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Set I
The Chicken[1], Funky Bitch, Sneakin' Sally Through the Alley[2], Take the 'A' Train, You Enjoy Myself[3] -> Wilson, Golgi Apparatus > Slave to the Traffic Light, Flat Fee, Corinna, The Lizards, David Bowie
Set II
Fluffhead, Dinner and a Movie, Harry Hood, The Ballad of Curtis Loew[2], Harpua, AC/DC Bag > Alumni Blues > Run Like an Antelope[4]
Set III
Comment
[1] First known Phish performance.
[2] Bobby Brown on harmonica.
[3] No vocal jam.
[4] Trey spoke the names "Marco Esquandolas... Poster Nutbag... Moses Heaps... Moses DeWitt."
This show featured the only known Phish performance of The Chicken. Sneakin’ Sally and Curtis Loew featured Bobby Brown on harmonica. Bowie began with a tease medley that included Timber, Alumni Blues, Smoke on the Water, Sunshine of Your Love, Money, Whipping Post, and several others. YEM did not contain a vocal jam. Trey teased Entrance of the Gladiators and spat out the names “Marco Esquandolas... Poster Nutbag... Moses Heaps... Moses DeWitt” during Antelope. Dinner and a Movie was dedicated to “our good friend Susannah.” Lizards was delayed, as Trey cut on Fish for losing his drumsticks during the gig; Lizards subsequently included a theme from I Dream of Jeanie tease. Some recordings that circulate are mislabeled “The Base Lounge.”
[2] Bobby Brown on harmonica.
[3] No vocal jam.
[4] Trey spoke the names "Marco Esquandolas... Poster Nutbag... Moses Heaps... Moses DeWitt."
This show featured the only known Phish performance of The Chicken. Sneakin’ Sally and Curtis Loew featured Bobby Brown on harmonica. Bowie began with a tease medley that included Timber, Alumni Blues, Smoke on the Water, Sunshine of Your Love, Money, Whipping Post, and several others. YEM did not contain a vocal jam. Trey teased Entrance of the Gladiators and spat out the names “Marco Esquandolas... Poster Nutbag... Moses Heaps... Moses DeWitt” during Antelope. Dinner and a Movie was dedicated to “our good friend Susannah.” Lizards was delayed, as Trey cut on Fish for losing his drumsticks during the gig; Lizards subsequently included a theme from I Dream of Jeanie tease. Some recordings that circulate are mislabeled “The Base Lounge.”
Last Changed By
jeff mitchell
Sources
(2073) View Source
AUD > Cass/x > DAT; Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3; Transfer by Jerome Meyer; Fixes by Ben Mohr
(124085) View Source
flac16; aud > cass/x > Nak BX150 > Tascam DA-20 (DAT); Sony PCM-R500 > Tascam SS-R1 > Wavelab v6.10 (fades, edits, 48k > 44.1K) > CD Wave v1.98 > TLH (flac 8); Transferred by Jeff Mitchell
(2073) View Source
AUD > Cass/x > DAT; Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3; Transfer by Jerome Meyer; Fixes by Ben Mohr
(124085) View Source
flac16; aud > cass/x > Nak BX150 > Tascam DA-20 (DAT); Sony PCM-R500 > Tascam SS-R1 > Wavelab v6.10 (fades, edits, 48k > 44.1K) > CD Wave v1.98 > TLH (flac 8); Transferred by Jeff Mitchell
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Augustus. (1/5) | / 0 | View | 2073 | |||
| Notes: | AUD > Cass/x > DAT; Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3; Transfer by Jerome Meyer; Fixes by Ben Mohr | |||||
| Will (1/5) | CDR / 2 | A | A | View | 2073 | AUD > Cass/x > DAT |
| hipkosh (1/2) | CDR / 2 | View | AUD > Cass/x > DAT | |||
| Wizard (1/0) | / 0 | View | 2073 | |||
| Brian Hedden (1/0) | / 2 | View | ||||
| Marklar (1/0) | CDR / 2 | View | ? | |||
| Tim Burke (1/5) | SHN / 2 | View | 2073 | AUD>Cass/x>DAT | ||
| David Shapiro (1/0) | / 2 | View | ||||
| Alec (1/5) | SHN / 0 | View | 2073 | |||
| Al Newhouse (1/4.9) | / 0 | View | 2073 | |||
| denance (1/4.9) | / 0 | View | 2073 | |||
| Daniel Shay (1/5) | CD-R / 2 | View | 2073 | AUD > Cass/x > DAT | ||
| Stephen Olker (1/0) | shn / 1 | View | 2073 | |||
| Robert Rigos (1/5) | SHN / 2 | A- | View | 2073 | ||
