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Set I
Punch You In The Eye, The Sloth, Reba, The Squirming Coil, Maze, Colonel Forbin's Ascent > Fly Famous Mockingbird > Shine* > Fly Famous Mockingbird, Sparkle, Chalk Dust Torture
Set II
Drowned, The Lizards, Axilla (Part II), Runaway Jim, Strange Design, Hello My Baby**, Mike's Song***
Set III
Gamehendge Time Phactory > Auld Lang Syne# > Weekapaug Groove## > Sea And Sand, You Enjoy Myself, Sanity, Frankenstein
E: Johnny B. Goode
E: Johnny B. Goode
Comment
* - Included narration about "The Recipe for Time"; Tom Marshall sings lyrics to this cover by Collective Soul; First time played
** - A capella
*** - Ended with only Trey left on stage creating a series of delay loops to end the set
# - Phish dressed as scientists playing with synthesizers while lights flashed and Va de Graff generators zapped; Fishman (dressed as Father Time) is raised up in a bed and reborn as Baby New Year
## - With Auld Lang Syne tease
** - A capella
*** - Ended with only Trey left on stage creating a series of delay loops to end the set
# - Phish dressed as scientists playing with synthesizers while lights flashed and Va de Graff generators zapped; Fishman (dressed as Father Time) is raised up in a bed and reborn as Baby New Year
## - With Auld Lang Syne tease
Last Changed By
STLBlues
Sources
(631) View Source
Schoeps CMC6/mk41 > Oade Deluxe > Tascam DA-P1; Tascam DA-20mkII > Phillips CDR870; Plextor 12/20 > Windows PCM > CoolEdit 96 > CDR-Win > Yamaha CDR100; DAT>CDR Transfer by D. Collins and J. Coleman
(2146) View Source
AKG 460 Cards > 10ft XLR's > Power Supply > 3ft XLR's > Technics SV 260A > DAT (13' pole, Front Row, Center); Technics SV 260A > COAX > WAV > CDWav > SHN; Taped and Transferred by Linda Webster
(4523) View Source
Nakamichi 300 shotguns > DAT; DAT > Excalliber II > Tascam CDR-W5000 > EAC > WAV > mkwACT > SHN; Transfer by Scott Harris
(6825) View Source
FOB Schoeps mk4 (ORTF) > kc5 > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz; Patch Source (see info file): Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > SHN; Patch Transfer: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron and Craig Hillwig; Patch transferred by Craig Hillwig; Transferred by Jim Raras; Dankseed
(7101) View Source
B+K 4021 > DA-P1 (front TS); Tascam DA-20mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Seth Breidbart; Transferred by Jason Musante
(9552) View Source
Schoeps CMC6/mk41 > Lunatec V2 > Tascam DA-P1; Sony D8 > ZA2 > Sound Forge XP > CDWav > WAV > mkwACT > SHN
(24707) View Source
Schoeps CMC6/mk41 > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > Cool Edit Pro (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and transferred by Craig Hillwig (NOTE: both 44.1 kHz and 48 kHz seeds available)
(111286) View Source
Nuemann KM-184s > ??? > Sony TCD-D7 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts
(126840) View Source
flac16, 44kHz, 103deg/10in, OTS 3rd row center; Schoeps CMC6/MK41 > Oade Deluxe > Tascam DA-P1 (48 khz); DAT master > Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 (16/48); Taped and Transferred by Craig Hillwig Processing (raw file): Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.23 (align on sector boundaries, encode, tag, fingerprint) > flac16 (level 8 ); Processed by Lenny Stubbe
(126841) View Source
flac16, 48kHz; 103deg/10in, OTS 3rd row center; Schoeps CMC6/MK41 > Oade Deluxe > Tascam DA-P1 (48 khz); DAT master > Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 (16/48); Taped and Transferred by Craig Hillwig; Processing (raw file): Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.23 (encode, tag, fingerprint) > flac16 (level 8 ); Processed by Lenny Stubbe
(135925) View Source
flac16, 44.1 kHz; AKG se300b/ck91 > Tascam DA-P1 > Sony D5; master cassettes > Nakamichi DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > Reaper v5.18 (splices, fixes) > SoX v14.4.2 (speed adjustments, resample to 44.1 kHz, dither to 16 bit) > flac16 (level 8) > xACT 2.37 > .WAV > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.38 > flac16 (level 8); Taped by Jared Hooper; patch taped by Dave Lisuch; transferred by Lenny Stubbe & Jason Sobel
(631) View Source
Schoeps CMC6/mk41 > Oade Deluxe > Tascam DA-P1; Tascam DA-20mkII > Phillips CDR870; Plextor 12/20 > Windows PCM > CoolEdit 96 > CDR-Win > Yamaha CDR100; DAT>CDR Transfer by D. Collins and J. Coleman
(2146) View Source
AKG 460 Cards > 10ft XLR's > Power Supply > 3ft XLR's > Technics SV 260A > DAT (13' pole, Front Row, Center); Technics SV 260A > COAX > WAV > CDWav > SHN; Taped and Transferred by Linda Webster
