Artists
Dates
List Management
Help
Add Source
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
I've Been All Around This World
Ballad Of Casey Jones
Blue Yodel No. 9 (Standing On The Corner)
I'm Troubled
Rosalie McFall
Diamond Joe
I Ain't Never Seen Nobody Like You
Long Long Way
Bright Morning Stars
Ripple
Ballad Of Casey Jones
Blue Yodel No. 9 (Standing On The Corner)
I'm Troubled
Rosalie McFall
Diamond Joe
I Ain't Never Seen Nobody Like You
Long Long Way
Bright Morning Stars
Ripple
Set II
How Sweet It Is To Be Loved By You
Forever Young
Stop That Train
Evangeline
Knockin' On Heaven's Door
Gomorrah
Tangled Up In Blue; E: My Sisters And Brothers
Forever Young
Stop That Train
Evangeline
Knockin' On Heaven's Door
Gomorrah
Tangled Up In Blue; E: My Sisters And Brothers
Set III
Comment
late show; Jerry Garcia Band
Last Changed By
Hamilton, Greg & Diana
Sources
(4380) View Source
Jerry Garcia Band: Jerry Garcia Acoustic Band; early show
(10135) View Source
Jerry Garcia Acoustic Band: Early Show: MS? > DAT > CDR > EAC > SHN. DAT > CD by Jeremy Davis, extraction and compression by mlindsey.
(25742) View Source
Jerry Garcia Band, Early Show: Recording: Sony ECM-939LT Stereo Mic (third row orchestra, just off center and directly in front of Jerry) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette, Dolby Off during recording and playback; Transfer playback on Nakamichi MR2 > Tascam CDRW-700 > EAC > SHN. Tracked with CDWave, no EQ or sound editing was used.
(79902) View Source
JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner.
(80044) View Source
JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.
(82275) View Source
JGAB, Early Show: Digital Soundboard -> DAT 16/48 Transfer By Todd Evans Editing by Jamie Waddell in Wavelab6.0 SBE FREE 16/44.1 L2 Type2Ultra Noise Shape
(83239) View Source
JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman.
(138516) View Source
JGAB; flac1644; Early Show; Soundboard > pcm > dat (44.1k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller; lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16.
(4380) View Source
Jerry Garcia Band: Jerry Garcia Acoustic Band; early show
(10135) View Source
Jerry Garcia Acoustic Band: Early Show: MS? > DAT > CDR > EAC > SHN. DAT > CD by Jeremy Davis, extraction and compression by mlindsey.
(25742) View Source
Jerry Garcia Band, Early Show: Recording: Sony ECM-939LT Stereo Mic (third row orchestra, just off center and directly in front of Jerry) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette, Dolby Off during recording and playback; Transfer playback on Nakamichi MR2 > Tascam CDRW-700 > EAC > SHN. Tracked with CDWave, no EQ or sound editing was used.
(79902) View Source
JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner.
(80044) View Source
JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.
(82275) View Source
JGAB, Early Show: Digital Soundboard -> DAT 16/48 Transfer By Todd Evans Editing by Jamie Waddell in Wavelab6.0 SBE FREE 16/44.1 L2 Type2Ultra Noise Shape
(83239) View Source
JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman.
(138516) View Source
JGAB; flac1644; Early Show; Soundboard > pcm > dat (44.1k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller; lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.