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Set I
The Landlady, Free > The Moma Dance > Seven Below > Prince Caspian > Backwards Down the Number Line, The Line, Scent of a Mule[1], Saw It Again, Halfway to the Moon, The Birdwatcher, Frankenstein[2]
Set II
Wilson > Down with Disease[3] > Carini > Steam > Piper > Also Sprach Zarathustra > Tweezer > The Horse > Silent in the Morning > Slave to the Traffic Light
Encore: Tweezer Reprise, Harpua[4] > After Midnight > NO2[1] > Keyboard Army > Your Pet Cat[5], Once in a Lifetime > United We Stand[6]
Encore: Tweezer Reprise, Harpua[4] > After Midnight > NO2[1] > Keyboard Army > Your Pet Cat[5], Once in a Lifetime > United We Stand[6]
Set III
Comment
[1] Fish on Marimba Lumina.
[2] Page on keytar.
[3] Unfinished.
[4] Unfinished. Narration included Jimmy being a guy from the east coast coming west and needing an oxygen tank. Trey sucked from an oxygen tank.
[5] Included narration from Mike about eating Poster Nutbag.
[6] Phish debut.
Notes: This show was webcast via LivePhish and featured several bustouts: The Landlady (last played December 3, 1994, or 768 shows), Birdwatcher (June 28, 2012, 134 shows), Keyboard Army (December 14, 1995, 684 shows), and Once In A Lifetime (October 31, 1996, 634 shows). Scent of a Mule and NO2 featured Fish on Marimba Lumina. Frankenstein featured Page on keytar. Down with Disease and Harpua were unfinished. Piper included a quote of Rocking Down The Highway. Harpua included narration about Jimmy being a guy from the east coast coming west, having a breathing problem, and needing an oxygen tank (with Trey sucking from an oxygen tank). Trey then said "I wonder if I should've gotten the oxygen in the lot after the show." Harpua also contained a Glass Onion quote with Trey saying the Walrus was Page. Your Pet Cat included narration from Mike about eating Poster Nutbag. Once In A Life Time contained Harpua quotes. This show featured the Phish debut of United We Stand. During Harpua, Trey mentioned that people writing down the setlist would want to only count Harpua once (by doing this, the encore spelled out THANK YOU).
[2] Page on keytar.
[3] Unfinished.
[4] Unfinished. Narration included Jimmy being a guy from the east coast coming west and needing an oxygen tank. Trey sucked from an oxygen tank.
[5] Included narration from Mike about eating Poster Nutbag.
[6] Phish debut.
Notes: This show was webcast via LivePhish and featured several bustouts: The Landlady (last played December 3, 1994, or 768 shows), Birdwatcher (June 28, 2012, 134 shows), Keyboard Army (December 14, 1995, 684 shows), and Once In A Lifetime (October 31, 1996, 634 shows). Scent of a Mule and NO2 featured Fish on Marimba Lumina. Frankenstein featured Page on keytar. Down with Disease and Harpua were unfinished. Piper included a quote of Rocking Down The Highway. Harpua included narration about Jimmy being a guy from the east coast coming west, having a breathing problem, and needing an oxygen tank (with Trey sucking from an oxygen tank). Trey then said "I wonder if I should've gotten the oxygen in the lot after the show." Harpua also contained a Glass Onion quote with Trey saying the Walrus was Page. Your Pet Cat included narration from Mike about eating Poster Nutbag. Once In A Life Time contained Harpua quotes. This show featured the Phish debut of United We Stand. During Harpua, Trey mentioned that people writing down the setlist would want to only count Harpua once (by doing this, the encore spelled out THANK YOU).
Last Changed By
Jeff Mitchell
Sources
(134248) View Source
flac16 Schoeps mk4v (ortf)>kcy>aki> M222> NT222>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
(134249) View Source
flac16 DPA 4015c(NOS/DFC/[email protected]’)->Portico 5012->Mytek 192->HD-P2(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
(134252) View Source
flac16 Schoeps mk22(nos)>Kcy>Schoeps Vst 62IUg>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
(134253) View Source
flac16 Beyerdynamic CK930 > Tascam DR-70D (@24/48) + Audix M1245hc > Tascam DR-70D (@24/48); OTS. Right side of SBD; Wavelab 6.0 (Mix sources/Waves Q10 Paragraphic EQ/Waves L3 Multimaximizer) > CD Wave (tracking) > Traders Little Helper (FLAC level 8) > foobar2000 (tagging)
(134254) View Source
flac16 DPA 4022(18cm-90deg/DFC/[email protected]’)->V3(SPDIF)->DR-100mkII(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
(134281) View Source
flac16 AKG CK-61 ULS (NOS) > Nbob actives > Nbox Platinum + AKG CK-63 ULS (DIN) > Nbob actives > Nbox Platinum > Tascam DR-70D @ 24bit/96kHz; FOB/DFC 60ft from stage, 6ft up; SD > WaveLab 6 (4 channel > 2 channel mixdown, Gain, Fades, Convert to 16bit/48kHz with; Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6)Tagging: FLACs Tagged With Mp3tag v2.63; Recorded by Ryan Stearns
