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Grateful Dead 09/19/70
Fillmore East, New York, NY
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Set I
(acoustic Dead): Don't Ease Me In, Candyman, Silver Threads And Golden Needles, Friend Of The Devil, Deep Elem, The Rub, Rosalie McFall, Cumberland Blues, New Speedway Boogie, To Lay Me Down, Cold Jordan > Swing Low Sweet Chariot
Set II
(NRPS, listing incomplete): Workingman's Blues, I Don't Know You, Superman, Whatcha Gonna Do, Portland Woman, Glendale Train, Fair Chance To Know, All I Ever Wanted, Henry, Lodi, Last Lonely Eagle, Louisiana Lady
Set III
(electric Dead): Morning Dew, Me And My Uncle, Good Morning Little Schoolgirl, Cold Rain And Snow, Easy Wind, Sugar Magnolia, Dark Star > St. Stephen > drums > Not Fade Away > Darkness jam > China Cat jam > jam > Not Fade Away > Turn On Your Lovelight
Comment
setlist courtesy deadlists.com; Final Pigpen 'Schoolgirl' - Other artist(s): NRPS; SBDs in circ so far contain set 3 (all? or portions);

B&W video footage was shot by the Fillmore East crew but it has yet to re-surface.
Last Changed By Darryl Hinko
Sources
(102) View Source    View Archive
SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller
(5217) View Source    View Archive
MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions
(25473) View Source    View Archive
Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner
(31510) View Source    View Archive
flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell
(97906) View Source    View Archive
flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds
(119722) View Source    View Archive
flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger
(143300) View Source   
Source unknown, but thought to be Jack Toner's audience recording, part of which is available on the Warner 25473 composite copy. Lineage: AUD > ?? > CD WAV > FLAC
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Chris (3/0) cdr / 1 View  
Notes: set 2 only!
Joe Aims (3/0) / 1 View 5217
Steve Jacobs (3/5) Audio / 1 View  
Notes: This is a selection of songs listed as "From Set II". Dark Star > St. Stephen > NFA > Darkness Jam > China Cat Jam > NFA > Lovelight, Filler (of unknown source): Promised Land, Sugaree
Jason (3/3) CDR / 1 A A View  
Jason (3/3) CDR / 1 A A View  
Jason (3/1) CDR / 1 A A View  
Jason (3/1) CDR / 1 A A View  
Sugar Mag (3/5) cdr / 1 View  
Notes: set 2
Brack (3/0) CD / 1 A+ View  
Notes: *incomplete
TLEO (3/0) flac16 / 0 View   sbd
TLEO (3/0) shnf / 0 View   sbd
TLEO (3/0) shnf / 0 View   sbd
TLEO (3/0) flac16 / 0 View   mtx
TLEO (3/0) flac16 / 0 View   aud
Jim Van Houten (2/5) / 0 View 97906 https://archive.org/details/gd1970-09-19.sbd.reynolds.97906.flac16
Brian Koistinen (2/5) CDR / 1 A View   Chappell Matrix
Notes: partial of 2nd set
Scott Miller (2/0) / 0 View  
Joe Blow From Idaho (2/0) shn / 0 View   S:MR>dat>CD by David Hollister
Notes: set 2 partial
Dave Wenzel (2/5) / 1 A View   SBD:MR>D>CD
Notes: partial Set2, Dark Star>>Lovelight
Eric H. (2/5) CDR / 1 A View  
Notes: Dark Star> end of show
Ray LaChance (2/5) CDR / 1 A View 5217 Soundboard
Notes: Grateful Dead Fillmore East New York, NY 9-19-70 (d3 only) Sick Bits Vol. 14 Source: Matrix (SBD/AUD mix): SBD: (shnid=5217) - via Seth Kaplan MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD> EAC> SHN AUD: (shnid=25473) - via Jack Warner Source 1: MAC (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Source 2: MAR (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback> Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Toner A > D by Dwight Holmes Weinberg A > D by Steven Martin > Dr. Michael Parrish > Warner Patches and EAC > SHN by Jack Warner Transfer/Editing: Both sources were downloaded from the LlaMA and were converted to WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 11-11-05 ___________________________________________________________________ Set II: d3t01 - Dark Star -> d3t02 - St. Stephen -> d3t03 - Not Fade Away -> d3t04 - Darkness Jam -> d3t05 - China Cat Jam -> d3t06 - Not Fade Away -> d3t07 - Turn On Your Lovelight d3t08 - Crowd noise > Youngbloods: Get Together... -> d3t09 - Phil and Pigpen speak -> d3t10 - Youngbloods: Get Together -> Crowd noise Total Time:[68:14] ___________________________________________________________________ General Notes: After doing the 2-19-71, I was searching the LMA for some old boyz that would be suitable for a matrix when I found this gem in which only the end of the show existed in SBD. I did a test on a portion of Dark Star and nearly lost my mind when first hearing the combination. The SBD is excellent in quality although it lacks a little low end made up by the source 1 AUD which