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String Cheese Incident 03/21/02
Fillmore Auditorium, Denver, CO
Set I
Black Clouds, Black and White > Jam > Search, Ten Miles to Tulsa, It Is What It Is, Jam* > Footprints* > Jam~ > Drums+ > Come As You Are^
Set II
Round the Wheel > Outside Inside, MLT, Another Night, Best Feeling > Don't Say% > Jam > Round the Wheel
Set III
Encore: Signed, Sealed, Delivered I'm Yours > Daryl
Comment
% unfinished.
* with Stanton Moore (percussion), Skerik (saxophone), Brian Seeger (guitar), John Ellis (saxophone), and Chris Wood (bass).
~ with only Travis, Stanton Moore, and Chris Wood.
+ with only Travis and Stanton Moore.
^ with John Ellis (on flute) and Skerik.
Setlist courtesy of Friends of Cheese.
Last Changed By Scott Schnepf
Sources
(8425) View Source   
AKG 391 > MP2 > SBM-1 > Sony D8; Transfer: Tascam DA-20 MkII > Zoltrix > Soundforge > CDwave > mkwACT (.shn)
(8491) View Source    View Archive
Schoeps CMC6/mk41 > MP2 > AD2K+ > Tascam DA-P1; Transfer: Tascam DA-20 mkII > Audiowerk2 > Soundforge 4.5 > mkwACT (.shn)
(8562) View Source   
AKG480/ck63's > DMIC-20 > Sony D8; Transfer: Tascam DA-20 > coax > Soundblaster Live Platinum > Cool Edit Pro > CDwav > mkwACT (.shn)
(15827) View Source    View Archive
MBHO 603A > Apogee AD1000 > D8; Transfer: D8 > Hercules Game Theater > Sound Forge XP > CD Wave Editor > mkwACT > .shn
(83357) View Source   
SBD/AUD Matrix Multitrack "Truck Tape" > Tascam DA-P1; Transfer: Tascam DA30 > HHB CDR800 > EAC > Cool Edit Pro > CD Wave > FLAC16 [6]
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Zach Deuel (4/0) shn / 2 View   AKG 391>MP2>SBM1>D8 ([email protected])
Notes: String Cheese Incident 3-21-02 Fillmore Auditorium Denver, CO Source: AKG 391>MP2>SBM1>D8 ([email protected]) Transfer: Tascam DA-20Mkii>Zoltrix>Soundforge(Waves-ultramaximizer preset 2e)>CDwav>MKWact>SHN TAPER/SEED/TRANSFER: Wacky Zachy ZachATfunkytulipDOTcom Set 1: Disc 1: 1. Black Clouds 2. Black and White > 3. Jam > 4. Search 5. Ten Miles to Tulsa, 6. It Is What It Is Disc 2: 1. Jam? > Footprints? > Jam? > Drums? > 2. Come As You Are^ Set 2: 3. Come As You Are^ 4. Outside Inside Disc 3: 1. MLT 2. Another Night 3. Best Feeling > 4. Jam> 5. Don't Say* > Jam > 6. Round the Wheel -- ENCORE -- 7. Signed Sealed Delivered (I'm Yours) > 8. Daryl Notes: ? with Stanton Moore (percussion), Skerik (saxophone), Brian Seeger (guitar), John Ellis (saxophone), and Chris Wood (bass). They came out one at a time as the stage was being setup. ? with only Travis, Stanton Moore, and Chris Wood ? with only Travis and Stanton Moore ^ with John Ellis (on flute) and Skerik.
Summoner (4/5) 2shn/3cdr / 0 View 8425 AKG 391>MP2>SBM1>D8 ([email protected])
Matt Nesbitt (4/0) / 0 View   MBHO 603/KA200N > (Audio Magic Excalibur Cables) > Luna V2 > Apogee AD-1000>CDR
Doug Rosco (4/0) CD-R / 3 View  
Kevin Mayfield (4/0) SHN / 2 View   AKG 391>MP2>SBM1>D8 ([email protected])
randall vw (4/5) / 2 View 15827
Randy Holt (4/0) CDR / 3 View  
Chad Oesterreich (4/5) SHN / 2 View 15827 MBHO603A>A/D1000>D8
travis viars (4/0) CD / 3 View   DAUD
Notes: MBHO 603A>AD1000>D8
Donnie Howard (3/0) FLAC / 2 SBD View   SBD/AUD Matrix Multitrack "Truck Tape" > Tascam DA-P1 > CD Master
J. B. (3/0) CDR / 3 B View  
jim hopf (3/4.7) CDR / 3 A View   SBD/AUD Matrix Multitrack "Truck Tape" > Tascam DA-P1; Transfer: Tascam DA30 > HHB CDR800...
