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Set I
Set II
Set III
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Todd
Sources
(84362) View Source
(FOB) Nakamichi CM100/CP1 > Cm > Behringer Ultra-DI Pro DI800 > Behringer Ultramizer Pro DSP-1424P > (2) Presonus EQ3B Parametric EQ's > Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: > Behringer Ultraflex Pro EX3200 > Presonus Blue Tube Pre-amp > BBE 882i > dbx 231 EQ > Behringer Ultramatch Pro SRC2496 > Apogee SPDIF > M-Audio 1010LT > Wavelab > TLH > Flac
Taped by Greg Holtz
(99058) View Source
Taper: Greg Holtz
Source: Nakamichi CM-100s CP-1 Omni caps -> Sony WMD-6C
Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
(84362) View Source
(FOB) Nakamichi CM100/CP1 > Cm > Behringer Ultra-DI Pro DI800 > Behringer Ultramizer Pro DSP-1424P > (2) Presonus EQ3B Parametric EQ's > Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: > Behringer Ultraflex Pro EX3200 > Presonus Blue Tube Pre-amp > BBE 882i > dbx 231 EQ > Behringer Ultramatch Pro SRC2496 > Apogee SPDIF > M-Audio 1010LT > Wavelab > TLH > Flac
Taped by Greg Holtz
(99058) View Source
Taper: Greg Holtz
Source: Nakamichi CM-100s CP-1 Omni caps -> Sony WMD-6C
Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
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