(4523) View Source
Nakamichi 300 shotguns > DAT; DAT > Excalliber II > Tascam CDR-W5000 > EAC > WAV > mkwACT > SHN; Transfer by Scott Harris
(6825) View Source
FOB Schoeps mk4 (ORTF) > kc5 > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz; Patch Source (see info file): Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > SHN; Patch Transfer: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron and Craig Hillwig; Patch transferred by Craig Hillwig; Transferred by Jim Raras; Dankseed
(7101) View Source
B+K 4021 > DA-P1 (front TS); Tascam DA-20mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Seth Breidbart; Transferred by Jason Musante
(9552) View Source
Schoeps CMC6/mk41 > Lunatec V2 > Tascam DA-P1; Sony D8 > ZA2 > Sound Forge XP > CDWav > WAV > mkwACT > SHN
(24707) View Source
Schoeps CMC6/mk41 > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > Cool Edit Pro (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and transferred by Craig Hillwig (NOTE: both 44.1 kHz and 48 kHz seeds available)
(111286) View Source
Nuemann KM-184s > ??? > Sony TCD-D7 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts
(126840) View Source
flac16, 44kHz, 103deg/10in, OTS 3rd row center; Schoeps CMC6/MK41 > Oade Deluxe > Tascam DA-P1 (48 khz); DAT master > Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 (16/48); Taped and Transferred by Craig Hillwig Processing (raw file): Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler) > xACT 2.23 (align on sector boundaries, encode, tag, fingerprint) > flac16 (level 8 ); Processed by Lenny Stubbe
(126841) View Source
flac16, 48kHz; 103deg/10in, OTS 3rd row center; Schoeps CMC6/MK41 > Oade Deluxe > Tascam DA-P1 (48 khz); DAT master > Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 (16/48); Taped and Transferred by Craig Hillwig; Processing (raw file): Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.23 (encode, tag, fingerprint) > flac16 (level 8 ); Processed by Lenny Stubbe
(135925) View Source
flac16, 44.1 kHz; AKG se300b/ck91 > Tascam DA-P1 > Sony D5; master cassettes > Nakamichi DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > Reaper v5.18 (splices, fixes) > SoX v14.4.2 (speed adjustments, resample to 44.1 kHz, dither to 16 bit) > flac16 (level 8) > xACT 2.37 > .WAV > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.38 > flac16 (level 8); Taped by Jared Hooper; patch taped by Dave Lisuch; transferred by Lenny Stubbe & Jason Sobel
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Zach Mastren (3/5) | .shn / 2 | View | 4523 | Nakamichi 300 shotguns > DAT (sounds Awesome!) | ||
| Makeysoupa (3/0) | CDR / 3 | A | B | View | AUD | |
| Rob Schuller (3/4) | CDR / 3 | View | ||||
| Rob Schuller (3/4) | Audio / 3 | View | 6825 | FOB | ||
| DOC (3/5) | CDR / 3 | View | ||||
| Notes: | w/ Tom Marshall | |||||
| Hazen Baron (3/3) | CDR / 3 | A | A | View | ||
| Kobi (3/5) | cdr / 3 | View | ||||
| Notes: | AKG 460 Cards>10 ft XLR's>Power Supply>3ft XLR's>Technics SV 260ADAT (13' pole, Front Row)Technics SV 260ACOAXWAVCDWavSHN | |||||
| Robert Johnson (3/0) | / 0 | View | ||||
| Bryce Chalkley (3/0) | / 3 | A+ | B- | View | mp3 | |
| Notes: | My personal favorite Phish show | |||||
| dewey (3/0) | cd / 3 | View | ||||
| Matt (3/0) | CD-R / 28 | A+ | A | View | ||
| evan (3/0) | cd-r / 3 | View | ||||
| chris (3/0) | DVD+R / 3 | A+ | View | 1st gen vhs>dvd | ||
| Notes: | great work on these dvds5.1 dd surround HUGE improvement from the circulated vhs | |||||
| andrew (3/0) | cdr / 3 | View | ||||
| Onion (3/0) | cdr wav / 3 | a+ | a+ | View | Nakamichi 300 shotguns > DAT (sounds Awesome!) | |
| Notes: | love those nak mics | |||||
| jason mantello (3/0) | cdr / 3 | View | ||||
| andy silver (3/0) | / 0 | View | ||||
| pratt (3/0) | / 2 | View | ||||
| ToM (3/0) | VHS / 1 | A | B | View | ||
| Becca (3/5) | SHN / 2 | View | 631 | Schoeps CMC641> Oade Deluxe> Tascam DA-P1> CD-R | ||
| Greasybeats (Paul Lucia) (3/0) | CDR / 3 | View | ||||
| Notes: | DAUD | |||||
| mike freer (3/0) | CDR / 3 | A | View | |||
| Mark Sommer (3/0) | cdr / 3 | A | View | |||
| Notes: | Greatest Phish Show Ever? | |||||
| Thom Lippert (3/4.7) | CD-R / 3 | A | A | View | Daud | |
| Brian (3/0) | Analog / 3 | A | View | |||
| nate leskovic (3/0) | cdr / 3 | View | Schoeps CMC641>oade>DAP1 | |||
| funktion8 (3/0) | CDR / 3 | View | Nakamichi 300 shotguns > DAT | |||
| Loren Farrar (3/0) | CDR / 3 | A | A | View | ||
| James Clark (3/5) | CDR / 3 | View | ||||
| nick thompson (3/0) | CDR / 3 | View | ||||