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Set I
Let The Good Times Roll
Feel Like A Stranger
Built To Last
Me & My Uncle >
Cumberland Blues
It's All Over Now
Row Jimmy
When I Paint My Masterpiece
When Push Comes To Shove
The Music Never Stopped
Feel Like A Stranger
Built To Last
Me & My Uncle >
Cumberland Blues
It's All Over Now
Row Jimmy
When I Paint My Masterpiece
When Push Comes To Shove
The Music Never Stopped
Set II
China Cat Sunflower >
I Know You Rider
Playing In The Band >
Uncle John's Band >
Standing On The Moon *
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Goin' Down The Road Feeling Bad >
Not Fade Away
E: We Bid You Good Night
E: Johnny B. Goode
I Know You Rider
Playing In The Band >
Uncle John's Band >
Standing On The Moon *
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Goin' Down The Road Feeling Bad >
Not Fade Away
E: We Bid You Good Night
E: Johnny B. Goode
Set III
Comment
With a full moon rising behind the band *
Material from this show is featured in the video Downhill from Here
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Material from this show is featured in the video Downhill from Here
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(433) View Source
View Archive
DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD
(17702) View Source
View Archive
Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.
(92457) View Source
View Archive
flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008
(96230) View Source
View Archive
flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools
(106490) View Source
View Archive
flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename
(106654) View Source
View Archive
flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009.
(125723) View Source
View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125724) View Source
View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(138345) View Source
View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(138355) View Source
View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit
(142297) View Source
View Archive
flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
(433) View Source
View Archive DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD
(17702) View Source
View Archive Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.
(92457) View Source
View Archive flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008
(96230) View Source
View Archive flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools
(106490) View Source
View Archive flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename
(106654) View Source
View Archive flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009.
(125723) View Source
View Archive flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125724) View Source
View Archive flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(138345) View Source
View Archive flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(138355) View Source
View Archive flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit
(142297) View Source
View Archive flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| lizardman (4/0) | VHS / 1 | A | A | View | video | |
| Notes: | down hill from here pro shot | |||||
| Jenny & Timm (4/0) | / 3 | View | ||||
| Tim C (4/5) | cdr / 2 | A+ | View | sbd | ||
| Scott M (4/0) | shn / 2 | View | ||||
| Chuck Gannon (4/5) | SHN / 2 | View | 433 | SBD>D>WAV>CD>EAC>SHN | ||
| Notes: | SBD>D>WAV>CD>EAC>SHN | |||||
| Diane Sklenar (4/5) | CDR / 3 | A | View | SBD | ||
| Notes: | first 30 seconds of encore missing | |||||
| veryhappytrader (4/5) | CDR / 3 | A+ | View | SBD | ||
| Elephante (4/0) | / 3 | View | SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN | |||
| Jason Maneval (4/5) | SHN / 3 | View | 433 | |||
| Tad (4/0) | cdr / 2 | View | ||||
| Tad (4/0) | cdr / 2 | View | ||||
| Jim Humay (4/0) | CDR / 3 | View | ||||
| pmags (4/2.5) | shn / 2 | View | 433 | |||
| michael hogan (4/0) | shn / 2 | View | 433 | |||
| David Baum (4/5) | CDR / 3 | View | ||||
| sam fensterstock (4/0) | / 0 | B | View | |||
| Notes: | SBD 1&2 | |||||
| Carl Rinehart (4/0) | cdr / 3 | View | ||||
| Harland (4/5) | SHN / 2 | View | 433 | SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN | ||
| Jason (4/4) | CD-R / 3 | A | View | |||
| allison (4/5) | CD / 3 | View | ||||
| Matt Albright (4/0) | CD-R / 3 | View | ||||
| Dean Erickson (4/5) | cdr / 3 | A | View | sbd>dat>wav(viaS/PDIF)>cd>wav(via eac)>shn>cd | ||
| Notes: | This is the same show that is featured in the Downhill From Here video. Stupid Alpine Valley makes my feet hurt. Alpine Valley Music Theatre, East Troy WI (7/17/89) Let the Good Times Roll Feel Like a Stranger Built to Last Me and My Uncle Cumberland Blues It's All Over Now Row Jimmy Masterpiece When Push Comes to Shove Music Never Stopped China Cat Sunflower I Know You Rider Playin' in the Band Uncle John's Band Standing on the Moon drums The Wheel Gimme Some Lovin' Goin' Down the Road Feelin' Bad Not Fade Away We Bid You Goodnight Johnny B. Goode | |||||
| SleevedSabre (4/0) | cdr / 3 | A | View | |||
| Notes: | all | |||||
| Rodney (4/0) | CDR / 3 | A+ | View | |||
| Ulrich Braasch (4/0) | CD-R / 3 | View | SBD>D>CD | |||
| Brad Stoll (4/5) | CDR / 3 | View | ||||
| Trevor Shevey (4/0) | Analog / 2 | A | View | |||
| Brett Mathany (4/0) | CDR / 3 | View | 433 | dsbd | ||
| Melissa Agar (4/0) | / 3 | View | ||||
| Kristin & Ted Niemi (4/5) | CDR / 3 | View | ||||