is quite nice for the "outside" sections of Dark Star. The source 2 AUD covers the end of St. Stephen through Lovelight, and the crowd interaction with Pig Pen is really amazing, something you just don't get with a soundboard recording. Worthy of noting (not captured in the tracking notes) are the following events: - d3t01 Feelin' Groovy Jam @ 16:09 - 17:35 - d3t07 Let It Rock riff @ 13:52 - d3t07 Pig Pen "let's fuck" @ 10:50 and "fuck!" @ 20:19 - d3t09 Pig Pen "Why don't you guys go home and fuck somebody" @ 0:16 Aside from the incredible Dark Star (with a prominent guiro in the mix), the NFA jams are really intense with Garcia and Weir totally going at it, at one point playing the same China Cat lick at the same time. The loony Lovelight is just that, with Pig imploring people from the crowd to say something into the mic, and one guy yells "hey, let's ball in the moonlight" (9:35) - the band on fire as they follow Pig through his crazy Saturday night rant in NYC. The band is so blown out (Garcia's hand gets a cramp and Bobby loses his voice) that they can't do an encore. No matter, this shit simply smokes. Ironically, this show was pretty easy to synch, with the pitch of both AUDs and the SBD being relatively close to each other. What posed more of a challenge was the multiple recording level changes in the Source 1 AUD which I tried to smooth out, mostly sucessfully. Also helping matters is Bear's SBD mix which is spot on, plus the quality is great, I just added some Fillmore ambience from the awesome AUD recordings, the result hopefully close to what is what like at the show - I wouldn't know, I had just turned 4. -------Reviews from the LlaMA: "Best dark star + lovelight. Pigpen is perfect. Best Dark Star for 1970. Pigpen's rap is so great in Lovelight. My favorite pre 1972 show." "The NFA>Darkness>China Cat Jam>NFA is ridiculous. I listen pretty seriously to this stuff (70-79) and I would put this up there with the top ten sets of the era." "This is one of the most beautiful transluscent Dark Stars ever played. The quiet passages are simply amazing. I can't believe this was performed live on a stage in front of an audience. It has such an intimacy to it." "On this night, something extra seemed to be in the air. Was it the fact that Jimi Hendrix had been found dead the night before (with Janis short to follow)? Something pursuaded the dead that night in NY, and the emotions were bold as love." -------Credits: Thanks to Seth Kaplan for the excellent SBD extraction & conversion. Thanks to Jack Toner and Marty Weinberg for their AUD recordings, and to Dwight Holmes and Steven Martin for their respective A>D conversions. Thanks to Dr. Michael Parrish for providing the Weinberg/Martin source. Thanks to Jack Warner for the editing, assembly and conversion of the AUDs. And, of course, thanks to the LlaMA for making this all possible. Front Cover found at: http://www.geocities.com/deadpieshop/ All other art and layout by yours truly. Enjoy! Chappy Appended to text file: Shntool output FLAC Fingerprint Editing Notes SBD & AUD source Notes Included in fileset: MD5 for FLACs only jpegs of cover and tray ___________________________________________________________________ Shntool: length expanded size cdr WAVE problems filename 25:30.41 269988476 --- -- ---xx gd70-09-19d3t01.flac 6:18.12 66707468 --- -- ---xx gd70-09-19d3t02.flac 5:05.64 53952572 --- -- ---xx gd70-09-19d3t03.flac 1:06.42 11741228 --- -- ---xx gd70-09-19d3t04.flac 1:24.27 14881148 --- -- ---xx gd70-09-19d3t05.flac 1:48.03 19058300 --- -- ---xx gd70-09-19d3t06.flac 22:09.50 234553244 --- -- ---xx gd70-09-19d3t07.flac 2:21.03 24879500 --- -- ---xx gd70-09-19d3t08.flac 0:31.17 5508428 --- -- ---xx gd70-09-19d3t09.flac 1:58.74 20989292 --- -- ---xx gd70-09-19d3t10.flac 68:14.33 722259656 B(totals for 10 files, 0.5541 overall compression ratio) ___________________________________________________________________ FLAC Fingerprint: gd70-09-19d3t01.flac:5e9136b5d878bfe64181baad8f97ce64 gd70-09-19d3t02.flac:0cbc89c307c8d0f958864bca7f8f0b73 gd70-09-19d3t03.flac:d72548886881f86c36626e5790932adc gd70-09-19d3t04.flac:659abec5d63ff2f2cefcece7d32f8251 gd70-09-19d3t05.flac:f529c9accd41cb0f6901aa285f21fce3 gd70-09-19d3t06.flac:f4304d21b8c41ca3e951ce9aebe297ed gd70-09-19d3t07.flac:23644904a4e99857946743245bc7ae7c gd70-09-19d3t08.flac:6f9d9f50535a89f0ac5a5c9d7caa5f05 gd70-09-19d3t09.flac:01c224c60cfd03be94f5b7cbb18768b5 gd70-09-19d3t10.flac:2f0a31c10c44f4c1b315908a764dcda0 ___________________________________________________________________ Editing Notes: - Pitch Both sources were very close in pitch, even between the two AUD sources. I used the SBD as my master timeline and pitch referenced the AUDs to it. Source 2 AUD was closer in pitch to the SBD than Source 1 AUD, but both were never off more than a couple of cents. