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Grateful Dead 02/24/71
Capitol Theater, Port Chester, NY
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Set I
Casey Jones, Me & My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser, Playin' In The Band, Good Lovin'-> Drums-> Good Lovin'
Set II
Sugar Magnolia, King Bee, Greatest Story Ever Told-> Johnny B. Goode, Deal, Minglewood Blues, Truckin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Jam-> Not Fade Away-> Turn On Your Love Light
Set III
 
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By Hamilton, Greg & Diana
Sources
(114) View Source    View Archive
via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
(6189) View Source    View Archive
retracked version of previous shn set, by Bob Clevenger
(6190) View Source    View Archive
seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
(87570) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
(121065) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(125171) View Source    View Archive
flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
(140834) View Source    View Archive
flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
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User (active/rating) Media / # Show Sound Details DB Source User Source
Jeff (1/5) SHN / 2 View 114 see notes
Notes: AT242 Grateful Dead 2/24/71 Port Chester, NY Disc 1: ====== SET1 1. Casey Jones 2. Me And My Uncle 3. Cumberland Blues 4. Next Time You See Me 5. Bird Song 6. Me And Bobby McGee 7. Bertha 8. Hard To Handle 9. Loser 10. Playing In The Band Disc 2: ====== 1. Good Lovin' > Drums > Good Lovin' SET2 2. tuning 3. Sugar Magnolia 4. I'm A King Bee 5. Greatest Story Ever Told > Johnny B. Goode 6. Deal 7. New Minglewood Blues Disc 3: ====== 1. tuning 2. Truckin' 3. Not Fade Away > 4. Goin' Down The Road Feeling Bad > Jam > 5. Not Fade Away > 6. Turn On Your Lovelight total size of shn files: 840184 kB all wav files are the correct length for clean burning! Notes: The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the orinal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf <[email protected]> length expanded size cdr WAVE problems filename 6:29.11 68645516 --- -- ---xx 1_01.shn 5:11.37 54947468 --- -- ---xx 1_02.shn 6:26.56 68222156 --- -- ---xx 1_03.shn 4:24.18 46611980 --- -- ---xx 1_04.shn 9:50.64 104226572 --- -- ---xx 1_05.shn 6:38.72 70376588 --- -- ---xx 1_06.shn 7:22.10 77992364 --- -- ---xx 1_07.shn 8:35.70 91010684 --- -- ---xx 1_08.shn 10:54.01 115367996 --- -- ---xx 1_09.shn 7:05.43 75071180 --- -- ---xx 1_10.shn 17:07.57 181296908 --- -- ---xx 2_01.shn 1:35.15 16793324 --- -- ---xx 2_02.shn 6:18.28 66745100 --- -- ---xx 2_03.shn 9:04.24 96018092 --- -- ---xx 2_04.shn 9:10.37 97107068 --- -- ---xx 2_05.shn 5:19.73 56443340 --- -- ---xx 2_06.shn 4:21.69 46202732 --- -- ---xx 2_07.shn 1:47.14 18907772 --- -- ---xx 3_01.shn 8:55.62 94519868 --- -- ---xx 3_02.shn 3:41.11 39010316 --- -- ---xx 3_03.shn 9:06.69 96476732 --- -- ---xx 3_04.shn 2:23.62 25371068 --- -- ---xx 3_05.shn 19:53.67 210602828 --- -- ---xx 3_06.shn 171:45.70 1817967652 B (totals for 23 files, 0.4714 overall compression ratio) 1ff363d723826556372667c9bf58b17e *1_01.shn ca99f1d3993fc932ea52151b50eddad5 *1_02.shn 0e0e95b7adb98a3870d9546ab6e1579d *1_03.shn 5620c776fa389294a16b480f39d2b96c *1_04.shn 3f73b36c4e4446314090d0aec4befdc0 *1_05.shn 3a8fdd61fa260bf34cddb382335bf117 *1_06.shn bcac929fe5241df3767d4ea0deea3d6b *1_07.shn e56705fdc46709c905ca6dfd033d1d02 *1_08.shn 53a5f9a1c5a15e15a5c1516bdd4dd024 *1_09.shn 49326f1c63086a8fd504e16fef0f083f *1_10.shn 2fe9ef248f4756883c5509b407ae31a4 *2_01.shn 5d38f190b6ae5e9a9db2ba801bd06409 *2_02.shn 298797e8f5960e4572b2381331f172d9 *2_03.shn 7c73e266c1d412238ea00742d7226761 *2_04.shn 2e9ca8fb993d28de598482c7898b3812 *2_05.shn b81b4916ec1411bffd020e732dfbfd75 *2_06.shn f68f88bab7d75bc5feeeae5cace6ceff *2_07.shn f510d9f1b03b249ad32b3fa81af6848e *3_01.shn c63639365f275461f7e5062564ccdc07 *3_02.shn 44d6d3ef0545d9df48876b51469002f4 *3_03.shn c459b2cc4f5acfc5dc2df4393d4ba12b *3_04.shn ef8b5b32367dbb0e40c5025abaf5916d *3_05.shn 11e3c1a9fe32297926e98e7d78000d50 *3_06.shn Size: 817 MB
spcwrnglr (1/5) CDR / 2 View   Betty Board MR>RR>PCM>DAT>CDR
raincooker (1/0) / 3 A+ View   SOUNDBOARD
Dario Birindelli (1/3) cdr / 2 View   Sdb
triportweek (1/5) cdr / 2 View 114
Mark Gay (1/0) FLAC / 3 View 87570
Notes: 87570
Mark Gay (1/0) / 0 View 114
Notes: 114
Mark Gay (1/0) / 0 View 6189
Notes: 6189
taperBWeed (1/5) / 2 View 114 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Sandy Cook (1/5) SHN / 2 View 114
Notes: SBD>MR>DAT>ZA2>CDr
Victor Pianello (1/5) CD-R / 3 View 114
Victor Pianello (1/5) .shn / 2 View 114
Brian (1/5) CDSB / 3 View   MR>PCM>DAT>CD
Notes: disc 2 wont copy
Arthur Sutherland (1/5) SHN / 2 View 114 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: Thanks to AlsoVineZarathustra.org
Redbeard (1/5) / 3 View 114 BBD
hoptrip (1/0) / 3 View 114
justin tobin (1/5) CDR / 2 A+ View  
Tim Burke (1/5) SHN / 2 View 114 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Terence Keating (1/5) shn / 2 View 114
Mike McD (1/4.9) cd / 3 A+ A View   SBD.
Notes: Slight FM whine
Tom Bashara/Eric Linstrom (1/5) SHN, Audio / 2 View 6190 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Tom Bashara/Eric Linstrom (1/5) FLAC / 2 View 87570
Kima (1/0) shn / 3 View 114
Kima (1/0) flac / 3 View 87570
Kima (1/0) shn / 2 View 6190
Django (1/5) SHN / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
JerryG4Ever (1/0) / 0 View 114
Notes: 114
Doug Moog (1/4.3) shn / 3 View 114 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
*.* (1/3) SHN / 2 View 114
*.* (1/3) FLAC / 2 View 87570
Notes: flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT