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Phish 03/06/92
Portsmouth Music Hall, Portsmouth, NH
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Set I
Rift*, Cavern, Sparkle, It's Ice, Oh Kee Pa Ceremony, Divided Sky, Guelah Papyrus, Maze*, Reba, All Things Reconsidered, David Bowie
Set II
My Friend My Friend*, Poor Heart, "Secret Language" Explanation, Stash, Mound*, Llama, Bouncing Around the Room, NICU, Possum, E: Sleeping Monkey*
Set III

Comment
*First time played.
Last Changed By System
Sources
(23973) View Source   
SBD > Cass/1 > DAT; CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CDWav > shntool > FLAC; Primary transfer by Robert Brown; Resampling, tracking and fixes by Ben Mohr
(25303) View Source   
Note: This is a pitch-corrected reseed of this source Purported SBD > Cass/1 > DAT; Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CD Wave > shntool > FLAC; Primary transfer by Robert Brown; Resampling, tracking and fixes by Ben Mohr; Pitched-correction by Mike Wren
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
matt willet (3/0) CD-R / 2 A+ View   SBD > Cass/1 > DAT
Notes: Phish 03-06-92 Portsmouth Music Hall - Portsmouth, NH Source: SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CDWav > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr ([email protected]) * with anti-alias filtering and interpolation accuracy of 4 ------------------------------------------- Disc 1: (66:46) ------------------------------------------- -Set 1- 1. intro (00:33) 2. Rift (08:24) 3. Cavern (04:14) 4. Sparkle (03:56) 5. It's Ice (08:46) 6. Oh Kee Pah Ceremony (01:40) 7. Divided Sky (12:07) 8. Guelah Papyrus (05:21) 9. Maze* (07:40) 10. Reba (10:58) 11. All Things Reconsidered (03:07) ------------------------------------------- Disc 2: (77:54) ------------------------------------------- -Set 1 cont.- 1. David Bowie (14:24) -Set 2- 2. My Friend My Friend* (05:37) 3. Poor Heart (02:38) 4. secret language Instructions"** (09:26) 5. Stash (08:14) 6. Mound* (05:38) 7. Llama (04:25) 8. Bouncing Around the Room (03:12) 9. NICU* (08:20) 10. Possum (10:11) -Encore- 11. Sleeping Monkey* (05:49) * First time played ** First ever secret language instructions Notes: -Tape flips: d1t07 12:07 (39:40) d2t01 13:52 (40:58) d2t07 04:24 (49:49)/d2t08 03:11 (53:00) -Two areas of tape warble at beginning of d2t09 Fixes: -Removed DC offset from entire show -Smoothed skip d1t02 0:58.009 -Replaced L channel static d1t06 1:55.013-1:55.325 with R channel -Smoothed diginoise d2t01 11:00.905-11:00.946 -Remove whine d2t02-d2t11 in Samplitude v6 using FFT Filter/Spectrum Analyzer centered at 16020Hz by 33dB (range=15515-16520Hz) and modified slightly for each track
matt willet (3/0) CD-R / 2 A+ View   SBD > Cass/1 > DAT
Notes: Phish 03-06-92 Portsmouth Music Hall - Portsmouth, NH Source: SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CDWav > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr ([email protected]) * with anti-alias filtering and interpolation accuracy of 4 ------------------------------------------- Disc 1: (66:46) ------------------------------------------- -Set 1- 1. intro (00:33) 2. Rift (08:24) 3. Cavern (04:14) 4. Sparkle (03:56) 5. It's Ice (08:46) 6. Oh Kee Pah Ceremony (01:40) 7. Divided Sky (12:07) 8. Guelah Papyrus (05:21) 9. Maze* (07:40) 10. Reba (10:58) 11. All Things Reconsidered (03:07) ------------------------------------------- Disc 2: (77:54) ------------------------------------------- -Set 1 cont.- 1. David Bowie (14:24) -Set 2- 2. My Friend My Friend* (05:37) 3. Poor Heart (02:38) 4. secret language Instructions"** (09:26) 5. Stash (08:14) 6. Mound* (05:38) 7. Llama (04:25) 8. Bouncing Around the Room (03:12) 9. NICU* (08:20) 10. Possum (10:11) -Encore- 11. Sleeping Monkey* (05:49) * First time played ** First ever secret language instructions Notes: -Tape flips: d1t07 12:07 (39:40) d2t01 13:52 (40:58) d2t07 04:24 (49:49)/d2t08 03:11 (53:00) -Two areas of tape warble at beginning of d2t09 Fixes: -Removed DC offset from entire show -Smoothed skip d1t02 0:58.009 -Replaced L channel static d1t06 1:55.013-1:55.325 with R channel -Smoothed diginoise d2t01 11:00.905-11:00.946 -Remove whine d2t02-d2t11 in Samplitude v6 using FFT Filter/Spectrum Analyzer centered at 16020Hz by 33dB (range=15515-16520Hz) and modified slightly for each track
gruven42 (2/4.7) CDR / 3 View   Pitch-corrected version; AUD (Purported SBD) > Cass/1 > DAT; CTD8000H-S > DAT2WAV >...
