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Set I
1. Mtume
2. Funk(Prelude pt. 1)
3. Maiysha
2. Funk(Prelude pt. 1)
3. Maiysha
Set II
1. Band warming up
2. Turnaroundphrase
3. Tune in 5
4. Untitled original
5. Tune in 5
2. Turnaroundphrase
3. Tune in 5
4. Untitled original
5. Tune in 5
Set III
Comment
Miles - trumpet
Sonny Fortune - sax
Pete Cosey - guitar
Dominique Gaumont - guitar
Reggie Lucas - guitar
Michael Henderson - bass
Al Foster - drums
Mtume - percussion
Sonny Fortune - sax
Pete Cosey - guitar
Dominique Gaumont - guitar
Reggie Lucas - guitar
Michael Henderson - bass
Al Foster - drums
Mtume - percussion
Last Changed By
Pat Bailey
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John (5/5) | CDR/FLAC / 1 | View | ||||
| Notes: | These are the now liberated Electric Blue bootlegs EB007/8 Miles Davis: Complete Bottom Line 1974 Date: 8 November 1974 Venue: Bottom Line Club, New York NY Format: FLAC Peter Losin says audience recording But that assessment may relate to another boot (Stardust SD019). Still I would guess it is audience. The boot CD doesn't mention sources. | |||||
| Jack Warner (5/5) | FLAC / 0 | View | MAT>?>CD | |||
| Notes: | Miles Davis t,org Sonny Fortune as,ss,f Pete Cosey g,perc Reggie Lucas g Dominique Gaumont g Michael Henderson el-b James Mtume Foreman perc Al Foster d | |||||
| kuronotenshi (5/5) | CD-R / 2 | A | A | View | CD | |
| Brion Green (5/4.9) | FLAC / 1 | View | AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio Audiophile digital soundcard >SoundForge... | |||
| Notes: | 370 MB's Source 1 | |||||
| Brion Green (5/4.9) | FLAC / 1 | View | boot CD -> Alcohol 120% image (w subchannel data) -> EAC 95b4 -> FLAC v1.1.2a | |||
| Notes: | 460 MB's Source 2 | |||||
| poiuyt (5/5) | FLAC / 1 | View | ||||
| Ingmar (5/0) | FLAC / 1 | B | View | AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio Audiophile digital soundcard >SoundForge... | ||
| Chris dupre (5/0) | cdr / 2 | View | ||||
| Brad Foster (4/4.9) | FLAC / 1 | View | AUD>?>DAT at 32 kHZ>S/PDIF via M-Audio Audiophile digital soundcard>SoundForge 6.0 and Wavelab... | |||
| Pat Bailey (4/0) | CDR / 1 | A | B | View | audience recording | |
| Notes: | First set 1. Mtume - 18:37 2. Funk - 9:54 3. Maiysha - 14:06 Second set 4. band warming up - 0:28 5. Turnaroundphrase - 8:03 6. Tune in 5 - 4:53 7. untitled - 12:51 8. Tune in 5 - 9:40 | |||||
| Jeff Kaisershot (3/5) | FLAC / 1 | A- | View | AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio Audiophile digital soundcard >SoundForge... | ||
| zowie (3/5) | cd / 1 | a- | View | aud | ||
| Robbie Kellman (3/5) | flac / 1 | View | ||||
| Notes: | dvd Mils Monk Mingus | |||||
| Bob Witcher (3/0) | flac / 2 | View | Audience recording; possibly open-air microphones on or near stage. AUD >? >DAT at 32 kHZ... | |||
| Notes: | disc 153 | |||||
| Craig Bowman (3/0) | FLAC / 1 | View | AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio Audiophile digital soundcard >SoundForge... | |||
| chris dupre (2/5) | cdr / 2 | A | View | |||
| Ryan Wepler (2/5) | CDR / 2 | A- | View | AUD | ||
| Chad Smith (2/0) | hard drive / 0 | View | ||||
| Notes: | Files are stored on my hard drives in .shn or .flac format. | |||||
| Glenn Strong (2/5) | CDR / 1 | View | ||||
| Herandnu (1/5) | cdr / 1 | A- | View | |||
| Notes: | [New York] Mayisha faded. | |||||
| Brian C (1/4.7) | FLAC / 1 | A | B+ | View | aud | |
| Notes: | w/gd 12/1/66 | |||||
| thegreatdivide6 (1/0) | flac / 0 | View | ||||
| Notes: | audience | |||||
| J Parzych (1/5) | FLAC / 0 | View | ||||
| Joe (1/5) | FLAC / 0 | View | Audience Recording > Cdr Trade > EAC > TLH (Level 8) | |||
| Joe (1/5) | FLAC / 0 | View | Source: Audience recording; possibly open-air microphones on or near stage. Lineage: AUD >? >DAT... | |||
| Jason Grotesque V. (1/5) | cdr flac / 1 | View | ||||
| deathglider (1/5) | CD-R / 2 | View | ||||
| Notes: | (Total time = 45:09, 37:59). setlist notes: "Audience recording; possibly open-air microphones on or near stage." Audience recording > ? > DAT master > S/PDIF via M-Audio Audiophile digital soundcard > SoundForge 6.0 > WAV > Wavelab 5.0 > CD Wave > FLAC(level 8). FLAC[max300z] | |||||
| Janaja (1/5) | CD / 1 | B+ | View | |||
| Gemini7 (1/5) | CD-R / 2 | View | AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio Audiophile digital soundcard >SoundForge... | |||
| Notes: | BT BU 23 | |||||
| fleaibe (1/5) | FLAC / 2 | A | View | AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio Audiophile digital soundcard >SoundForge... | ||
| Notes: | The Bottom Line New York, NY First Set (45:09): 1. Mtume - 19:40 2. Funk - (Prelude, part 1) -10:29 3. Maiysha - 14:57 Second Set (37:59): 1. Band warming up - 0:30 2. Turnaroundphrase - 8:32 3. Tune in 5 - 5:12 4. Untitled Original - 13:40 5. Tune in 5 - 10:01 Musicians: Miles Davis - trumpet, organ Sonny Fortune - alto and soprano saxophones, flute Pete Cosey - guitar, percussion Reggie Lucas - guitar Dominique Gaumont - guitar Michael Henderson - electric bass James Mtume Foreman - percussion Al Foster - drums Source: Audience recording; possibly open-air microphones on or near stage. Lineage: AUD >? >DAT at 32 kHZ >S/PDIF via M-Audio Audiophile digital soundcard >SoundForge 6.0 and Wavelab 5.0 >CD Wave >FLAC (level 8) Notes: Received erroneously dated November 18. According to Losin, the Davis Octet played the Bottom Line on two nights, November 8-9 (Friday-Saturday). This could be from either night. Technical Note: Track titles have been named by set, not disc, but as total time (83:04) exceeds the standard 80-minute CD-R length it is advisable to burn to audio as two discs or use longer, non-standard blank media. Losin gives the total time as 81:31. Slower playback speed could account for the slightly longer track times on this set (or faster playback on Losin's source). Intermittent flaws in the left channel were replaced with content from the right channel, resulting in short interruptions to the stereo signal. As none of these patches is very long, nor was the stereo separation of the original source very good to begin with, these will not likely detract from the listening experience. Although the same performance has been released on commercial bootlegs, this particular set comes directly from collectors' trading circles and may differ in sound quality or other aspects. -Milesian May 2005 | |||||