(15616) View Source   
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.

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(25751) View Source   
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.

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(80295) View Source   
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.

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(80337) View Source   
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.