Artists
Dates
List Management
Help
Add Source
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
Playin' In The Band, Sugaree, Mr. Charlie, Black Throated Wind, China Cat Sunflower-> I Know You Rider, Big Boss Man, Jack Straw, Loser, Chinatown Shuffle, Me & My Uncle, Big Railroad Blues, Good Lovin', Casey Jones
Set II
Greatest Story Ever Told, He's Gone, Next Time You See Me, Dark Star-> Sugar Magnolia-> Caution (Do Not Stop on Tracks)-> Who Do You Love, E: One More Saturday Night, E: Uncle John's Band*
Set III
Comment
Second Encore
Last Changed By
Hamilton, Greg & Diana
Sources
(5250) View Source
View Archive
AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks
(17025) View Source
View Archive
SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources
(17026) View Source
View Archive
SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon.
(18523) View Source
View Archive
SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by [email protected]
(32877) View Source
View Archive
This is a remaster of shnid 17026 by Sir Mick
(98401) View Source
View Archive
flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec)
(125888) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(126010) View Source
View Archive
flac16; 2 Source Matrix by dusborne; Soundboard (shinid:125888) Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; and Audience (shinid:5250) Source: MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. seed disks provided by eurodead.net; SHN Conversion by [email protected]
(141886) View Source
View Archive
flac16; Source: Unknown mics > Uher 4400 > Master Reel > PCM > DAT (44.1k) - Taped by Wolsander* and provided by Tim Dalton; Tansfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick May 2018
(5250) View Source
View Archive AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks
(17025) View Source
View Archive SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources
(17026) View Source
View Archive SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon.
(18523) View Source
View Archive SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by [email protected]
(32877) View Source
View Archive This is a remaster of shnid 17026 by Sir Mick
(98401) View Source
View Archive flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec)
(125888) View Source
View Archive flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(126010) View Source
View Archive flac16; 2 Source Matrix by dusborne; Soundboard (shinid:125888) Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; and Audience (shinid:5250) Source: MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. seed disks provided by eurodead.net; SHN Conversion by [email protected]
(141886) View Source
View Archive flac16; Source: Unknown mics > Uher 4400 > Master Reel > PCM > DAT (44.1k) - Taped by Wolsander* and provided by Tim Dalton; Tansfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick May 2018
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| TuneTree (4/0) | SHN CD-R / 2 | View | ||||
| Yojimbo_ (4/0) | / 0 | View | SBD | |||
| Matt Stevenson (4/5) | / 0 | View | 17025 | |||
| jcroot (4/0) | / 0 | View | 17025 | |||
| Rev_St_Penis (4/0) | / 0 | View | 5250 | |||
| mike west (4/5) | SHN / 2 | View | 18523 | |||
| Notes: | SBD | |||||
| Joey33 (4/0) | SHN / 0 | View | 5250 | |||
| Joey33 (4/0) | FLAC / 0 | View | 32877 | |||
| Bill H (4/0) | SHN / 1 | View | 17025 | SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources | ||
| Notes: | SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources | |||||
| johnnyb (4/5) | / 3 | View | 17026 | SBD>MR>??>DAT>CDR | ||
| Notes: | sbd with patches- still have to listen to give accurate rating | |||||
| Andrew Taylor (4/1) | Cdr / 3 | A | A | View | SBD>MR>??>DAT>CDR Aud Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R.... | |
| Notes: | Comments: * Second Encore - sbd was pitched to match the aud source. The pitched varied thoroughout and for the longer songs multiple pitch corrections for different segments were required. There are still artifacts, especially before reel or cassette flips. - Cool Edit Pro used for pitching, crossfades, etc... with highest accuracy settings - there is little audio above 8kHz on this sbd so it pales in comparison to the better E72 boards available - d1t1 (fades in and out) 1:06-1:09 hiss level changes briefly 5:37-5:40 overload distortion (as Keith mixed in higher?) - d1t4 some overload like distortion at times when everyone plays chords together and on Bob's vocals - d1t5 & d1t6 some distortion on Phil's bass and Garcia's guitar and vocals at times - d1t7 overload distortion most promient on harmonica - d1t8 mild overload distortion occasionally on vocals, piano, guitars - d1t9 spots where bass and vocals have mild overload distortion - d2t1 residual speed variation before some reel flips - d2t2 mixes changes at the start - d2t3 some distortion and a few very brief partial drop outs. 2:51 volume briefly drops - d2t4 distortion on vocals and some of phils chords - d3t1 reel flip cross faded with aud - d3t2 reel flip cross faded with aud - d3t5 opening notes cross faded from aud, hiss level different than preceeding tracks, more "aud" like ambiance | |||||