Notes: Matrix
ziko (3/5) / 0 View 83357
Denman (3/5) Digital / 0 View   SBD
Tim (3/3.5) CDR / 3 A+ A+ View  
Notes: SBD
Joey (3/5) flac / 2 View   SBD/AUD Matrix Multitrack "Truck Tape" > Tascam DA-P1 > CD Master
Notes: String Cheese Incident Thursday, March 21st, 2002 Fillmore Auditorium, Denver Colorado Source: SBD/AUD Matrix Multitrack "Truck Tape" > Tascam DA-P1 > CD Master CD Mastering: Tascam DA30 > HHB CDR800 Digital Clone from 48 khz DAT to CDR 44.1 khz (using shielded coax digicable) Lineage: CD Master > EAC > Cool Edit Pro > CD Wave > Flac (level 6) Transferred on 10/16/06 ~Set 1~ d1t01 - Pre-Show Announcement d1t02 - Intro Set 1 d1t03 - Black Clouds d1t04 - Black and White-> d1t05 - Search d1t06 - chatter d1t07 - Ten Miles to Tulsa d1t08 - It Is What It Is d2t01 - +Jam-> +Footprints-> ~Jam-> d2t02 - *Drums-> d2t03 - ^Jam-> d2t04 - ^Come As You Are ~Set 2~ d2t05 - Intro Set 2 d2t06 - Round the Wheel-> d2t07 - Outside Inside d3t01 - MLT d3t02 - Another Night d3t03 - Best Feeling-> d3t04 - Don't Say-> d3t05 - Round the Wheel d3t06 - encore break Encore: d3t07 - Signed Sealed Delivered (I'm Yours) d3t08 - Daryl d1: (53:56) d2: (71:18) d3: (62:24) Guests: + with Stanton Moore (percussion), Skerik (saxophone), Brian Seeger (guitar), John Ellis (saxophone), and Chris Wood (bass). They came out one at a time as the stage was being setup. ~ only Travis, Stanton Moore, and Chris Wood * only Travis and Stanton Moore ^ with John Ellis (on flute) and Skerik (on saxophone) Notes: * 'Don't Say' was unfinished First Time Played: Signed, Sealed, Delivered (I'm Yours) (Stevie Wonder cover) Opening Act: Stanton Moore featuring Chris Wood, Skerik, Brian Seeger and John Ellis Mobile Truck Tape: An audio mobile truck (also called a 'remote truck' or 'mobile recording truck') is the same as a regular recording studio except that it's located in a vehicle. This, of course, gives it the flexibility to move from place to place to record live events where they happen. A mobile truck recording is likely to be superior to taping from a SBD feed inside the venue for several reasons: -Provides a stable, known system that works -Provides a constant listening Environment -Provides a listening environment separate from the concert venue When taping from a SBD feed inside the venue, usually the sound engineer inside the venue will have to make certain adjustments make it to sound good in that particular room. To some degree they are compensating for the inherent flaws in the microphones, speakers, and how echoey/boomy/etc the room is. The sound engineer makes sure things sound good through the PA, however, a recording is likely to sound dramatically different through good studio monitors in a recording studio. Editing Notes: -Fades added at beginning and end of sets with Cool Edit Pro. -Tracking done in CDWave. -Transition between discs is seamless. -EAC was performed with offsets corrected in secure mode. -All tracks were 100% error free when extracted with EAC. ***************************************************************** Shntool Output length expanded size cdr WAVE probs filename 1:13.03 12884300 --- -- -xx sci2002-03-21d1t01.flac 1:10.41 12444476 --- -- -xx sci2002-03-21d1t02.flac 10:30.41 111228476 --- -- -xx sci2002-03-21d1t03.flac 16:49.25 178046444 --- -- -xx sci2002-03-21d1t04.flac 