakamichi CM300/CP4; Fostex D-5 > U2A > CoolEdit > SHN
(22065) View Source
AKG 460/ck61>Oade>DA-P1; Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(22116) View Source
source: Shure V P88 > Refrence Audio Design Preamp > D7 > D(1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, BBE > L2 > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3
(75699) View Source
Microtech Gefell m300 > Aerco Preamp > Marantz PMD-700 (48 kHz); Fostex D5 > ipaq H5555 via PDAudio card optical input > SoundForge 6.0 (resampling & fades) > CD Wav (track splits) > FLAC; Taped by Joe Mahan; Transferred by Jordan Braunstein
(89994) View Source
Nakamichi CM300 & PZM 30D mix-> Niles Audiomixer-> D3 (@ 48kHz); PCM-R300-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain PRO (48 to 44.1kHz) -> Wave Lab 5.0 (BBE, Fades, L2Dither) -> Traders Little Helper (flac8); Taped by Greg Holtz; Transferred by JAZ
(118853) View Source
flac16; AKG 398 > DAT; Sony TCD-D8 > Behringer UCA202 > Audacity > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
(121411) View Source
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh (flac16); Taped by JK; Transferred by John M.
(4755) View Source
Nakamichi CM300/CP4; Fostex D-5 > U2A > CoolEdit > SHN
(22065) View Source
AKG 460/ck61>Oade>DA-P1; Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(22116) View Source
source: Shure V P88 > Refrence Audio Design Preamp > D7 > D(1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, BBE > L2 > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3
(75699) View Source
Microtech Gefell m300 > Aerco Preamp > Marantz PMD-700 (48 kHz); Fostex D5 > ipaq H5555 via PDAudio card optical input > SoundForge 6.0 (resampling & fades) > CD Wav (track splits) > FLAC; Taped by Joe Mahan; Transferred by Jordan Braunstein
(89994) View Source
Nakamichi CM300 & PZM 30D mix-> Niles Audiomixer-> D3 (@ 48kHz); PCM-R300-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain PRO (48 to 44.1kHz) -> Wave Lab 5.0 (BBE, Fades, L2Dither) -> Traders Little Helper (flac8); Taped by Greg Holtz; Transferred by JAZ
(118853) View Source
flac16; AKG 398 > DAT; Sony TCD-D8 > Behringer UCA202 > Audacity > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
(121411) View Source
flac16; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh (flac16); Taped by JK; Transferred by John M.
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 484 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Adam (2/0) | CDR / 0 | View | 22116 | |||
| phorce (2/0) | CD / 3 | View | 4755 | |||
| Christian Maurice (2/0) | CDR / 2 | B | View | |||
| bfish (2/0) | / 0 | View | ||||
| evan hoeltge (2/0) | shn / 2 | View | 4755 | |||
| WillLehnert (2/0) | cdr / 2 | A | View | |||
| Notes: | Bathtub!! | |||||
| Adam Cron (2/5) | SHN / 2 | View | 4755 | |||
| jesse barnes (2/0) | cdr / 3 | a | View | aud | ||
| Graham (2/0) | CD-R / 3 | View | Nakamichi CM300+CP4 | |||
| Notes: | PHISH Rupp Arena - Lexington, KY November 7, 1996 Source: Nakamichi CM300+CP4 Transfer: Fostex D-5 > U2A > CoolEdit > shn Note: Disc 2 (Set II) is approx. 76 min in length Disc 1 (Set I) Chalk Dust Torture Weigh -> Rift -> Guelah Papyrus Stash Waste Guyote Free -> Tela Character Zero Disc 2 (Set II) Suzie Greenberg -> Bathtub Gin -> Hold Your Head Up -> Bike -> Hold Your Head Up You Enjoy Myself E: Frankenstein | |||||
| David Rainie (2/0) | shn / 2 | View | Nakamichi CM300+CP4; Fostex D-5 > U2A > CoolEdit > shn | |||
| Marcel (2/0) | CDR / 3 | View | ||||
| Kevin Sinusas (2/0) | / 0 | View | ||||
| Chuck Rothofsky (2/0) | S / 2 | A | View | 4755 | Nakamichi CM300+CP4 | |
| Notes: | Set 2 (Audio) requires an 80 minute CDR 773 MB | |||||
| Boedi-taper (1/4.8) | CDR / 2 | A | A | View | Nakamichi CM300 & PZM 30D mix-> Niles Audiomixer-> D3 (@ 48kHz); PCM-R300-> M-Audio Delta... | |
| openpath (1/5) | FLAC / 0 | View | 89994 | Nakamichi CM300 & PZM 30D mix-> Niles Audiomixer-> D3 (@ 48kHz) | ||
| openpath (1/5) | FLAC / 0 | View | 121411 | flac16; AKG 460b/ck61 > b18 > Sony TCD-D7 | ||
| ojo (1/2.3) | cdr / 2 | View | 4755 | |||
| John Peters (1/0) | FLAC / 1 | View | 121411 | AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd... | ||
| John Peters (1/0) | SHN / 1 | View | 22116 | Shure V P88 > Refrence Audio Design Preamp > DATx2 > M-Audio 24/96 via Coax SPDIF >... | ||
| John Peters (1/0) | MP3 / 1 | View | LivePhish | |||
| Notes: | Not for Trade | |||||
| Matt Vernon (1/4.8) | SHN / 2 | View | 4755 | |||
| Matt Vernon (1/4.8) | SHN / 2 | View | 22065 | |||
| Notes: | akg - the mad hermit | |||||
| Matt Vernon (1/4.8) | SHN / 2 | View | 22116 | |||
| Notes: | shure | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | SBD | View | |||
| Notes: | SBD TB17 | |||||
| Peterphan (1/0) | SHN / 2 | View | Shure V P88 > Refrence Audio Design Preamp > D7 > D(1) | |||
| J (1/4.3) | / 0 | A | A | View | Nakamichi CM300+CP4 Transfer: Fostex D-5 > U2A > CoolEdit > shn | |
| Glenn Moses (1/5) | shn / 2 | View | 22116 | aud | ||
| Notes: | shure | |||||
| Will Petty (1/0) | shn / 0 | View | ||||
| FutureAge (1/5) | / 0 | View | 89994 | |||
| STLBlues (1/5) | CDR/FLAC / 2 | View | 75699 | Microtech Geffel m300 (see db link) | ||
| Notes: | Microtech Geffel m300 (Vol. 115) | |||||