| Tim Ujin (4/0) | SHN / 2 | View | 5250 | |||
| Ingo Benzler (4/0) | CDR / 4 | View | SBD Source: SBD:MR>??>DAT>CDR; Aud Patch Source:MR*>cass>SB... | |||
| Notes: | SBD was pitched to match the AUD source. The pitch varied throughout and for the longer songs multiple pitch corrections for different segments were required. There are still artefacts, especially before reel or cassette flips. - Cool Edit Pro used for pitching, cross-fades, etc... with highest accuracy settings - there is little audio above 8kHz on this sbd so it pales in comparison to the better E72 boards available - d1t1 (fades in and out) 1:06-1:09 hiss level changes briefly 5:37- 5:40 overload distortion (as Keith mixed in higher?) - d1t4 some overload like distortion at times when everyone plays chords together and on Bob's vocals - d1t5 & d1t6 some distortion on Phil's bass and Garcia's guitar and vocals at times - d1t7 overload distortion most prominent on harmonica - d1t8 mild overload distortion occasionally on vocals, piano, guitars - d1t9 spots where bass and vocals have mild overload distortion - d2t1 residual speed variation before some reel flips - d2t2 mixes changes at the start - d2t3 some distortion and a few very brief partial drop outs. 2:51 volume briefly drops - d2t4 distortion on vocals and some of Phil's chords - d3t1 reel flip cross faded with AUD - d3t2 reel flip cross faded with AUD - d3t5 opening notes cross faded from AUD, hiss level different than preceding tracks, more "AUD" like ambience Comments: I created this "SBD/AUD" matrix while matching the pitch of the circulating SBD to the audience tape. The results I think are very good. The audience tape is excellent but lacking mostly in bass while the SBD has little above 8 kHz, some distortion, and generally "flat", colourless sound. Simply put, the deficiencies in either source individually are compensated in the other so the matrix sounds significantly better than the individual AUD or SBD. The main technical difficulty I experienced was matching the pitch of the SBD to the AUD tape because it fluctuates throughout. I eventually divided the set 3 jam into intervals of 30 to 60 seconds in length and then pitch adjusted each individually to match as best as possible using isolated audio events present in both sources. After the SBD was pitched to the AUD, the gaps from the reel flips or gaps were cross-faded from the AUD. Finally, lowering the volume of the AUD by about 3dB relative to the SBD and applying no time shift of the AUD relative to the SBD created the SBD/AUD matrix. Clearly one can play around with the mix ratios and fixed time offsets. I looked for a combination that to my listening on headphones sounded like I was "on stage". There are still some artefacts that you will notice if you are listening for them: 1. Small errors in the pitch matching will produce different amounts of echo. 2. The main artefact is the slight pitch difference in the audience cross-fades in the SBD in Sugar Magnolia. This creates a "Moire effect" when matrixed with the AUD source whose pitch was unchanged. Basically, the "noise" is coherent in both sources so as the cross fade occurs, you detect a linear frequency ramp. Despite these errors, this is a great jam and hopefully you will be as stunned as apparently the audience was that night. | |||||
| Dave (4/0) | CDR / 3 | View | AUD | |||
| Jay Reznik (4/0) | shn / 2 | View | 17026 | SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and... | ||
| John (4/0) | / 2 | View | 5250 | AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav>... | ||
| John (4/0) | / 2 | View | 5250 | AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav>... | ||
| Notes: | DVD 11 | |||||
| Scott M (4/0) | shn / 2 | View | ||||
| Erik Feick (4/5) | CD-R / 3 | View | 5250 | MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel... | ||
| michael hogan (4/0) | shn / 1 | View | 17025 | |||
| Ulrich Braasch (4/0) | CD-R / 3 | View | AUD MR>C/1>CD | |||
| mark sweeney (4/5) | cdr / 3 | View | audmr>r>dat>cdr | |||
| Notes: | audmr>r>dat>cdr | |||||
| mark sweeney (4/5) | cdr / 3 | View | mr>?>digital remastering>cd | |||
| Notes: | mr>?>digital remastering>cd bill giles remaster | |||||
| matt and jennifer (4/5) | SHN / 2 | View | 5250 | AUD | ||
| matt and jennifer (4/5) | SHN / 2 | View | 17026 | SBD | ||
| matt and jennifer (4/5) | SHN / 1 | View | 17025 | SBD/MATRIX | ||
| Wesley Best (4/5) | / 0 | View | ||||
| JoeC (4/0) | / 3 | View | ||||
| kb panic (3/5) | / 3 | A | View | MP3 | ||
| Notes: | Europe 72' Box Set | |||||
| J. Carter (3/0) | m4a / 1 | View | 17025 | |||