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Set I
As Long As I Have You >
Fresh Garbage >
Shake >
Hush Little Baby >
Suzy Q
Killing Floor >
Lemon Song
White Summer >
Black Mountain Side
Babe I'm Gonna Leave You
Pat's Delight
Fresh Garbage >
Shake >
Hush Little Baby >
Suzy Q
Killing Floor >
Lemon Song
White Summer >
Black Mountain Side
Babe I'm Gonna Leave You
Pat's Delight
Set II
Set III
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Last Changed By
STLBlues
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Bob McHugh (1/5) | CDR / 1 | A+ | A- | View | boot cd>cdr | |
| Notes: | SBD Filler from 1/26/69 Boston | |||||
| W D (1/5) | CDR / 1 | A- | A | View | ||
| Notes: | awesome show, SB, AW | |||||
| Jon Black (1/0) | SHN / 1 | View | ||||
| Andrew (1/0) | FLAC / 2 | View | "Dancing Avocado Supreme" Master Reels > PCM > DAT | |||
| Greg LaFord (1/0) | CDR / 1 | View | liberated boot "Blues Anytime" | |||
| Alex (1/4.5) | cdr / 1 | A | B+ | View | ||
| Notes: | 'Fillmore west '69' | |||||
| Alex (1/4.5) | cdr / 2 | A | A | View | Master Reels > PCM > DAT | |
| Notes: | REMASTER NOTES: 'Dancing Avocade supreme (AJD/JAMESKG) This is as close as you'll ever get the high speed reel master source. AJD owns the original PCM transfer from those reels and the reels have since been destroyed by fire. This originally came from Bill Graham's vault. The original PCM is the now definitive source, but was not widely circulating until now. This is the most complete tape circulated in this quality to date. PCM was used before DAT machines were invented and were the first means of digital recording. An A/D signal converter was used to to encode analog audio from tape reels to (Sony recommended) BETAMAX tapes in a standard BETA machine. A PCM encoder, coupled to a VCR, enables you to record digital audio as if it was an ordinary video signal. The device also extracts the digital audio message from the video signal, the other way round, for playback. This PCM was likely made with either the PCM-1 (1977) or the PCM-F1 (1981). What you are receiving is a direct digital transfer done by the owner of the PCM recording, AJD, a professional audio guru. The PCM machine used for the transfer is a SONY PCM-601ESD, originally sold in 1984-1985. The PCM-601ESD had the important advantages of S/PDIF digital I/O and adjustable tracking and VCR head-matching circuits and was the best digital storage technology available at the time. These units are pretty hard to come by these days. I took his transfer and mastered it for release, then encoded to FLAC8. Notice it is not a "remaster" since was never actually mastered, just transferred from old media to new as the technology progressed. | |||||
| Danny (1/0) | FLAC / 1 | View | ||||
| Razmid (1/4.8) | shn / 1 | View | ||||
| zerbini mike (1/0) | cd-r / 1 | A- | View | |||
| Notes: | low vocals | |||||
| Dave (1/5) | CDR / 1 | View | ||||
| Notes: | SDB | |||||
| orest (1/0) | SHN / 1 | View | ||||
| Andy Smith (1/5) | cdr / 1 | A- | View | |||
| Notes: | Onstage AUD seems likely. Some tech problems with bass in early part of show. Vocals low in the mix. | |||||
| Mike (1/0) | FLAC / 2 | View | Stereo Stage Recording >Master Reels > PCM > DAT | |||
| Notes: | "The Dancing Avocodo" - 2 copies of show, 1 raw PCM xfer, the other mastered by JAMESKG | |||||
| Kindbuddy (1/5) | CDR / 1 | A | View | AUD | ||
| Notes: | 1. As Long As I Have You Medley includes- Fresh Garbage, Shake Hush Little Baby Suzi Q 2. Killing Floor 3. White Summer 4. Black Mountain Side 5. Babe I'm Gonna Leave You 6. Pat's Delight *slight gap between tracks 4 & 5. | |||||
| Ron K (1/0) | shn / 1 | A | View | |||
| Notes: | Cracker Jack Blues | |||||
| Joe Zielinski (1/5) | CDR / 1 | Ex | View | Filmore West 69 | ||
| Notes: | Filmore West 69 | |||||
| Ed Walsh (1/4.5) | cdr / 1 | A | A | View | SBD. | |
| Notes: | Cracker Jack Blues | |||||
| Josh Keats (1/4) | CDR / 1 | View | ||||
| Russell Castley (1/5) | SHN / 1 | A- | View | Audience | ||
| Notes: | Taken from the tile: "Blues Anytime" (Empress Valley EVSD 145) | |||||
| Bob (1/0) | CDr / 1 | A | A- | View | Aud: CDR > EAC (secure) > SHN | |
| MonolithicObelisk (1/0) | CD R / 1 | B | B | View | Audience | |
| Mike MacDonald (1/0) | CD / 1 | A | View | SBD | ||
| Notes: | Led Zeppelin 4/24/69 Fillmore West; San Francisco, California Source: SBD As Long As I Have You (includes: Fresh Garbage, Shake, Hush Little Baby, Suzy Q..), Killing Floor (includes: Lemon Song..), White Summer/Black Mountain Side, Babe I'm Gonna Leave You, Pat's Delight. | |||||
| Jeff (1/0) | CDR / 1 | B | View | |||
| Notes: | Vocals buried in an otherwise good mix | |||||
| Page (1/5) | CDR / 1 | A- | View | Onstage AUD > Crackerjack Blues (Jelly Roll label) bootleg > CDR > SHN | ||
| Notes: | With the venue, the era, and the sound of the recording, I dare say that this is from the side of the stage, and that Graham taped it (as he was known to do at the Fillmore) ^_^ As a result, you get "Osaka 71 Syndrome" with Bonzo up front, Page/Jones mid/front and Plant in the back (but audible this time), you can hear Bonzo scream on occasion which is cool too. A very enjoyable show over all. The JR edition is supposided to be sourced from the master, but (this) has been verfieid as a dupe of the boot. | |||||
| Rich G (1/0) | CDR / 1 | View | ||||
| Matthew Hilty (1/5) | / 0 | View | ||||
| Elmerfudd (1/2) | cdr / 1 | A | A | View | ||
| Jacob (1/0) | CDR / 1 | A | View | |||
| Notes: | Blues Anytime | |||||
| Perry Justus (1/0) | cd-r / 1 | A | A | View | onstage/soundboard (?) master -> DAT -> cd-r | |
| Notes: | speed-up in WS/BMS | |||||