8:22.62 88698668 --- -- -xx sci2002-03-21d1t05.flac 1:00.54 10711052 --- -- -xx sci2002-03-21d1t06.flac 5:23.69 57139532 --- -- -xx sci2002-03-21d1t07.flac 9:24.24 99546092 --- -- -xx sci2002-03-21d1t08.flac 26:15.03 277837100 --- -- -xx sci2002-03-21d2t01.flac 4:08.29 43815452 --- -- -xx sci2002-03-21d2t02.flac 1:21.53 14413100 --- -- -xx sci2002-03-21d2t03.flac 15:15.67 161563628 --- -- -xx sci2002-03-21d2t04.flac 2:02.13 21551420 --- -- -xx sci2002-03-21d2t05.flac 13:04.31 138370556 --- -- -xx sci2002-03-21d2t06.flac 9:10.23 97074140 --- -- -xx sci2002-03-21d2t07.flac 11:47.13 124745420 --- -- -xx sci2002-03-21d3t01.flac 4:06.04 43403852 --- -- -xx sci2002-03-21d3t02.flac 16:09.36 171016316 --- -- -xx sci2002-03-21d3t03.flac 17:21.61 183775916 --- -- -xx sci2002-03-21d3t04.flac 1:45.21 18571436 --- -- -xx sci2002-03-21d3t05.flac 1:13.68 13037180 --- -- -xx sci2002-03-21d3t06.flac 6:17.39 66594572 --- -- -xx sci2002-03-21d3t07.flac 3:42.14 39193772 --- -- -xx sci2002-03-21d3t08.flac 187:36.44 1893.68 MB (totals for 23 files, 0.6401 overall compression ratio) ***************************************************************** Flac Fingerprints sci2002-03-21d1t01.flac:c2d6ecad43bf79c9df81df9b6edcdeba sci2002-03-21d1t02.flac:8af36b7fd93fabb0bb12dd92ddcefa3d sci2002-03-21d1t03.flac:bd1aa06231c8b1f8ca71213fb313c102 sci2002-03-21d1t04.flac:b5311a0bfa234f7aca09a289aee53349 sci2002-03-21d1t05.flac:3bc20cc077d81ce8f168b6d31af52d91 sci2002-03-21d1t06.flac:72df707ef06e0fabed48847883acb0fc sci2002-03-21d1t07.flac:4674d6a527c8d915c8634043443450b8 sci2002-03-21d1t08.flac:5c20190089b4976114d7b5aa6e2b153d sci2002-03-21d2t01.flac:ce2db2da67bc3218efbaf2335528aaf6 sci2002-03-21d2t02.flac:7510ab65ab301c11e3a020ed84c987c5 sci2002-03-21d2t03.flac:bfa3e259081e9d9fd3ccc729d522fcf9 sci2002-03-21d2t04.flac:d80cfbc699aca47ca847a5337d44bdad sci2002-03-21d2t05.flac:0eced6775adf9eb1898a1431a6d4dc4e sci2002-03-21d2t06.flac:48df40372cb3f55f272129975ee60a76 sci2002-03-21d2t07.flac:72e6169f7dca29d1f0f06ad23c3194cf sci2002-03-21d3t01.flac:0840212e9d7fb0a812ec697870f26b35 sci2002-03-21d3t02.flac:5c53d48f3bc05b2c52595174fa4c5440 sci2002-03-21d3t03.flac:f0894adf31389289d840ba6de7d2e4c3 sci2002-03-21d3t04.flac:e62e86eab3b2c64f7e953be3e073ca60 sci2002-03-21d3t05.flac:ce930b58f7215f2287f9ab959f59b7ea sci2002-03-21d3t06.flac:a2d38228c097512ae988981b4fc11844 sci2002-03-21d3t07.flac:49a244c7e059f2964697e9b421af8b69 sci2002-03-21d3t08.flac:b1d638ae520cf6c08bcdad2fc1f46807
Drew Whorley (3/5) cd / 3 View  
Mike Bernhart (3/0) FLAC / 2 A A View  
Notes: 3 CDR's
Adam Berkowitz (3/4.3) SHN / 2 View   MBHO603A > A/D1000 > D8
Kevin Baune (3/0) data - 3 audio / 2 View  
jason M (3/5) cdr / 3 View  
Matt VanHoosier (3/5) CDR / 3 A View  
matt burger (3/5) shn / 2 View  
Hokker Van Der Heegan (3/5) CDR / 3 View 8491 Schoeps CMC6/mk41 > MP2 > AD2K+ > Tascam DA-P1
Brad (3/4) SHN / 2 View 8425 AKG 391>MP2>SBM1>D8 ([email protected])
Daryl Nowak (3/5) CD / 3 View   MBHO 603/KA200N>(Audio Magic Excalibur Cables)>Luna V2>Apogee AD-1000>CD
Kevin Brooks (3/0) DAT / 2 View   AKG 391>MP2>D8
Notes: 60m
David (3/5) CDR / 3 A+ View 8491
Drew Covert (3/0) CDR / 3 A A View   MBHO 603a/I:ka200's,II:ka500's>V2>mod.SBM-1>M1>CD-RW700
Notes: with Stanton Moore, Skerik, Brian Seeger, John Ellis, and Chris Wood
Brian Krebs (3/5) SHN / 2 View   DAUD