gruven42 (2/4.7) DVD / 1 View   Set I; VIDEO source/transfer: Vhs > sony gigapocket > Vegas 4.0 > Dvd Architect; audio...
Mike Langen (2/4.9) cdr / 2 A View 25303 Sbrd
Notes: My Note - This doesn't fit on two discs . I did not burn the encore, but do have the flac files - ________________________________________________________________________________Phish 3/6/1992 Portsmouth Music Hall - Portsmouth, NH Source: Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr ([email protected]) Pitched-corrected on 7/16/2004 by Mike Wren ([email protected]) FLAC metadata and replaygain added on 7/16/2004 by [email protected] ------------------------------------------- Disc 1 ------------------------------------------- -Set 1- 01. Intro 02. Rift * 03. Cavern 04. Sparkle 05. It's Ice 06. Oh Kee Pah Ceremony 07. Divided Sky 08. Guelah Papyrus 09. Maze * 10. Reba 11. All Things Reconsidered ------------------------------------------- Disc 2 ------------------------------------------- -Set 1 cont.- 01. David Bowie -Set 2- 02. My Friend, My Friend * 03. Poor Heart 04. Secret language Instructions ** 05. Stash 06. Mound * 07. Llama 08. Bouncing Around the Room 09. In an Intensive Care Unit * 10. Possum -Encore- 11. Sleeping Monkey * * First time played ** First ever secret language instructions Originally seeded as: http://bt.etree.org/details.php?id=5186 Notes: -Tape flips: d1t07 12:07 (39:40) d2t01 13:52 (40:58) d2t07 04:24 (49:49)/d2t08 03:11 (53:00) -Two areas of tape warble at beginning of d2t09 Fixes: - Removed DC offset from entire show - Smoothed skip d1t02 0:58.009 - Replaced L channel static d1t06 1:55.013-1:55.325 with R channel - Smoothed diginoise d2t01 11:00.905-11:00.946 - Remove whine d2t02-d2t11 in Samplitude v6 using FFT Filter/Spectrum Analyzer centered at 16020Hz by 33dB (range=15515-16520Hz) and modified slightly for each track - with anti-alias filtering and interpolation accuracy of 4 Pitch Correction: - Entire show was 75 cents sharp, so I adjusted accordingly in Sound Forge 6 (pitch shife quality level 3) --- This added about 3 minutes to the length of each set - Knocked down the annoying 130Hz rumble by 4dB - Added friendly fades at the start and end of sets - Retracked in CD Wave -------------------------------------------------------------------------- From: Shelly Culbertson Subject: sing any note Date: Sat, 7 Mar 92 12:26:18 PST One thing I was really excited to read about was the audience participation aspect of the show. This particularly intrigued me because I had suggested to Trey on the phone that they might try this! That conversation came about as a result of something he said during the post-Somerville interview, that they'd like to tour with a choir, who could (for example) sing a dissonant chord during the jam in Tweezer. I suggested having the audience do it, in response to some sort of signal from the band, and sent him a copy of an interview with Brian Eno where he talks about trying something like this: "I noticed this when I worked on this Cornelius Cardew piece a long time ago called `The Great Learning'. The first instruction is `Sing any note'. You choose randomly. And you do it with a big group of people. And the first chord they hit is very dense and beautiful because people really are singing every note. But they very quickly slide into a few families of notes. And I always liked that first note when you have this beautiful, dense, breathy sound." --------------------------
Lost Sailor (2/0) Shn / 0 View 23973 SBD > Cass/1 > DAT; CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CDWav > shntool > FLAC;...
