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Set I
Let The Good Times Roll
Feel Like A Stranger
Built To Last
Me & My Uncle >
Cumberland Blues
It's All Over Now
Row Jimmy
When I Paint My Masterpiece
When Push Comes To Shove
The Music Never Stopped
Feel Like A Stranger
Built To Last
Me & My Uncle >
Cumberland Blues
It's All Over Now
Row Jimmy
When I Paint My Masterpiece
When Push Comes To Shove
The Music Never Stopped
Set II
China Cat Sunflower >
I Know You Rider
Playing In The Band >
Uncle John's Band >
Standing On The Moon *
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Goin' Down The Road Feeling Bad >
Not Fade Away
E: We Bid You Good Night
E: Johnny B. Goode
I Know You Rider
Playing In The Band >
Uncle John's Band >
Standing On The Moon *
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Goin' Down The Road Feeling Bad >
Not Fade Away
E: We Bid You Good Night
E: Johnny B. Goode
Set III
Comment
With a full moon rising behind the band *
Material from this show is featured in the video Downhill from Here
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Material from this show is featured in the video Downhill from Here
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(433) View Source
View Archive
DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD
(17702) View Source
View Archive
Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.
(92457) View Source
View Archive
flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008
(96230) View Source
View Archive
flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools
(106490) View Source
View Archive
flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename
(106654) View Source
View Archive
flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009.
(125723) View Source
View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125724) View Source
View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(138345) View Source
View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(138355) View Source
View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit
(142297) View Source
View Archive
flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
(433) View Source
View Archive DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD
(17702) View Source
View Archive Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.
(92457) View Source
View Archive flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008
(96230) View Source
View Archive flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools
(106490) View Source
View Archive flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename
(106654) View Source
View Archive flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009.
(125723) View Source
View Archive flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125724) View Source
View Archive flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(138345) View Source
View Archive flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(138355) View Source
View Archive flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit
(142297) View Source
View Archive flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jody Bugabear (1/5) | cdr / 3 | View | SBD:M? | |||
| Raj (1/0) | SHN / 2 | View | 433 | |||
| BW8 (1/5) | CDR / 3 | A | A | View | SBD | |
| Jason Sangster (1/5) | CD / 3 | A+ | A+ | View | SBD | |
| Notes: | SBD | |||||
| Tommy Brame (Audio) (1/5) | CDR / 3 | View | 433 | |||
| Matthew Hilty (1/5) | / 0 | View | 433 | |||
| Andrew Campbell (1/0) | DAT / 1 | A+ | View | DSBD | ||
| Jon Russell (1/5) | SHN / 2 | View | ||||
| Steven Kowal (1/0) | shn / 0 | View | 433 | |||
| andrew w (1/0) | CDR / 3 | A | View | SBD | ||
| John Seibert (1/0) | cd-r / 3 | A+ | View | |||
| Notes: | Soundboard | |||||
| Ted (1/0) | / 0 | View | 433 | |||
| Patrick (1/0) | / 0 | View | ||||
| sarah anne (1/5) | CDR / 3 | A | A | View | ||
| Jason (1/0) | / 3 | A | B- | View | ||
| Notes: | Many pops, clicks, ect... | |||||
| Adam (1/0) | cd-r / 3 | A+ | A | View | ||
| Charles Gaines (1/0) | cdr / 3 | View | 433 | |||
| Justin Dearing (1/0) | CDR / 3 | View | ||||
| Mark Frost (1/0) | cdr / 3 | A | View | SBD | ||
| Notes: | disc 1: 1. Let the Good Times Roll 2. Feel Like a Stranger 3. Built To Last 4. Me & My Uncle- 5. Cumberland Blues 6. It?s All Over Now 7. Row Jimmy 8. When I Paint My Masterpiece 9. When Push Comes To Shove 10. The Music Never Stopped disc 2: 1. China Cat Sunflower- 2. I Know You Rider 3. Playin? In the Band- 4. Uncle John?s Band- 5. Standing On the Moon 6. Drums disc 3: 1. Jam- 2. The Wheel- 3. Gimme Some Lovin?- 4. Goin? Down the Road Feelin? Bad- 5. Not Fade Away E: Johnny B. Goode | |||||
| Ian P. McCullough (1/5) | CD / 3 | View | SBD>DAT>CD | |||
| Dan Carr (1/5) | shn / 2 | SBD | View | 433 | SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN | |
| Trey Howland (1/0) | cdr / 3 | View | 433 | |||
| Richard (1/0) | CDR / 0 | A | A | View | ||
| Tommy Brame (shn) (1/5) | SHN / 2 | View | 433 | |||
| Jeff W. (1/0) | shn / 2 | View | 433 | |||
| Chris Burch (1/0) | tape / 2 | View | ||||
| Conor Massey (1/0) | / 0 | View | ||||
| brett loughlin (1/5) | cdr / 3 | A | View | DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1... | ||
| Eric T. (1/0) | / 3 | View | 433 | SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN | ||
| Notes: | disc 1 TAO | |||||
| jakemerc shn list (1/5) | shn / 2 | A | A | View | 433 | SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN |
| Notes: | SBD>DAT I also have a patched version of this show. | |||||