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Set I
Do You Wanna Dance
The following is taken from:
http://www.goodbear.com/pre-dead.html
The fullest account comes from David Nelson, quoted in Robert Greenfield's "Dark Star: An Oral Biography of Jerry Garcia" (pp63-64):
"We all knew that he'd played electric guitar on Bobby Freeman's 'Do You Wanna Dance.' Before any of this. Before the folk thing. When he was in high school. In a real funky studio. If you listen to that recording, there are no drums. There are cardboard boxes. He was a kid from Balboa High. It was what he used to refer to as his 'teenage hoodlum period.' When he got that first electric guitar from his mom in exchange for the accordion. He got that guitar and was really happy with it and he told me that he just tuned it to one tuning. The solo actually sounds like it could be in that tuning because he said it wasn't until a couple of months later when he found out how to really tune it. It's very primitive and it's very much that style of plunging out and jumping in with both feet first. The solo itself is basically two licks used very modestly. Very modestly."
And Sara Ruppenthal Garcia backs this up in the same book (p36):
"And in high school, Jerry had played on Bobby Freeman's 'Do You Wanna Dance.' But he didn't consider that exactly worthy. What he really wanted to do was play with Bill Monroe."
The following is taken from:
http://www.goodbear.com/pre-dead.html
The fullest account comes from David Nelson, quoted in Robert Greenfield's "Dark Star: An Oral Biography of Jerry Garcia" (pp63-64):
"We all knew that he'd played electric guitar on Bobby Freeman's 'Do You Wanna Dance.' Before any of this. Before the folk thing. When he was in high school. In a real funky studio. If you listen to that recording, there are no drums. There are cardboard boxes. He was a kid from Balboa High. It was what he used to refer to as his 'teenage hoodlum period.' When he got that first electric guitar from his mom in exchange for the accordion. He got that guitar and was really happy with it and he told me that he just tuned it to one tuning. The solo actually sounds like it could be in that tuning because he said it wasn't until a couple of months later when he found out how to really tune it. It's very primitive and it's very much that style of plunging out and jumping in with both feet first. The solo itself is basically two licks used very modestly. Very modestly."
And Sara Ruppenthal Garcia backs this up in the same book (p36):
"And in high school, Jerry had played on Bobby Freeman's 'Do You Wanna Dance.' But he didn't consider that exactly worthy. What he really wanted to do was play with Bill Monroe."
Set II
Set III
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Last Changed By
Tom Bashara/Eric Linstrom
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.