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio No EQ was applied to either of the three sources. There is some low end distortion present in Source 1 AUD, and where it was noticeable (because of multiple level changes by the recordist) I used the volume envelope to diminish these sections (very few) so that the distortion is barely noticeable. However, I didn't want to edit out these sections completely or I would have lost the matrix, that being more noticeable than anything else. The key was to keep the listening experience realistic. I applied Waves L2 (limiter) to the master 2 buss to keep things contained, the levels rarely hitting zero, thus the limiting is quite scarce. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 4:1 and 3:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: d3t01 (0:00 - 0:06) - missing (crowd) d3t07 (18:08 - 18:32) - left channel loses about 10db - left intact AUD: d3t02 (5:44:52 - 5:45:16) - dropout (used volume envelope to smooth out) d3t03 (0:32:11 - 0:32:29) - dropout (used volume envelope to smooth out) d3t07 (2:38 - 2:50) - missing (reel change) d3t07 (18:48:37 - 18:48:40) - mic was bumped (used volume envelope) d3t07 (20:28 - 22:08) - missing (crowd) d3t08 missing (crowd and Youngbloods) d3t10 missing (crowd and Youngbloods) Note that alot of the missing elements from the SBD or the AUD source are just crowd segments except for a reel change from the Source 2 AUD, thus full coverage is achieved (for this portion of the show). ___________________________________________________________________ SBD text file: Grateful Dead 9/19/70 Fillmore East New York, NY One Disc Source info: S:MSR > DAT > CD or SBD>Rm>Reel>Dat>Sonic Solutions>CD 1. //Sugar Magnolia > Tuning (02:16) 2. Dark Star > (25:23) 3. St. Stephen > (06:18) 4. Not Fade Away > (05:10) 5. Darkness Jam > (01:02) 6. China Cat Jam > (01:23) 7. Not Fade Away > (01:48) 8. Turn On Your Lovelight > (21:09) 9. Crowd noise > Youngbloods: Get Together... > (03:29) 10. Phil and Pigpen speak > (00:23) 11. Youngbloods: ...Get Together> (01:58) Total time: (70:24) (Extraction and.shn encoding by Seth Kaplan via EAC and MKW. Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool) ___________________________________________________________________ AUDs text file: Grateful Dead Fillmore East New York, NY September 19, 1970 [Saturday] Source One: Master audience cassette (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding Source two: Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding Thanks to Dwight Holmes and Dr. Michael Parrish for the sources Toner A > D by Dwight Holmes Weinberg A > D by Steven Martin Patches and EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) Disc One (13) 58:08 --Acoustic set, partial-- 01 Cold Jordan [2:33] > 02 Swing Low Sweet Chariot [2:53] --NRPS set-- [m: Workin' Man Blues] 03 I Don't Know You [3:43] 04 Superman [3:34] 05 Whatcha Gonna Do [4:26] 06 Portland Woman [5:17] 07 Glendale Train [5:05] 08 Fair Chance To Know [4:07] 09 All I Ever Wanted [7:41] 10 Henry [3:39] 11 Lodi [3:33] 12 Last Lonely Eagle [6:47] 13 Honky Tonk Women [4:47] Disc Two (6) 43:29 --Electric set, begin-- 01 Morning Dew [10:52] 02 Me And My Uncle [3:26] 03 Good Morning Little Schoolgirl [10:11] 04 Cold Rain And Snow [5:54] 05 Easy Wind [8:43] 06 Sugar Magnolia [4:22] Disc Three (4) 62:29 --Electric set, end-- 01 Dark Star [25:36] > 02 Saint Stephen [6:18] > 03 Not Fade Away [9:25] > 04 Turn On Your Lovelight [21:09] Disc one from source one, except d1t12 1:53 - end and d1t13 from source two Disc two from source two, except d2t1 0:00 - 0:22, d2t2 0:00 - 0:16 and 3:24 - 3:26, d2t3 0:00 - 0:07 and 10:09 - 10:11, d2t4 0:00 - 0:07 and 5:49 - 5:54, d2t5 and d2t6 from source one Disc three from source two, except d3t1 0:00 - 0:15, d3t3 0:32 - end, and d3t4 from source one
EddieTandy (2/0) CDR / 1 View 31510
Lost Sailor (2/0) Flac / 0 View 31510 flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating...
Lost Sailor (2/0) Flac / 0 View 119722 flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75...
Lost Sailor (2/0) Flac / 0 View 97906 flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH...
Lost Sailor (2/0) Shn / 0 View 5217 MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more...
Lost Sailor (2/0) Shn / 0 View 102 SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR;...
Lost Sailor (2/0) Shn / 0 View 25473 Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with...
Dave Sanders (2/5) shn / 1 View 5217
Bill Tetzeli (2/5) SHN / 1 View 5217 SBD>Rm>Reel>Dat>Sonic Solutions>CD