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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
David Backus (1/5) | CDR-SHN / 2 | View | SBD | |||
Kirk Fleischer (1/0) | / 0 | View | ||||
Ken Doughty (1/5) | shn / 2 | B- | View | 9079 | sbd | |
Notes: | SBD MR>R>D>CD + AUD low-gen | |||||
Phil (1/5) | SHN / 2 | View | ||||
Notes: | with Gary Duncan and Dino Valenti | |||||
Dave Davidson (1/0) | cdr / 2 | View | ||||
Randy (1/0) | SHN / 2 | View | 9079 | |||
hasher (1/0) | SHN / 1 | View | 9079 | |||
Notes: | SBD, AUD | |||||
raincooker (1/0) | / 1 | A+ | View | SOUNDBOARD, Part | ||
Dario Birindelli (1/3) | cdr / 2 | View | Sbd and Aud | |||
Tom King (1/5) | CDR / 2 | View | 9079 | SBD MR>R>D + AUD low-gen | ||
Mark Gay (1/0) | / 0 | View | 9079 | |||
Notes: | 9079 | |||||
Victor Pianello (1/5) | .shn / 2 | View | 9079 | |||
Redbeard (1/5) | / 2 | View | 9079 | SBD MR>R>D>CD + AUD low-gen | ||
Terence Keating (1/5) | shn / 2 | View | 9079 | |||
Kima (1/0) | shn / 0 | View | 9079 | |||
Django (1/5) | SHN / 2 | View | 9079 | SBD MR>R>D>CD + AUD low-gen | ||
Doug Moog (1/4.3) | shn / 2 | View | 9079 | SRRDC & aud | ||
*.* (1/3) | SHN / 2 | View | 9079 | |||
Erik (1/0) | / 0 | View | 9079 | |||
jgglass (1/0) | / 2 | View | 9079 | |||
Ruby Tuesday (1/5) | / 0 | View | ||||
wally-brewing (1/0) | / 2 | View | 9079 | |||
Notes: | d10 | |||||
Lynn S (1/0) | CD / 2 | View | 9079 | |||
denance (1/4.9) | / 0 | View | 9079 | |||
karlfox (1/0) | CDR / 1 | C | View | |||
zerbini mike (1/0) | cd-r / 2 | View | ||||
Dave (1/5) | SHN / 1 | View | ||||
Notes: | SBD>MR>R>D>CD>SHN incomplete | |||||
Robert Rigos (1/5) | SHN / 2 | View | 9079 | SBD MR>R>D>CD + AUD low-gen | ||
Notes: | Notes from the SHN text The AUD is spliced in to supply the following segments: - beginning through D1T2 (Easy Wind) 3:16 - D2T1 (Speedway) 2:24 through the end The difference in mix & ambience between the AUD + SBD sources is enormous. (The same is not necessarily true for the actual sound quality, in terms of listening pleasure. The AUD may not be very clean and up front; but the SBD is flat and lifeless.) That's why I played around with the sources I had and produced a few "bonus tracks" which are included here. 4. Easy Wind 9:05 complete in almost untouched SBD - there was no right channel signal on the source from 0:05 to 1:05. I put the left channel onto both stereo channels. Generally the first 4 minutes suffer from very bad mix. This track includes the banter before the song; missing on the AUD. 5. Uncle John's Band 6:54 The complete song from the AUD tape. 6. Easy Wind 7:23 soundboard/audience mixes: both sources can be heard. The idea behind this was to take two completely opposite-sounding recordings of the same performance, both tapes being of suboptimal quality, and produce a combination that would be more enjoyable to listen to than either source. Whether or not I succeeded, you'll be the judge. This process required lots of "trial & error" synchronization of the two source recordings. There are two minor cuts in the AUD tape | |||||
larry mcsweeney (1/5) | cdr / 2 | View | ||||
HAVANOS (1/0) | cdr / 2 | A | A | View | SBD MR>R>D>CD + AUD low-gen | |
Notes: | The AUD is spliced in to supply the following segments: - beginning through D1T2 (Easy Wind) 3:16 - D2T1 (Speedway) 2:24 through the end |