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Set I
Don't Ease Me In, Silver Threads, Friend Of The Devil, Candyman, Cold Jordan, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New Speedway Boogie
Set II
Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Drums-> The Main Ten-> Sugar Magnolia, Louie Louie Jam, It's A Man's World, Mama Tried, Sitting On Top Of The World, Cosmic Charlie, Casey Jones, Good Lovin'-> Drums-> Good Lovin'
Set III
Comment
Other artist(s): GD; NRPS; Southern Comfort first set acoustic
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
Last Changed By
randy walton
Sources
(98) View Source
View Archive
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
(6185) View Source
View Archive
shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
(132325) View Source
View Archive
flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
(98) View Source
View Archive acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
(6185) View Source
View Archive shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
(132325) View Source
View Archive flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| mike (5/0) | shn / 2 | A | View | |||
| David (5/0) | shn/cdr / 2 | A | View | S:MR>Cass>DAT>ZA2>CD>EAC>shn | ||
| Notes: | CD 1: Acoustic Set Don't Ease, Silver Threads, My Dog Has No Nose, Friend of the Devil, Candyman, Cold Jordon, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New Speedway Boogie CD 2: Electric Set Cryptical -> Drums -> Other One -> Cryptical -> Drums -> The Main Ten -> Sugar Magnolia* CD 3: Electric Set (continued) Louie Louie Jam, It's A Man's World, Mama Tried, Top of the World, banter, Cosmic Charlie, Casey Jones, Good Lovin' -> Drums -> Good Lovin' The total running time is approximately 2 hours and 15 minutes, give or take a few minutes. Note: There is a cut (reel splice I assume) during Casey Jones. Interesting info that makes this show so cool: During the little drumming interlude prior to the Other One, there is some woman you can hear ranting and raving and generally going on about Viet Nam. It would seem the band kind of lets her state her piece in its entirety before going into the Other One. Very cool. The whole second CD is very cool. The jam after the Cryptical reprise is great. It goes into a kind of lulling drum beat which goes on for a few minutes (what I called Drums again, even though it isn't in the official setlist) before Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar Magnolia. First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up until now, the earliest version I'd ever heard was the one from the famed 6/24/70 Cap Theater show, which I thought was unusual enough to be of historical significance. This one is also interesting historically. Between Top of the World and Casey Jones the band sits around talking to the crowd and deciding what to play next. What kills me is Bobby's comment: "Hey, there's a guy over there, he's always over there and he always yells out 'Golden Road!'. I wanna know who he is, because man, you really take the cake. To tell you the truth we've forgotten how to play that song" or something like that. You can also hear several suggestions for songs, among them "White Rabbit", which cracks up the crowd. Great stuff. Let's get it out there. The acoustic set is pretty straight-forward, but it's the electric set I think that really shines. The boys just seems to be having a great time the whole show. | |||||
| SamuraiTrader (4/0) | FLAC / 2 | View | 98 | SBD:MR>Cass>DAT>ZA2>CD>EAC>SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) >... | ||
| Jeff Hagen (4/5) | CDr's / 3 | A | View | |||
| Notes: | Deadweeds #21 CAVEAT EMPTOR: There is a reel cut during Casey Jones and It's A Man's World. Also a slight gap before the Dog Joke and again at the end of Man's Man's World. The Frozen Logger encore is missing from all known recordings of this show. This is also the first performance of Sugar Magnolia and it's rough, somewhat out of time and a real struggle but fascinating nonetheless to hear it as a "work in progress". During the 1st Drums a woman in the crowd can be heard protesting about the war in Vietnam and during the 2nd Cryptical the offstage ravings of a very stoned Robert Hunter can also be heard, which all adds up to a crazed vibe that somehow seems to spur The Dead into one of their most raging and mindshredding Other One jams ever | |||||
| Andy Sato (4/5) | CDR / 3 | A | View | |||
| Notes: | SBD | |||||
| Chris Masciangelo (4/4) | CDR / 3 | View | ||||
| Grayson Kimball (4/4.8) | CDR / 3 | A+ | View | SBD/SHN | ||
| Notes: | Set 1+2 | |||||
| Thomas Sera (4/0) | SHN / 2 | View | ||||
| Edgar H (4/5) | / 3 | View | 98 | |||
| Brad Foster (4/4.9) | FLAC / 2 | View | SBD>MR>Cass>DAT>ZA2>CD>EAC>shn | |||
| Taylor73 (4/5) | flac 16 / 0 | View | 132325 | 132325 SBD | ||
| David Aicher (4/0) | CDR / 3 | View | 98 | SBD | ||
| sideshowbob (4/5) | CDR / 2 | A | View | |||
| Randy (4/5) | CDR / 3 | A | A | View | ||
| Notes: | 1st set acoustic | |||||
| Sean Moran (4/0) | / 0 | View | 98 | |||
| John Gibbs (4/5) | flac / 2 | View | 98 | |||
| Notes: | 2flac/3audio | |||||
| Roger Moroney (4/5) | shn / 2 | View | 98 | acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD>... | ||
| Paul56 (4/0) | / 0 | View | 98 | |||
| shakedown80 (4/3.5) | / 0 | View | 98 | |||
| paul (4/4.9) | cdr / 3 | a+ | a | View | ||
| chris carter (4/5) | shn/2 / 3 | View | 98 | sbd | ||
| Michael Gordon (4/5) | SHN / 0 | A | A | View | SBD:MR>Cass>DAT>ZA2>CD>EAC>shn | |
| René G. F. Mikkelsen (4/5) | CDR / 3 | A+ | View | SBD | ||
| markwish (4/5) | shn / 2 | View | 98 | S:MR>Cass>DAT>ZA2>CD>EAC>shn | ||
| we420247 (4/0) | shn / 2 | View | 98 | S:MR>Cass>DAT>ZA2>CD>EAC>shn | ||
| Notes: | Grateful Dead Fillmore West San Francisco, CA 6/7/70 Source: S:MR>Cass>DAT>ZA2>CD>EAC>shn Setlist: CD 1 (45:07): Acoustic Set Don't Ease, Silver Threads, My Dog Has No Nose, Friend of the Devil, Candyman, Cold Jordon, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New Speedway Boogie CD 2 (36:18): Electric Set Cryptical -> Drums -> Other One -> Cryptical -> Drums -> The Main Ten -> Sugar Magnolia* CD 3 (52:16): Electric Set (continued) Louie Louie Jam, It's A Man's World, Mama Tried, Top of the World, banter, Cosmic Charlie, Casey Jones, Good Lovin' -> Drums -> Good Lovin' * = first time played | |||||
| Nick Smith (4/5) | cd-r / 2 | View | ||||
| Anthony Dellacioppa (4/5) | CDR / 3 | A | View | 98 | S:MR> Cass> DAT> ZA2> CD> EAC> shn | |
| Michael Hughey (4/0) | shn / 2 | View | 98 | |||
| Thom Mann (4/1) | CDR / 3 | A | View | 98 | ||
| Zeke Phillips (4/4.3) | shn / 2 | View | 98 | SBD | ||