Lost Sailor (2/0) Flac / 0 View 25303 Note: This is a pitch-corrected reseed of
Brian DeLong (2/5) FLAC / 2 View 25303 SBD
Colin Waldschutz (2/4.9) CDR / 2 View 25303 FLAC
Notes: SBD
Brian Colligan (2/0) flac / 2 View 25303
Notes: SBD
Tim Smith (2/5) flac16 / 2 9 View 25303 AUD: unknown (FOB?)
Notes: Phish 3/6/1992 Portsmouth Music Hall - Portsmouth, NH Source: Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr ([email protected]) Pitched-corrected on 7/16/2004 by Mike Wren ([email protected]) FLAC metadata and replaygain added on 7/16/2004 by [email protected] ------------------------------------------- Disc 1 ------------------------------------------- -Set 1- 01. Intro 02. Rift * 03. Cavern 04. Sparkle 05. It's Ice 06. Oh Kee Pah Ceremony 07. Divided Sky 08. Guelah Papyrus 09. Maze * 10. Reba 11. All Things Reconsidered ------------------------------------------- Disc 2 ------------------------------------------- -Set 1 cont.- 01. David Bowie -Set 2- 02. My Friend, My Friend * 03. Poor Heart 04. Secret language Instructions ** 05. Stash 06. Mound * 07. Llama 08. Bouncing Around the Room 09. In an Intensive Care Unit * 10. Possum -Encore- 11. Sleeping Monkey * * First time played ** First ever secret language instructions Originally seeded as: http://bt.etree.org/details.php?id=5186 Notes: -Tape flips: d1t07 12:07 (39:40) d2t01 13:52 (40:58) d2t07 04:24 (49:49)/d2t08 03:11 (53:00) -Two areas of tape warble at beginning of d2t09 Fixes: - Removed DC offset from entire show - Smoothed skip d1t02 0:58.009 - Replaced L channel static d1t06 1:55.013-1:55.325 with R channel - Smoothed diginoise d2t01 11:00.905-11:00.946 - Remove whine d2t02-d2t11 in Samplitude v6 using FFT Filter/Spectrum Analyzer centered at 16020Hz by 33dB (range=15515-16520Hz) and modified slightly for each track - with anti-alias filtering and interpolation accuracy of 4 Pitch Correction: - Entire show was 75 cents sharp, so I adjusted accordingly in Sound Forge 6 (pitch shife quality level 3) --- This added about 3 minutes to the length of each set - Knocked down the annoying 130Hz rumble by 4dB - Added friendly fades at the start and end of sets - Retracked in CD Wave -------------------------------------------------------------------------- From: Shelly Culbertson Subject: sing any note Date: Sat, 7 Mar 92 12:26:18 PST One thing I was really excited to read about was the audience participation aspect of the show. This particularly intrigued me because I had suggested to Trey on the phone that they might try this! That conversation came about as a result of something he said during the post-Somerville interview, that they'd like to tour with a choir, who could (for example) sing a dissonant chord during the jam in Tweezer. I suggested having the audience do it, in response to some sort of signal from the band, and sent him a copy of an interview with Brian Eno where he talks about trying something like this: "I noticed this when I worked on this Cornelius Cardew piece a long time ago called `The Great Learning'. The first instruction is `Sing any note'. You choose randomly. And you do it with a big group of people. And the first chord they hit is very dense and beautiful because people really are singing every note. But they very quickly slide into a few families of notes. And I always liked that first note when you have this beautiful, dense, breathy sound."
