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Set I
Train On The Island
Walk Beside Me
Pretty Fair Maid In The Garden
Church Street Blues
Suzanna
Happy Birthday Song
The Hangman's Reel
My Girl's Waiting For Me
Working
More Love
You Ate The Apple
Senor
Wheel Hoss
Walk Beside Me
Pretty Fair Maid In The Garden
Church Street Blues
Suzanna
Happy Birthday Song
The Hangman's Reel
My Girl's Waiting For Me
Working
More Love
You Ate The Apple
Senor
Wheel Hoss
Set II
Medely (Tim solo):
Per Spelmann (Mr. Fiddler) >
Ace And Deuce Of Pipering >
High Heel Shoe
Stuart And Mike Return
Colleen Malone
Gonna Try To Make Her Stay
California Blues
Give Me Back My Fifteen Cents
Old Joe
Megna's
Not Afraid Of Dying
Letter In The Mail
Look Down That Lonesome Road
Encore:
Keep Your Lamp Trimmed And Burning
Lay Down Your Weary Tune
Per Spelmann (Mr. Fiddler) >
Ace And Deuce Of Pipering >
High Heel Shoe
Stuart And Mike Return
Colleen Malone
Gonna Try To Make Her Stay
California Blues
Give Me Back My Fifteen Cents
Old Joe
Megna's
Not Afraid Of Dying
Letter In The Mail
Look Down That Lonesome Road
Encore:
Keep Your Lamp Trimmed And Burning
Lay Down Your Weary Tune
Set III
Comment
With:
Stuart Duncan
Bryan Sutton
Mike Bubb
Sometimes mis-dated as 04-28-2011.
Stuart Duncan
Bryan Sutton
Mike Bubb
Sometimes mis-dated as 04-28-2011.
Last Changed By
Gary Field
Sources
(113823) View Source
Flac16 SP-CMC-8 (cardioid) > m-Audio Microtrack II @ 24/44.1 > Sound Studio (compress 15X above -19 dB with 19 dB gain, track, 16 bit save) > xACT (fix SBE and flac conversion); admin note: although the files are mislabeled as 2011-04-28, this show occurred on 2011-05-28.
(115814) View Source
Flac16 Soundcraft Vi2 mixer > all channels direct outs plus two NTG-2 shotguns onstage pointed out at audience > Mackie Onyx 1640 > firewire > PC (Sequoia 7.22, 24 bit 44.1kHz); Beyer dynamic MC930 microphones were used for Tim's mandolin and Bryan's guitar. Stuart travels with his own mic, Mike used a Shure (model?) supplied by The Freight; post: mixed in slight amount of a stereo audience recording [made openly with permission by Marcus with Schoeps CMC6XT linear microphones in audience (8th row center) > Edirol R-44(?)] with the live multitrack mix in Sequoia 7.22 > Sound Forge 10 Pro (track, normalize by peak levels, convert to 16 bit [iZotope MBIT+ basic2 psych9 1 bit dither], export tracks to .wav files) > Trader's Little Helper (level 8 encoding, align on sector boundaries) > flacs, ffp, md5 files
(113823) View Source
Flac16 SP-CMC-8 (cardioid) > m-Audio Microtrack II @ 24/44.1 > Sound Studio (compress 15X above -19 dB with 19 dB gain, track, 16 bit save) > xACT (fix SBE and flac conversion); admin note: although the files are mislabeled as 2011-04-28, this show occurred on 2011-05-28.
(115814) View Source
Flac16 Soundcraft Vi2 mixer > all channels direct outs plus two NTG-2 shotguns onstage pointed out at audience > Mackie Onyx 1640 > firewire > PC (Sequoia 7.22, 24 bit 44.1kHz); Beyer dynamic MC930 microphones were used for Tim's mandolin and Bryan's guitar. Stuart travels with his own mic, Mike used a Shure (model?) supplied by The Freight; post: mixed in slight amount of a stereo audience recording [made openly with permission by Marcus with Schoeps CMC6XT linear microphones in audience (8th row center) > Edirol R-44(?)] with the live multitrack mix in Sequoia 7.22 > Sound Forge 10 Pro (track, normalize by peak levels, convert to 16 bit [iZotope MBIT+ basic2 psych9 1 bit dither], export tracks to .wav files) > Trader's Little Helper (level 8 encoding, align on sector boundaries) > flacs, ffp, md5 files
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.