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Grateful Dead 07/19/89
Alpine Valley Music Theatre, East Troy, WI
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Set I
Hell In A Bucket >
Sugaree
Mama Tried >
Mexicali Blues
Althea
Victim Or The Crime >
West L.A. Fadeaway
Desolation Row >
Deal
Set II
Box Of Rain
Foolish Heart >
Looks Like Rain >
Terrapin Station >
Drums >
Space >
The Other One >
The Wheel >
Morning Dew >

Encore:
Turn On Your Lovelight
Set III
 
Comment
Material from this show is featured in the video Downhill from Here

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(437) View Source    View Archive
DSBD> DAT> CD> eac> SHN; via N. Georges
(92447) View Source    View Archive
flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008
(96232) View Source    View Archive
flac16; matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools
(106492) View Source    View Archive
flac16; TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
(125505) View Source    View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125506) View Source    View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(125854) View Source    View Archive
flac16; DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin
(125855) View Source    View Archive
flac16; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin
(125861) View Source    View Archive
flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin
(125862) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin
(130697) View Source    View Archive
flac16; Set 2 FOB MC>A>A(XL-II)>CD>flac
(138808) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree
(138818) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree, This is fixed 138808 24 bit -> 16 bit
(141076) View Source    View Archive
flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Transfers by Pete Ebel
(142299) View Source    View Archive
flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
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User (active/rating) Media / # Show Sound Details DB Source User Source
Gary Field (1/5) 142299 / 0 View 142299
Gary Field (1/5) 92447 / 2 View 92447 AUD
Notes: Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac [080708.1]
Gary Field (1/5) 106492 / 2 View 106492 AUD
Notes: TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename [100525.3]
Gary Field (1/5) 125506 / 2 View 125506 AUD
Notes: Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename [131003.wd002]
Gary Field (1/5) 125862 / 3 View 125862 DTS-Audio-CD 5.1 Mix
Notes: DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin [131024.wd002]
Gary Field (1/5) 125505 / 6 View 125505 AUD
Notes: flac24; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename [1312227.wd002]
Gary Field (1/5) 125854 / 2 View 125854 SBD
Notes: DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches [131227.wd002]
Gary Field (1/5) 125855 / 2 View 125855 AUD
Notes: (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches [131227.wd002]
Gary Field (1/5) 130697 / 1 View 130697 AUD
Notes: Set 2 FOB MC>A>A(XL-II)>CD>flac [140829.wd002]
Gary Field (1/5) 125861 / 2 View 125861 MTX
Notes: Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project [131227.wd002]
Gary Field (1/5) 141076 / 0 View 141076
Marc Deardorff (1/5) shn / 2 View 437
Notes: DSBD> DAT> CD> eac> SHN
Marc Deardorff (1/5) flac / 2 View 92447
Notes: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008
Marc Deardorff (1/5) flac / 2 View 96232
Notes: matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools
Marc Deardorff (1/5) flac16 / 2 View 125854 DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin
Marc Deardorff (1/5) flac24 / 0 View 138808 flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette...
Marc Deardorff (1/5) flac16 / 0 View 138818 Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi...
Boedi-taper (1/4.8) CDR / 3 A A- View   flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns >...
Brian C (1/4.7) SHN / 2 A A View   DSBD>DAT>CD>EAC>SHN
Notes: w/nrbq 7/31/93
mike (1/5) DVD / 3 View   Set 1&2 Pro Shot BHP
Notes: Video Source: Proshot in-house feed>1st or 2nd gen vhs>stand alone>ripped with dvd decrypter>TMGEnc dvd author 1.6>vegas 6.0>dvd architect 3.0> dvd > TMPGEnc MPEG Editor 2.0 > DVD Architect Pro 6.0 I got this video from a guy who is a major filmer / seller in the Chicago area back in 1990 or so. After talking to him he told me he got this video a few days after the gig. He claimed he had the master tapes. When DVD came out he transferred his video to DVD with a standalone and I grabbed a DVD copy from him. So this DVD is either off the master tapes or a 1st or 2nd gen. copy. I then took the DVD’s and created menus and chapters. They are some annoying voice overdubs between a few songs which makes me believe that this is either a 1st or 2nd gen. copy. No music was affected by the overdub voice. Enjoy. Audio Source: DSBD -> DAT -> CD -> eac -> SHN (shnid = 437) Seeded by Walstib download from tol with much appreciation Audio Patches: 1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video. 2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing. 3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video. 4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video. 5) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video. 6) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video. Notes - Video assets courtesy of the ween4me - thank you very much -SBD downloaded from tol many many years ago -Audio synchronization by BHP using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches (if needed) created with Ulead VideoStudio 11 by BHP. -Multiplexing via TMPGEnc MPEG Editor by BHP. -DVD authoring via DVD Architect 6.0 by BHP Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : D1: 704x480 D2: 720x480 D3: 720x480 Frame Rate : 29.99 Source picture letterboxed : Not letterboxed Bitrate : D1: 6,000 Mbps D2: 6,000 Mbps D3: 6,000 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 2 Number of Audio streams : 1 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Production Do NOT buy or sell this video
J (1/5) DVD / 3 View   Video: Pro-Shot > 1st Gen / Audio: SBD
thegreatdivide6 (1/0) DVD / 0 View   Proshot in-house feed>1st or 2nd gen vhs>stand alone>ripped with dvd decrypter>TMGEnc dvd author...
Notes: DVD,sbd
thegreatdivide6 (1/0) flac / 0 View 138818
Notes: sbd
Jim (1/5) cdr / 2 View 437
Kaz (1/5) DVD / 1 View  
x poordevil (1/5) DVD Pro / 3 A View 437 DVD Pro shot 8 mm low gen w/ DSBD shn id 437 = audio
x poordevil (1/5) dvd shn / 1 View 437 dsbd
x poordevil (1/5) DVD aud / 2 View  
x poordevil (1/5) BDR / 1 View 125855
Imetdork (1/0) FLAC / 0 View 138818