Joe Breault (2/0) cdr / 2 View  
Joe Breault (2/0) cdr / 3 View 25303
john florek (2/5) flac / 0 View 25303
Amy Booth & Jim Himmelein (2/3) FLAC(*) / 0 View 25303
Ace Mace (2/0) / 0 View 25303
Kurt Hafer (2/5) FLAC / 2 View 23973
Kurt Hafer (2/5) FLAC / 2 View 25303
Jeff Hannan (2/0) / 0 View 25303
Luke Bailey (2/0) FLAC / 2 View 25303 SBD > Cass/1 > DAT; Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz)...
Notes: SBD > Cass/1 > DAT; Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CD Wave > shntool > FLAC
Kenny Shook (2/0) DAT / 2 60m View  
Notes: I still need to check this out.
Terrapanda (2/0) / 2 View 25303
Thomas Frank (2/5) FLAC / 2 View 23973 SBD > Cass/1 > DAT
Notes: Phish 3/6/1992 Portsmouth Music Hall - Portsmouth, NH Source: Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr ([email protected]) Pitched-corrected on 7/16/2004 by Mike Wren ([email protected]) FLAC metadata and replaygain added on 7/16/2004 by [email protected] ------------------------------------------- Disc 1 ------------------------------------------- -Set 1- 01. Intro 02. Rift * 03. Cavern 04. Sparkle 05. It's Ice 06. Oh Kee Pah Ceremony 07. Divided Sky 08. Guelah Papyrus 09. Maze * 10. Reba 11. All Things Reconsidered ------------------------------------------- Disc 2 ------------------------------------------- -Set 1 cont.- 01. David Bowie -Set 2- 02. My Friend, My Friend * 03. Poor Heart 04. Secret language Instructions ** 05. Stash 06. Mound * 07. Llama 08. Bouncing Around the Room 09. In an Intensive Care Unit * 10. Possum -Encore- 11. Sleeping Monkey * * First time played ** First ever secret language instructions Originally seeded as: http://bt.etree.org/details.php?id=5186 Notes: -Tape flips: d1t07 12:07 (39:40) d2t01 13:52 (40:58) d2t07 04:24 (49:49)/d2t08 03:11 (53:00) -Two areas of tape warble at beginning of d2t09 Fixes: - Removed DC offset from entire show - Smoothed skip d1t02 0:58.009 - Replaced L channel static d1t06 1:55.013-1:55.325 with R channel - Smoothed diginoise d2t01 11:00.905-11:00.946 - Remove whine d2t02-d2t11 in Samplitude v6 using FFT Filter/Spectrum Analyzer centered at 16020Hz by 33dB (range=15515-16520Hz) and modified slightly for each track - with anti-alias filtering and interpolation accuracy of 4 Pitch Correction: - Entire show was 75 cents sharp, so I adjusted accordingly in Sound Forge 6 (pitch shife quality level 3) --- This added about 3 minutes to the length of each set - Knocked down the annoying 130Hz rumble by 4dB - Added friendly fades at the start and end of sets - Retracked in CD Wave -------------------------------------------------------------------------- From: Shelly Culbertson Subject: sing any note Date: Sat, 7 Mar 92 12:26:18 PST One thing I was really excited to read about was the audience participation aspect of the show. This particularly intrigued me because I had suggested to Trey on the phone that they might try this! That conversation came about as a result of something he said during the post-Somerville interview, that they'd like to tour with a choir, who could (for example) sing a dissonant chord during the jam in Tweezer. I suggested having the audience do it, in response to some sort of signal from the band, and sent him a copy of an interview with Brian Eno where he talks about trying something like this: "I noticed this when I worked on this Cornelius Cardew piece a long time ago called `The Great Learning'. The first instruction is `Sing any note'. You choose randomly. And you do it with a big group of people. And the first chord they hit is very dense and beautiful because people really are singing every note. But they very quickly slide into a few families of notes. And I always liked that first note when you have this beautiful, dense, breathy sound." --------------------------------------------------------------------------
khanti (2/3) SHN / 2 View 23973
Brad (2/0) SHN / 0 View 23973 SBD > C/1 > DAT
Jimmy Coulas (2/5) CDR / 2 View  
Eddie Dunn (2/0) / 0 View 25303
Joe Michiels (2/0) cd-r / 2 View 23973
William Ferdinandsen (2/5) CDR / 2 View  
dfries (2/0) / 0 View 23973