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Grateful Dead 08/21/93
Autzen Stadium, University of Oregon, Eugene, OR
Set I
Here Comes Sunshine, Walkin' Blues, Lazy River Road, Queen Jane Approximately, Bird Song, Promised Land
Set II
China Cat Sunflower-> I Know You Rider, Way To Go Home, Truckin'-> Good Morning Little School Girl*-> Smokestack Lightning*-> Drums-> Space-> Jam-> The Last Time*-> Standing On the Moon E: One More Saturday Night, E: I Fought The Law
Set III
 
Comment
Indigo Girls Opened; *with Huey Lewis on harmonica
Last Changed By old trader grandad
Sources
(561) View Source    View Archive
SBD> DAT> CD> EAC> Cool Edit '96 (removed digipop prior to music in beginning of d1t1)> CDWAV> Shorten32; via D. Nawrocki
(11269) View Source    View Archive
SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB; Seeded to etree by Jay Serafin
(15035) View Source    View Archive
Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki
(87291) View Source    View Archive
flac16; FOB Schoeps Omnis Mk2 Omni Capsules (the two mic stands were “human” – capsules were in hat and the “stands” were 10’ apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
(87555) View Source    View Archive
flac16; Source: FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR Lineage: HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac Taped/Transferred: Mike Albright
(119060) View Source    View Archive
flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac file
(140172) View Source    View Archive
flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
(141530) View Source    View Archive
flac16/48kHz; John Ammons & Jeff Silberman Digital FOB Recording; AMS ST-250 (ambisonic mode) > 4 track Nagra D open reel 24 bit digital deck > 2 channel stereo DAT using a Blumlein pattern > DAT (mics on 6' stand); John Ammons Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Dave (4/0) / 3 A A+ View  
Doug Whitworth (4/0) cdr / 2 10. View   dsbd
derek w (4/0) cd / 2 A A View  
Rodney (4/0) DAT / 0 A+ View  
Reed (4/0) SHN / 2 View  
Notes: BAND: GRATEFUL DEAD SHOW DATE: 08/21/93 VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON LOCATION: EUGENE, OR SET(S): I / II LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D AUDIO RATING: AR1 MEDIA REQUIRED: DAT: 1x180 min. CD-R / MINI DISC: 2 SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE RELEASED ON: 10/25/01 JAY'S PERSONAL COMMENTS: First off, I want to thank "SuperNova" ( Jerry Ford... [email protected] ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy. Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003. Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show. This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were. Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS. Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land. Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information). Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right. Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them. A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated. PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent) Audio Mix: 9.9 Audio Quality: 10 Energy Level: 9.6 Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level) Song Selection: Nothing special Surprises: None Grateful Dead 08/21/1993 Autzen Stadium @ The University Of Oregon Eugene, OR Lineage: SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB The DAT was only small "snippets" from a few songs, used for comparison only! NOTE: A special "Thanks" goes out to to Jerry Ford for supplying some of the audio necessary to make this a great finished recording! Disc 1 Set 1 gd93-08-21d1t01 05:09.859 Here Comes Sunshine (opening verse missing) gd93-08-21d1t02 07:24.438 Walkin' Blues gd93-08-21d1t03 06:44.835 Lazy River Road gd93-08-21d1t04 07:04.740 Queen Jane Approximately gd93-08-21d1t05 14:37.656 Bird Song -> gd93-08-21d1t06 04:46.191 -> The Promised Land Set 2 gd93-08-21d1t07 06:27.884 China Cat Sunflower -> gd93-08-21d1t08 06:55.474 -> I Know You Rider gd93-08-21d1t09 06:36.577 Long Way To Go Home Total time: 1:05:47.526 Disc 2 Set 2 cont'd gd93-08-21d2t01 07:18.882 Truckin' -> gd93-08-21d2t02 05:17.129 -> Good Morning Little Schoolgirl -> gd93-08-21d2t03 05:36.726 -> Smokestack Lightning -> gd93-08-21d2t04 14:14.025 -> Drums -> gd93-08-21d2t05 14:03.513 -> Space -> gd93-08-21d2t06 06:19.713 -> The Last Time -> gd93-08-21d2t07 09:28.586 -> Standing On The Moon -> gd93-08-21d2t08 04:53.704 -> One More Saturday Night gd93-08-21d2t09 03:05.191 ENCORE: I Fought The Law Total time: 1:10:17.469
Reed (4/0) SHN / 2 View  
Notes: BAND: GRATEFUL DEAD SHOW DATE: 08/21/93 VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON LOCATION: EUGENE, OR SET(S): I / II LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D AUDIO RATING: AR1 MEDIA REQUIRED: DAT: 1x180 min. CD-R / MINI DISC: 2 SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE RELEASED ON: 10/25/01 JAY'S PERSONAL COMMENTS: First off, I want to thank "SuperNova" ( Jerry Ford... [email protected] ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy. Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003. Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show. This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were. Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS. Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land. Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information). Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right. Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them. A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated. PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent) Audio Mix: 9.9 Audio Quality: 10 Energy Level: 9.6 Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level) Song Selection: Nothing special Surprises: None Grateful Dead 08/21/1993 Autzen Stadium @ The University Of Oregon Eugene, OR Lineage: SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB The DAT was only small "snippets" from a few songs, used for comparison only! NOTE: A special "Thanks" goes out to to Jerry Ford for supplying some of the audio necessary to make this a great finished recording! Disc 1 Set 1 gd93-08-21d1t01 05:09.859 Here Comes Sunshine (opening verse missing) gd93-08-21d1t02 07:24.438 Walkin' Blues gd93-08-21d1t03 06:44.835 Lazy River Road gd93-08-21d1t04 07:04.740 Queen Jane Approximately gd93-08-21d1t05 14:37.656 Bird Song -> gd93-08-21d1t06 04:46.191 -> The Promised Land Set 2 gd93-08-21d1t07 06:27.884 China Cat Sunflower -> gd93-08-21d1t08 06:55.474 -> I Know You Rider gd93-08-21d1t09 06:36.577 Long Way To Go Home Total time: 1:05:47.526 Disc 2 Set 2 cont'd gd93-08-21d2t01 07:18.882 Truckin' -> gd93-08-21d2t02 05:17.129 -> Good Morning Little Schoolgirl -> gd93-08-21d2t03 05:36.726 -> Smokestack Lightning -> gd93-08-21d2t04 14:14.025 -> Drums -> gd93-08-21d2t05 14:03.513 -> Space -> gd93-08-21d2t06 06:19.713 -> The Last Time -> gd93-08-21d2t07 09:28.586 -> Standing On The Moon -> gd93-08-21d2t08 04:53.704 -> One More Saturday Night gd93-08-21d2t09 03:05.191 ENCORE: I Fought The Law Total time: 1:10:17.469
Reed (4/0) SHN / 2 View  
Notes: BAND: GRATEFUL DEAD SHOW DATE: 08/21/93 VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON LOCATION: EUGENE, OR SET(S): I / II LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D AUDIO RATING: AR1 MEDIA REQUIRED: DAT: 1x180 min. CD-R / MINI DISC: 2 SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE RELEASED ON: 10/25/01 JAY'S PERSONAL COMMENTS: First off, I want to thank "SuperNova" ( Jerry Ford... [email protected] ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy. Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003. Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show. This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were. Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS. Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land. Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information). Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right. Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them. A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated. PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent) Audio Mix: 9.9 Audio Quality: 10 Energy Level: 9.6 Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level) Song Selection: Nothing special Surprises: None Grateful Dead 08/21/1993 Autzen Stadium @ The University Of Oregon Eugene, OR Lineage: SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB The DAT was only small "snippets" from a few songs, used for comparison only! NOTE: A special "Thanks" goes out to to Jerry Ford for supplying some of the audio necessary to make this a great finished recording! Disc 1 Set 1 gd93-08-21d1t01 05:09.859 Here Comes Sunshine (opening verse missing) gd93-08-21d1t02 07:24.438 Walkin' Blues gd93-08-21d1t03 06:44.835 Lazy River Road gd93-08-21d1t04 07:04.740 Queen Jane Approximately gd93-08-21d1t05 14:37.656 Bird Song -> gd93-08-21d1t06 04:46.191 -> The Promised Land Set 2 gd93-08-21d1t07 06:27.884 China Cat Sunflower -> gd93-08-21d1t08 06:55.474 -> I Know You Rider gd93-08-21d1t09 06:36.577 Long Way To Go Home Total time: 1:05:47.526 Disc 2 Set 2 cont'd gd93-08-21d2t01 07:18.882 Truckin' -> gd93-08-21d2t02 05:17.129 -> Good Morning Little Schoolgirl -> gd93-08-21d2t03 05:36.726 -> Smokestack Lightning -> gd93-08-21d2t04 14:14.025 -> Drums -> gd93-08-21d2t05 14:03.513 -> Space -> gd93-08-21d2t06 06:19.713 -> The Last Time -> gd93-08-21d2t07 09:28.586 -> Standing On The Moon -> gd93-08-21d2t08 04:53.704 -> One More Saturday Night gd93-08-21d2t09 03:05.191 ENCORE: I Fought The Law Total time: 1:10:17.469
Brad Stoll (4/5) CDR / 2 View  
josh wendt (4/5) cdr / 2 View  
Robert Sparks (4/0) / 3 A- A View   SBD > DAT > CDR > SHN > CDR
Notes: "H.C. Sunshine" beginning and end clipped. "Promised" end clipped. "Saturday Night" end clipped
Robert Sparks (4/0) CD-R / 3 A- A View   DSBD > DAT > CDR > SHN > CDR
Notes: Beginning of "H.C. Sunshine" cut. "Promised" end cut "Saturday Night" end cut
l-bear (4/1.3) .shn / 2 View  
SCOTT STERCHELE (4/0) / 0 View  
Zach F (4/5) AUD / 2 View  
Kristin & Ted Niemi (4/5) CDR / 2 View  
caretake (4/0) / 0 View  
moses (4/4.8) / 0 View  
Jeffrey Tansley (4/5) SHN / 2 View  
Tod Gordon (4/5) / 2 A View   SBD
Jacob Howard (4/4.8) CD / 2 View   SBD
Notes: w/ Huey Lewis (harmonica)
Paul M. (4/5) cdr / 2 View  
Reed (4/0) SHN / 2 View  
Nick Knobbe (4/0) shn / 2 View 11269 SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSBThe DAT was only small...
Notes: JAY SERAFIN Remastered show.
Jon Paulk (4/5) shn / 2 View 11269 SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB
Notes: SSSB Release
Tom (4/0) .SHN / 2 View   SBD>D>ILLEGAL BOOTLEG CD>SSBB
kb panic (3/5) CD-R / 2 A View   SBD
Notes: China>Rider sizzles
Gene Rider (3/0) WMA / 2 View 15035
Notes: Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki *w/Huey Lewis on harmonica
Bill d'Angelo (3/5) CDR/shn / 2 View 561 SBD> DAT> CD> EAC>
Dave Heenan (3/0) FLAC / 2 View 87555 FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR
john zicconi (3/5) CDR / 2 SBD View   SBD > D > ILLEGAL BOOTLEG CD > SSSB