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Set I
Shakedown Street-> Minglewood Blues, Dire Wolf-> Cassidy, Althea-> El Paso, Jack A Roe, Lazy Lightning-> Supplication, Don't Ease Me In-> Promised Land
Set II
Ramble On Rose, Playin' In The Band-> China Doll-> Drums-> Playin' In The Band-> The Wheel-> Around & Around-> Johnny B. Goode, E: U.S. Blues
Set III
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Last Changed By
System
Sources
(9511) View Source
View Archive
Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation
(83826) View Source
View Archive
flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
(89119) View Source
View Archive
flac16; Recording by Bob Wagner: MOTB Release: 0058 16/44.1 Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
(89129) View Source
View Archive
flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
(90165) View Source
View Archive
flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(90450) View Source
View Archive
flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller
(112748) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
(139733) View Source
View Archive
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
(139734) View Source
View Archive
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
(9511) View Source
View Archive Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation
(83826) View Source
View Archive flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
(89119) View Source
View Archive flac16; Recording by Bob Wagner: MOTB Release: 0058 16/44.1 Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
(89129) View Source
View Archive flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
(90165) View Source
View Archive flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(90450) View Source
View Archive flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller
(112748) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
(139733) View Source
View Archive flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
(139734) View Source
View Archive flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience | |||
| Notes: | DVD 1130; lineage: Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither | |||||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Soundboard | |||
| Notes: | DVD 1189; lineage: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller | |||||
| Hanf (1/5) | Flac / 0 | View | 112748 | |||
| x poordevil (1/5) | dvd shn / 1 | View | 83826 | |||
| J Parzych (1/5) | FLAC / 0 | View | 83826 | |||
| J Parzych (1/5) | FLAC / 0 | View | 112748 | SBD -> Cassette Master -> Reel -> Dat (48k) | ||
| J Parzych (1/5) | FLAC / 0 | View | 89119 | |||
| Joe (1/5) | FLAC / 0 | View | 83826 | |||
| Joe (1/5) | FLAC / 0 | View | 112748 | |||
| Imetdork (1/0) | FLAC / 0 | View | 112748 | |||
| aikox2 (1/4.9) | / 3 | View | ||||
| Notes: | CDR aud. I was there : ) | |||||
| John Peters (1/0) | FLAC / 1 | View | 83826 | NAK 700: MC (Nak 550); MC > HHB DAT > TASCAM DA-20 (S/PDIF out) > Wavelab 6.0 > FLAC | ||
| John Peters (1/0) | FLAC / 1 | View | 112748 | SBD: MC > R > DAT (48k); DAT (Sony R500) > AIFF > Adobe Audition v1.5 > Samplitude... | ||
| Geoff MacNaughton (1/5) | 2 / 2 | A- | View | 89119 | ||
| SIRMick (1/5) | SHN / 2 | View | 9511 | |||
| Matt Vernon (1/4.8) | SHN / 2 | X | X | View | 9511 | |
| Notes: | Bob Wagner Nak's [2008-01-09]Upgraded by MOTB release. | |||||
| Matt Vernon (1/4.8) | FLAC / 2 | B+ | A- | View | 83826 | |
| Notes: | Nak700 Shotgun "Radish" [2007-05-04]Nice full sound, no audience distractions - show is dispatched without any flubs, but as it borders on auto-pilot I didn't pick up any reason to suggest this is a must hear. I did not compare it to the Glassberg tape. Comments from the Archive "Hadn't heard the Shakedown in twenty years. Pretty enemic is right. Lazy > Supp is very nicely worked out though. And the rest of the show is decent. Three star average for it. But my five stars is for the PITB. I'm with the Pro. I love the Playing > running in and out, here and there. The Playing > Jamming is so fabulous, I spliced out the China Doll so I could hear all of it uninterrupted (I can hear the complete-ists all gasping now). And never been all that thrilled about R&R > J.B.Goode endings. I dumped the first set and have had the second set for ages....The Shakedown is anemic at first but turns into a nice groove. I also thought the Cassidy was pretty strong but the Lazy Light/Supplication was sloppy. The Playin' that threads its way throught the second set is good, as is the transition into China Doll. However, everything after the Playin' Reprise is ho-hum. Nothing groundbreaking here. | |||||
| Matt Vernon (1/4.8) | FLAC / 2 | B+ | A- | View | 89119 | |
| Notes: | Recording by Bob Wagner: MOTB Release: 0058 16/44.1 [2008-01-09]Nice clean and clear sound - this is a solid tightly played show, maybe too expertly dispatched - no exceptional versions. | |||||
| Matt Vernon (1/4.8) | FLAC / 2 | B+ | A- | View | 90165 | |
| Notes: | flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-02-26]Excellent sound but the show doesn't do much for me. Standard delivery and setlist for the time - I'm not a China Doll fan so having it in set 2 is a buzz kill. Set 2 jam segment also is degraded because the song choice, though somewhat novel, lacks a flow that I can distinguish from random song selection. | |||||
| Matt Vernon (1/4.8) | FLAC24 / 0 | X | X | View | 89129 | |
| Notes: | flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe | |||||
| Matt Vernon (1/4.8) | FLAC24 / 0 | X | X | View | 90450 | |
| Notes: | flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | B+ | B/A | View | 112748 | |
| Notes: | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller [2011-04-25]Ok show - nothing to single out - ok sbd for this era | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 90165 | ||
| Notes: | AUD TB4 | |||||
| Rick Childs (1/4.9) | CDR / 2 | A+ | A | View | 9511 | |
| GratefulBrad (1/5) | cdr / 2 | B | B | View | 9511 | Nak 700's > Sony TC-D5 > MC > DAT > CDR |
| Notes: | Full Show | |||||
| Craig S (1/0) | CDR / 2 | View | 112748 | |||
| winterland121072 (1/0) | / 0 | View | 83826 | |||
| winterland121072 (1/0) | / 0 | View | 90165 | |||
| winterland121072 (1/0) | / 0 | View | 9511 | |||
| winterland121072 (1/0) | / 0 | View | 89129 | |||