(134282) View Source
flac Nevaton MCE400 (split 3 feet) > Naiant Tinybox > Sony M10 (@24/48); Wavelab 6.0 (Added fades) > CD Wave (tracking) > Traders Little Helper (FLAC level 8) > foobar2000 (tagging)
(134284) View Source
flac16 DPA 4021(DIN)>Grace Designs Lunatec V3(Oade ACM)>Marantz PMD661 MKII(24/96); FOB, DFC, 60' from stage, 6' high; SDHC>PC>Wave Lab 6.1(levels, fades, conversion)>CD Wave 1.98(tracks)>TLH(level 8); Recorded by: Rob O'Brien
(134285) View Source
flac16 Schoeps mk21 (FOB/ORTF wide) > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (16/44)
(134286) View Source
flac24 Schoeps mk21 (FOB/ORTF wide) > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (24/48)
(134314) View Source
flac24 Schoeps mk4v (ortf)>kcy>aki> M222> NT222>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
(134315) View Source
flac24 Schoeps mk22(nos)>Kcy>Schoeps Vst 62IUg>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
(134318) View Source
flac16 JW MOD AKG461's > OCM Marantz PMD661 > SD; SD > WAV > Sound Forge 11 (fades & volume) > CDWav (tracks & flac) > FLAC; FOB: PAS ~75° - ~100' Back - Stand @ ~5.5'; Taped & Transfered By: Brad Shears
(134325) View Source
flac16 AKG CK-61 ULS (NOS) > Nbob actives > Nbox Platinum + AKG CK-63 ULS (DIN) > Nbob actives > Nbox Platinum > Tascam DR-70D @ 24bit/96kHz; FOB/DFC 60ft from stage, 6ft up; SD > WaveLab 6 (4 channel > 2 channel mixdown, Fades, Convert to 16bit/48kHz with Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6); FLACs Tagged With Mp3tag v2.69; Recorded by Ryan Stearns
(134248) View Source
flac16 Schoeps mk4v (ortf)>kcy>aki> M222> NT222>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
(134249) View Source
flac16 DPA 4015c(NOS/DFC/[email protected]’)->Portico 5012->Mytek 192->HD-P2(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
(134252) View Source
flac16 Schoeps mk22(nos)>Kcy>Schoeps Vst 62IUg>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
(134253) View Source
flac16 Beyerdynamic CK930 > Tascam DR-70D (@24/48) + Audix M1245hc > Tascam DR-70D (@24/48); OTS. Right side of SBD; Wavelab 6.0 (Mix sources/Waves Q10 Paragraphic EQ/Waves L3 Multimaximizer) > CD Wave (tracking) > Traders Little Helper (FLAC level 8) > foobar2000 (tagging)
(134254) View Source
flac16 DPA 4022(18cm-90deg/DFC/[email protected]’)->V3(SPDIF)->DR-100mkII(24/96)->UV22HR(16/44.1)->xACT->FLAC; Recorded and transferred by Scott Schneider
(134281) View Source
flac16 AKG CK-61 ULS (NOS) > Nbob actives > Nbox Platinum + AKG CK-63 ULS (DIN) > Nbob actives > Nbox Platinum > Tascam DR-70D @ 24bit/96kHz; FOB/DFC 60ft from stage, 6ft up; SD > WaveLab 6 (4 channel > 2 channel mixdown, Gain, Fades, Convert to 16bit/48kHz with; Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6)Tagging: FLACs Tagged With Mp3tag v2.63; Recorded by Ryan Stearns
(134282) View Source
flac Nevaton MCE400 (split 3 feet) > Naiant Tinybox > Sony M10 (@24/48); Wavelab 6.0 (Added fades) > CD Wave (tracking) > Traders Little Helper (FLAC level 8) > foobar2000 (tagging)
(134284) View Source
flac16 DPA 4021(DIN)>Grace Designs Lunatec V3(Oade ACM)>Marantz PMD661 MKII(24/96); FOB, DFC, 60' from stage, 6' high; SDHC>PC>Wave Lab 6.1(levels, fades, conversion)>CD Wave 1.98(tracks)>TLH(level 8); Recorded by: Rob O'Brien
(134285) View Source
flac16 Schoeps mk21 (FOB/ORTF wide) > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (16/44)
(134286) View Source
flac24 Schoeps mk21 (FOB/ORTF wide) > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (24/48)
(134314) View Source
flac24 Schoeps mk4v (ortf)>kcy>aki> M222> NT222>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 24/96>Amadeus Pro>xACT; Taped By: Chris King
(134315) View Source
flac24 Schoeps mk22(nos)>Kcy>Schoeps Vst 62IUg>Sonosax SX-M2>744t 24/96; FOB; SDHC>Audacity 16/44.1>Amadeus Pro>xACT; Taped By: Chris King
(134318) View Source
flac16 JW MOD AKG461's > OCM Marantz PMD661 > SD; SD > WAV > Sound Forge 11 (fades & volume) > CDWav (tracks & flac) > FLAC; FOB: PAS ~75° - ~100' Back - Stand @ ~5.5'; Taped & Transfered By: Brad Shears
(134325) View Source
flac16 AKG CK-61 ULS (NOS) > Nbob actives > Nbox Platinum + AKG CK-63 ULS (DIN) > Nbob actives > Nbox Platinum > Tascam DR-70D @ 24bit/96kHz; FOB/DFC 60ft from stage, 6ft up; SD > WaveLab 6 (4 channel > 2 channel mixdown, Fades, Convert to 16bit/48kHz with Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6); FLACs Tagged With Mp3tag v2.69; Recorded by Ryan Stearns
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.