| Notes: | This is definitely an audience recording judging by the R/L levels and the "large" amount of crowd noise. You are able to hear conversations at certain points. This, however, does not detract from the show since this is an excellent recording. The hiss level is relatively low, probably no more than two analog generations. -Splice between d1t06 and d1t07 (start of d1t07 cut), d1t10 4:58, between d2t01 and d2t02, d2t03 and d2t04, d2t04 and d2t05, d2t05 and d2t06 -Tape flip d1t08 0:10 (42:39) d2t05 8:55 (46:17) -Diginoise in d1t10 0:08.150-0:08.974 (0.824 sec) -d1t12 (Bowie) fades out | |||||
| HAVANOS (1/0) | cdr / 2 | A | B | View | AUD > Cass/x > DAT | |
| Notes: | -This is definitely an audience recording judging by the R/L levels and the "large" amount of crowd noise. You are able to hear conversations at certain points. This, however, does not detract from the show since this is an excellent recording. The hiss level is relatively low, probably no more than two analog generations. -Splice between d1t06 and d1t07 (start of d1t07 cut), d1t10 4:58, between d2t01 and d2t02, d2t03 and d2t04, d2t04 and d2t05, d2t05 and d2t06 -Tape flip d1t08 0:10 (42:39) d2t05 8:55 (46:17) -Diginoise in d1t10 0:08.150-0:08.974 (0.824 sec) -d1t12 (Bowie) fades out | |||||
| HAVANOS (1/0) | cdr / 2 | A | B | View | AUD > Cass/x > DAT | |
| Notes: | -This is definitely an audience recording judging by the R/L levels and the "large" amount of crowd noise. You are able to hear conversations at certain points. This, however, does not detract from the show since this is an excellent recording. The hiss level is relatively low, probably no more than two analog generations. -Splice between d1t06 and d1t07 (start of d1t07 cut), d1t10 4:58, between d2t01 and d2t02, d2t03 and d2t04, d2t04 and d2t05, d2t05 and d2t06 -Tape flip d1t08 0:10 (42:39) d2t05 8:55 (46:17) -Diginoise in d1t10 0:08.150-0:08.974 (0.824 sec) -d1t12 (Bowie) fades out | |||||
| Jeremy Pinquist (1/0) | / 0 | View | ||||
| Jesse (1/5) | 2 shn/2 CD / 2 | View | AUD > Cass/x > DAT | |||
| Thomas Raymo (1/5) | SHN / 2 | View | 2073 | |||
| Notes: | OK | |||||
| Mirth (1/5) | SHN / 2 | View | 2073 | |||
| Mike Wren (1/0) | / 0 | View | 2073 | |||
| XJackson (1/0) | cdr / 2 | View | AUD > Cass/x > DAT | |||
| Notes: | -------------------------------------------- Disc 1: (75:32) -------------------------------------------- -Set 1- 1. The Chicken^ (05:37) 2. Funky Bitch (05:07) 3. Sneakin Sally Through the Alley* (05:28) 4. Take the A-Train (04:26) 5. You Enjoy Myself -> (11:46) 6. Wilson (05:50) 7. /Golgi Apparatus > (04:15) 8. Slave to the Traffic Light (06:12) 9. Flat Fee (02:21) 10. Corrine Corrina (04:59) 11. Lizards** (11:19) 12. David Bowie/ (08:07) ------------------------------------------------ Disc 2: (73:00) ------------------------------------------------ -Set 2- 1. Fluffhead (15:23) 2. Dinner and a Movie (04:15) 3. Harry Hood (12:32) 4. The Ballad of Curtis Loew* (05:12) 5. Harpua (10:12) 6. AC/DC Bag -> (05:56) 7. Alumni Blues -> (04:46) 8. Harpua -> Run Like an Antelope (14:44) ^ James Brown cover * with Tim Rogers on harmonica ** Fish loses his drumsticks during the intro so the band has to stop playing until he finds them :-) Notes: -This is definitely an audience recording judging by the R/L levels and the "large" amount of crowd noise. You are able to hear conversations at certain points. This, however, does not detract from the show since this is an excellent recording. The hiss level is relatively low, probably no more than two analog generations. | |||||
| BJ Larsen (1/0) | shn / 2 | View | ||||
| Notes: | Source: AUD > Cass/x > DAT Transfer: Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3 Transfer by Jerome Meyer ([email protected]) Fixes by Ben Mohr ([email protected]) | |||||
| Brandon (1/0) | SHN / 0 | View | ||||
| Alec (1/0) | SHN / 0 | View | 2073 | |||
| Kevin (0/5) | SHN & CD-R / 2 | B- | View | 2073 | AUD > Cass/x > DAT > Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 >... | |
| Kevin (0/0) | / 0 | View | 2073 | |||
| Notes: | AUD>CASS(X) | |||||
| Israel (0/0) | / 0 | View | 124085 | |||
| Notes: | 2073, 124085 | |||||
| Ryan Beach (0/5) | CD-R / 2 | A | View | AUD > Cass/x > DAT | ||
| Notes: | SHN available | |||||
| Garrett Mitchell (0/0) | / 0 | View | 2073 | |||