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Grateful Dead 10/01/76
Market Square Arena, Indianapolis, IN
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Set I
Bertha, Mama Tried, Deal, Cassidy, Friend Of The Devil, Big River, Brown Eyed Women, It's All Over Now, Scarlet Begonias, Promised Land
Set II
Might As Well, Samson & Delilah, Help On The Way-> Slipknot!-> Franklin's Tower, Dancin' In The Streets-> Drums-> The Wheel-> Ship of Fools-> Dancin' In The Streets-> Goin' Down The Road Feelin' Bad-> One More Saturday Night, E: U.S. Blues
Set III

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Last Changed By System
Sources
(10151) View Source    View Archive
sony tc152 w/ 2 AKGD200e mics > 3C > DAT > CDWav; via Raoul Duke, Dave Minor; DAT Transfer by Marc Pujol; Seeded to etree by Matt Vernon
(14558) View Source    View Archive
AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.
(84358) View Source    View Archive
flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge
(111819) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller
(112800) View Source    View Archive
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(113042) View Source    View Archive
DVD-VA; (Video Audio) SBD>>MR>>Dat>>CD>>FLAC>>Bertha>>Audio DVD; Bertha Remaster of the Master Reel Source; audio only, no video
(118467) View Source    View Archive
flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
(118468) View Source    View Archive
flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC
(137657) View Source    View Archive
flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Matt Vernon (1/4.8) SHN / 3 B+ A View 14558
Notes: Jerry Moore aud via Weiner - I'm guessing that the previous circulating version for this date that I seeded is most likely this Moore recording with the "akg mics" urban legend attached. The point is its a very good, if not excellent audience tape sound wise. The first set is a series of standalone tunes with no segues. There is some nice playing here but with the tuning gaps between songs, its hard to get excited and say that I want to leave this in the cd player on infinite loop mode. The Scarlet is the best song in set 1. Set 2's highlight was the jammed out Slipknot! that is slow and spacey. The remaining tunes starting with Dancin' are fun for a listen. Not the best 76 show, but it is a great Moore recording. Sacrilege that it is, if the between song tuning was edited out in set 1 it would be considered almost "studio" quality in performance, somewhat lacking in emotion.
Matt Vernon (1/4.8) FLAC / 3 B+ A- View 84358
Notes: Moore aud [2007-05-12] This source appeared at Losslesslegs with this lineage. aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge. In the torrent Berger said Jerry liked this transfer better, but its hard to understand how it could be different or better than the Moore project that worked with the master cassettes. It seemed that Berger was systematically seeding every version he had without being able to specifically say why the existing versions are inferior. A review from the Archive "The 1st set of this show is well played, with Scarlet standing out and spreading its wings a little more than most versions. However, it's the 2nd set that shines here. H>S>F has always been a potent combination and this version packs a punch. It seems that the 76 versions were a little spacier (6/3,6/10,6/14,8/4, etc) while the 77's were tighter and more centered on the Franklin's groove. (2/26,4/23,5/9,6/9 etc.) Whichever type you prefer this one will leave a smile on your face. Its one of the most underrated, under appreciated H>S>F the Dead ever played. I would assume that the reason for this is because this show seems to be available only as an audience tape. However, Jerry Moore did an incredible job, as usual, with the equipment available to him at the time. The Dancin that snakes its way through the middle of the set is also hot and shows off the bands ability to go in and out of a song with ease. The end of the show (GDTRFB, Sat Nite, USBlues)is over-the-top rock and roll and sent everyone home on an up note." So if you like 76, this date all the characteristics of that year.
Matt Vernon (1/4.8) FLAC / 3 B+ A/B View 112800
Notes: flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-06-25]Note in the top half of 76 for me - the recording is also not as crisp as many from 76 so I derate it a bit too
Matt Vernon (1/4.8) FLAC24 / 0 X X View 118467
Notes: flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
Matt Vernon (1/4.8) FLAC / 3 A- A- View 118468
Notes: flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC [2012-02-11]Wow! Great recording and great show. Love these undiscovered gems that occasionally appear. Like bones of prehistoric animals rising up from the La Brea tar pits.
SpiralLightofVenus (1/5) FLAC / 0 AUD View 84358
Notes: AUD TB4
SpiralLightofVenus (1/5) FLAC / 0 MTX View 137657
Notes: MTX TB18
Mark Diamond (1/3) / 3 View 14558
GratefulBrad (1/5) flac / 0 View 112800
Craig S (1/0) CDR / 2 View 112800
winterland121072 (1/0) / 0 View 112800
winterland121072 (1/0) / 0 View 84358
winterland121072 (1/0) / 0 View 14558
winterland121072 (1/0) / 0 View 10151
winterland121072 (1/0) / 0 View 111819
winterland121072 (1/0) / 0 View 118467
winterland121072 (1/0) / 0 View 118468
winterland121072 (1/0) / 0 View 113042
Mike Tausig (1/5) cd / 3 View   AUD>MCass>D>CD
Notes: AUD>Sony ECM-33P's>Sony TC-153 MCass>D>WAV>CD (Jerry Moore)
Mike Tausig (1/5) SHN / 3 View 10151
Notes: AUD>AKG 200e's>Sony TC-152 MCass>Cass x2>D>EAC>SHN
Mike Tausig (1/5) SHN / 3 View 14558
Notes: AUD>Sony ECM-33p's>Sony TC-153 MCass>D>CD>EAC>SHN (Jerry Moore)
Chuck Kiefe (1/5) CD-R / 3 View  
Notes: Master AUD Cass>>DAT>Shorten>CD Jerry Moore recording (Sony ECM-33P/Sony TC-153) gdADT - Extra Upgraded 4/03
Israel Frankel (1/0) flac cd-r / 3 View 84358
Charlie Yohe (1/5) CDR / 3 View 84358
Notes: filler on D2 is 10/20/74 Seastones A
Curtis Ensler (1/0) XLII / 2 View  
Notes: AUD3
Freddy (1/0) CDR / 3 View 111819 "Miller"
wharfratpat (1/4) SHN / 3 View 10151
wharfratpat (1/4) FLAC / 2 View 112800
wharfratpat (1/4) FLAC / 1 View 111819
OBIE (1/5) SHN / 3 View 14558