Set I
Rock And Roll->Celebration Day->Bring It On Home->Black Dog, Over The Hills And Far Away, Misty Mountain Hop->Since I've Been Loving You, No Quarter, The Song Remains The Same, The Rain Song, Dazed And Confused (Medley), Stairway To Heaven, Heartbreaker->Whole Lotta Love (Medley),~
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the
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User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
gwendibbley (5/0) |
/ 0 |
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View |
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David Bennett (5/5) |
cd / 2 |
A |
A |
View |
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John (5/5) |
CDR / 2 |
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View |
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John (5/5) |
CDR/FLAC / 2 |
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View |
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Notes: |
A JOE MALONEY MASTER KRW_CO TRANSFER TAPE FLIP EDIT COPY
LINEAGE AUDIENCE ANALOG MASTER TO CDR KRW TRANSFER TO
AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS
TO CDR TO EAC TO TLH FLAC LEVEL 8
NO EQ OR OTHER TAMPERING
|
George Rue (5/5) |
CD / 2 |
|
B+B |
View |
|
Wrecks Havoc>Flac>Wav>CD (Joe Maloney) |
Notes: |
117:26 min (Source 2) Plays a bit slower. |
George Rue (5/5) |
CD / 2 |
|
B+B |
View |
|
Master Tape>Flac>Wav>CD (Joe Maloney) |
Notes: |
115:04 min (Source 2) Correct Speed |
Jack Warner (5/5) |
FLAC / 1 |
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View |
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MAC>CD |
Jack Warner (5/5) |
FLAC / 0 |
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View |
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MAT>?>CD |
Notes: |
"Wreckage In Boston" bootleg |
Roy Martin\'s Music Collection (5/5) |
FLAC / 0 |
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|
View |
|
Audience Recording Source 1 (L036) |
Notes: |
Sony TC-110 w/external condenser mics > Cass M (2 x Capitol C-60s) (HS's)
(1st time digital transfer, done in October 2003:)
playback + recording w/Tascam CC-222 CD-RW Cass combo > 2CDR4 >
EAC > Wav (appended) > CD Wave (re-tracking) > TLH > Flac 8
|
Roy Martin\'s Music Collection (5/5) |
FLAC / 0 |
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|
View |
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Joe Maloney master (AE020 & RS045 & Z132) |
Notes: |
AM>CDR>EAC>FLAC *CORRECTED TRACK NUMBERING"
|
Roy Martin\'s Music Collection (5/5) |
FLAC / 0 |
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|
View |
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Wreckage In Boston (AC099) |
Notes: |
liberated Tarantura 2000 bootleg; Lineage: Silver CDs > CD-R > EAC > WAV > FLAC > DVD-R > HD > Torrent ( All Tracks Tested With TLH, SBE's Aligned)
|
sean hite (5/0) |
/ 0 |
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View |
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Notes: |
Source: AUD > MR (see Notes)
Taper: Joe Maloney [maloneyjoe68_at_aol.com]
Lineage: MR > DAW > SDII > WAV > shn (see Notes)
Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 06/09/2005
The two discs can be joined, creating an uninterrupted flow of music.
Remove d01t09 & d02t01 and the two will splice together w/o a loss of continuity.
Also included are Toast/Jam files & a printout for the CDs
(so you can either use the Jam file to create the disc or use the "Audio starts in Pause" timings to
have a track end when the music stops and the subsequent track start when the music begins).
Notes:
Tape flip during last verse of d01t07; flip cuts off sustained bass note ending d02t02.
No noise reduction or expansion.
Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B
portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480.
The analog signal was first run through a SAE 2800 parametric equalizer to bump the highs slightly.
Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive).
Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels.
Bias Peak again used to transfer SDII files to WAV files for shn compression.
xACT used to fix SBEs & encode to SHNs.
This recording is one of literally dozens of concerts recorded
by Joe Maloney in the late '60s - late '70s to be released to the live recording community.
The bulk of the concerts recorded were in the Boston area, with some in Maine venues.
|
Rick Martin (5/5) |
SHN / 2 |
|
B+ |
View |
|
Aud > MR > DAW > SDII > WAV > SHN |
Notes: |
Complete |
Slick2007 (5/5) |
FLAC / 2 |
|
B+ |
View |
|
|
Dwayne (5/5) |
FLAC / 0 |
|
|
View |
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Audience Recording
Joe Maloney Analog Master |
shadow121603 (5/0) |
Flac / 2 |
|
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View |
|
Source 2 Analog Master > CDR > FLAC |
Notes: |
Source 2 Analog Master > CDR > FLAC |
Jon Pavuk (5/4.3) |
FLAC / 2 |
A |
A- |
View |
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Audience>" Wrecks Havoc">Silver CDs > CD-R > EAC > WAV > FLAC > DVD-R >... |
BH (5/5) |
flac / 2 |
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|
View |
|
|
brad stevens (5/3.7) |
cdr / 2 |
|
B+ |
View |
|
|
Notes: |
audience |
Jeff (5/5) |
CDR / 2 |
|
C+ |
View |
|
Silvers>EAC>WAV>FLAC |
Notes: |
"Zep Vs Boston"
Image Quality |
Joe (5/5) |
CD-R / 2 |
|
B+ |
View |
|
Aud. |
Notes: |
Maloney Master |
ctg (5/0) |
/ 0 |
|
|
View |
|
|
Jeff Hagen (4/5) |
CDRs / 2 |
|
|
View |
|
|
Notes: |
LZ Collection #6 |
Steve K (4/5) |
FLAC / 2 |
|
B- |
View |
|
Aud |
Edgar H (4/5) |
/ 2 |
|
|
View |
|
"Boston Gardens, July 20, 1973" |
Notes: |
Tape flip during last verse of d01t07; flip cuts off sustained bass
note ending d02t02. No noise reduction or expansion.
Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B
portable reel to reel recorder. Original cassettes were transferred
to a Mac DAW using a Nakamichi 480.The analog signal was first run
through a SAE 2800 parametric equalizer to bump the highs slightly.
Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz
(-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak.
Bias Deck used to splice tape flips & even out volume levels. Bias
Peak again used to transfer SDII files to WAV files for shn
compression. xACT used to fix SBEs & encode to SHNs.
This recording is one of literally dozens of concerts recorded by Joe
Maloney in the late '60s - late '70s to be released to the live
recording community. The bulk of the concerts recorded were in the
Boston area, with some in Maine venues.
Winston's improvements:
- Splicing in an alternate source during the cuts mentioned above |
Brad Foster (4/4.9) |
FLAC / 2 |
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|
View |
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AUD > Cass/M > CD > EAC > FLAC |
Ray D (4/4.9) |
cdr / 2 |
|
|
View |
|
|
Notes: |
"Zep vs. Boston" |
dcbullet (4/5) |
Flac / 0 |
|
|
View |
|
Audience |
Notes: |
MR > DAW > SDII > WAV > shn |
Kevin P (4/5) |
CDR / 2 |
|
|
View |
|
|
Mike (4/5) |
cdr / 2 |
B |
B |
View |
|
|