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Grateful Dead 09/23/87
The Spectrum, Philadelphia, PA
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Set I
Feel Like A Stranger >
Franklin's Tower
Walkin' Blues
Friend Of The Devil
Tons Of Steel >
Desolation Row
Big Railroad Blues >
The Music Never Stopped
Set II
Bertha >
Cumberland Blues
Playing In The Band >
Uncle John's Band >
Playing In The Band Jam >
Drums >
Space >
I Need A Miracle >
Dear Mr. Fantasy >
Around & Around >
Good Lovin' >
La Bamba >
Good Lovin'

Encore:
U.S. Blues
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(15207) View Source    View Archive
SBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy
(30887) View Source    View Archive
flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner.
(90559) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
(133606) View Source    View Archive
Source / Lineage : Taper section nakamichi CM 100 / CP-4s > Marantz PMD 420, Master Cassette > CD, Transfered on a Nakamichi DR-2 > Tascom CDRW 2000 > me >EAC > TLH level 8 > flac 16 > you > enjoy Tape and Transfer By Jon Pasternak
(137225) View Source    View Archive
flac16; (original shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
(137226) View Source    View Archive
flac16; (original shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin
(137228) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 30887)Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
(137230) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
(137231) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
(137412) View Source    View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original seed of this source had a flaw in t04 Walkin' Blues; please don't circulate that version
(137420) View Source    View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137412 fixed 24bit > 16bit with r8brain
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User (active/rating) Media / # Show Sound Details DB Source User Source
Chris Masciangelo (4/4) CDR / 2 View  
Thomas Sera (4/0) SHN / 2 View 15207
Brad Foster (4/4.9) FLAC / 2 View   SBD (Ultramatrix) > D5
Taylor73 (4/5) flac24 / 0 View 137412 137412
Taylor73 (4/5) flac 16 / 0 View 137420 137420 SBD
David Aicher (4/0) CDR / 2 View 15207 SBD>MC>DAT>CD
Bruce O'Neil (4/0) shn / 0 View 15207 sbd
Notes: gd87-09-23.sbd.willy.15207.sbeok.shnf
Bruce O'Neil (4/0) flac / 0 View 30887 sbd
Notes: gd1987-09-23.sbd.30887.Ladner.sbeok.flac16
Bruce O'Neil (4/0) flac / 0 View 90559 aud
Notes: gd1987-09-23.nak300.d'amico.90559.flac
Sean Moran (4/0) CD-R / 2 B+ A View 30887 SBD Healy Mix
John Gibbs (4/5) flac16 / 2 View 30887
groundhog (4/4.7) FLAC / 2 View 30887 Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV
Notes: 958mb
Michael Hughey (4/0) shn / 2 View 30887
bob (4/5) cdr / 3 View  
Matt Stevenson (4/5) / 0 View 30887
Doug Nawrocki (4/4.8) SHN / 2 View 15207 SBD > MC > DAT > CDR > EAC
DJ Roach (4/5) HDD / 3 View 30887 Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV
Notes: Healy SBD
mike west (4/5) SHN / 2 View 15207
Notes: SBD
mike west (4/5) FLAC / 2 View  
Notes: SBD/Matrix
mymorningsong19 (4/0) cdr / 2 View  
Chris Heck (4/5) SHN / 2 A View  
Bill H (4/0) SHN / 2 View 15207 SBD>MC>DAT>CD
Notes: SBD>MC>DAT>CD
Bill H (4/0) FLAC / 2 View 30887 Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes
Notes: Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes
Gery Williamson (4/5) SHN / 2 View 15207 SBD>MC>DAT>CD
Andrew Taylor (4/1) Cdr / 2 A A View   Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Notes: Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC.Comments: Last performances of "Tons of Steel" and "La Bamba". Thanks to the provider of the MSCs who for various reasons wishes to remain anonymous. Overall this recording has a lot more high end than the source listed on the archive as being a MSC >DAT transfer. This is likely the MSC that was used on that DAT transfer as the "Healy Weirdness" described during Desolation Row corresponds to a poorly patched tape flip. There are no dropouts in La Bamba on this recording. Flaws- This recording has the nasty digital static at the beginning of the show (Stranger) coming through with what sounds like Bob's vocal mic as his voice is all distorted while you can hear Jerry and Brent's ok. Tape flip during the first verse of Desolation Row patched from a similar sounding performance (no drums, just guitars/voices) on 5/10/87 using Wavelab. Tape flip durin Space was very short and crossfaded into near-imperceptiblity.
Dutchman1101 (4/5) CDR / 2 A A View 15207
Notes: *
Topher (4/0) CDR / 2 View 30887
feeweasel (4/0) shn / 2 View 15207 SBD>MC>DAT>CD
CookieMonster (4/5) cdr-sbd / 2 A A View  
Notes: Philly, PA
TunaMan (4/5) shn / 2 View 15207