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Set I
The Music Never Stopped-> Sugaree-> The Music Never Stopped, Me & My Uncle-> Big River, It Must Have Been The Roses, CC Rider, Ramble On Rose, Beat It On Down The Line-> On The Road Again, Althea, Let It Grow
Set II
China Cat Sunflower-> I Know You Rider, Women Are Smarter, Ship of Fools, Playin' In The Band-> Drums-> The Wheel-> Playin' In The Band-> Morning Dew-> One More Saturday Night, E: U.S. Blues
Set III
Comment
Available as Dick's Picks Volume 32.
Last Changed By
Matt Vernon
Sources
(6148) View Source
View Archive
sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
(7689) View Source
View Archive
SBD : MC > MR > DAT > CDR Transfer done by Jim Wise
(7720) View Source
View Archive
SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
(83513) View Source
View Archive
flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci
(92183) View Source
View Archive
flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
(137625) View Source
View Archive
flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
(138622) View Source
View Archive
flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
(138623) View Source
View Archive
flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
(141795) View Source
View Archive
flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(6148) View Source
View Archive sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
(7689) View Source
View Archive SBD : MC > MR > DAT > CDR Transfer done by Jim Wise
(7720) View Source
View Archive SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
(83513) View Source
View Archive flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci
(92183) View Source
View Archive flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
(137625) View Source
View Archive flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
(138622) View Source
View Archive flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
(138623) View Source
View Archive flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
(141795) View Source
View Archive flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Ryan Nyberg (5/5) | shn / 2 | View | 7720 | SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> | ||
| Notes: | SBD | |||||
| Chris M (5/0) | CDR / 3 | View | 7720 | SBD>PCM>?>D>Serafin Station | ||
| Mike Schultz (5/5) | CDR / 3 | B+ | View | |||
| Notes: | Source Unknown Ship of Fools Cut Short | |||||
| martin rordam (5/5) | SHN / 2 | View | 7720 | |||
| Notes: | SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN | |||||
| Lee Umstead (5/2) | cdr / 3 | View | SBD>MC>MR>DAT>CDR | |||
| Notes: | 1 SECOND GLITCH @ 6:22 OF PLAYIN' 1 SECOND GLITCH @ 0:00 OF SAT. NIGHT | |||||
| Furious George (5/4.9) | SHN / 2 | View | 7720 | SBD > PCM > ? > D > Serafin Station | ||
| Notes: | SBD > PCM > ? > D > Serafin Station | |||||
| lee weller (5/5) | CDR / 2 | A+ | View | |||
| Sean Naughton (5/5) | SHN / 2 | View | 7720 | SBD > PCM > ? > D > Serafin Station | ||
| seth (5/5) | audio / 3 | View | SBD | |||
| seth (5/5) | audio / 3 | View | SBD | |||
| seth (5/5) | audio / 3 | View | SBD | |||
| seth (5/5) | audio / 3 | View | SBD | |||
| seth (5/5) | audio / 3 | View | SBD | |||
| Tony B (5/5) | shn / 2 | View | SBD > PCM > ? > D > Serafin Station | |||
| Notes: | Apparently at some point in this show's lineage, it was encoded on cassette with Dolby B NR, but subsequent dubs did not decode the Dolby B...the editing software took care of putting the proper EQ curve back into the show Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B | |||||
| Brian (5/0) | SHN / 2 | View | 7720 | |||
| B Palmer (5/0) | SHN / 2 | View | 7720 | SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN | ||
| Notes: | audio=3 | |||||
| Steve Sears (5/0) | CDR / 3 | A | View | SBD | ||
| tuktu (5/5) | CDR / 3 | View | ||||
| J. Stone (5/5) | CDR / 3 | View | ||||
| J. Stone (5/5) | DAT / 1 | View | ||||
| TUGBOAT (5/5) | / 3 | View | ||||
| Vieve (5/5) | cdr / 3 | View | ||||
| Tom Snider, Jr. (5/5) | / 0 | View | 7689 | |||
| Andy Hayum (5/0) | SHN / 2 | View | 7689 | MC > MR > DAT > CDR | ||
| Chris Leise (5/0) | / 3 | A | View | SBD | ||
| jt james (5/3) | SHN / 2 | A | View | |||
| CHRIS (5/0) | CDR / 2 | A | View | |||
| Jimmy Cronk (5/5) | cdr/shn / 3 | View | 7720 | |||
| Notes: | 2 SHNs, SBD > PCM > ? > D > Serafin Station Apparently at some point in this show's lineage, it was encoded on cassette with Dolby B NR, but subsequent dubs did not decode the Dolby B...the editing software took care of putting the proper EQ curve back into the show Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B | |||||
| Jason Eckert (5/5) | shn / 2 | View | 7720 | SBD > PCM > ? > D > Serafin Station | ||
| Saint Steven (5/0) | Analog / 0 | View | ||||
| Notes: | Set II | |||||