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Phish 05/04/90
Colonial Theater, Keene, NH
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Set I
Whipping Post, Sweet Adeline, T.M.W.S.I.Y. > Avenu Malkenu > T.M.W.S.I.Y., Bouncing Around the Room, Possum, Reba, My Sweet One, You Enjoy Myself, Lizards
Set II
Runaway Jim, The Sloth, Uncle Pen, Tweezer, Bathtub Gin, Oh Kee Pa Ceremony > Mike's Song > I am Hydrogen > Weekapaug Groove, Caravan, If I Only Had a Brain, Highway to Hell, Run Like an Antelope, E: Contact
Set III

Comment

Last Changed By System
Sources
(15655) View Source   
SBD > Cass/1 > AIWA AD-F850 3-head deck > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > WAV > shntool > FLAC; DAT>CDR transfer Chris Warren; FLAC conversion by Mark Kerchoff
(20379) View Source   
SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3; Taped by John Redmond
(93941) View Source   
SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master; Nak CR-3A -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16; Taped & transfered by Tim Leavy
(132467) View Source   
flac16 48kHz SBD > C(1) > AIWA AD-F850 3-Head Cassette Deck > Apogee AD1000 > Tascam DA-302 > DAT; DAT @ 48kHz > Tascam DA-20mkII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.2.284 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
(138705) View Source   
flac24 48khz SOURCE: SBD > Nak CR-3A TRANSFER: SBD MCass (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV (@24/48) > FLAC (24-bit, v1.1.0) MASTERING: 24bit FLAC > Wavelab > 24bit FLAC NO tracking/editing/alterations performed before archiving to 24-bit FLAC except to trim silence from the ends. Transfer>24bit FLAC files by Weave - [email protected] on 10/4/2003 Mastering>24bit FLAC by Marmar - [email protected] 4/5/2017
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
webalienz (2/0) SHN / 3 View 20379
Peter Grossman (2/0) CDR / 0 View 20379
Notes: SBD
A. Davis (2/4.2) SHN / 2 View 20379 SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No
Notes: Old School Phish Project
Weave (2/0) shn / 3 View 20379
Frank Calandruccio (2/0) CD / 2 View  
Kevin (2/0) SHN / 2 View   SOURCE SBD > Nak CR-3A (More Info)
Matthew Kiefer (2/4) CD-R / 3 View 20379 SBD > Nak CR-3A
bfish (2/0) / 0 View  
Cam Patters (2/4.9) CDR / 3 View   SBD > Nak CR-3A SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S >
Alex (2/0) CD-R / 3 A A View   SBD > Nak CR-3A
Matt Kaiser (2/0) / 0 View  
Chuck Rothofsky (2/0) S / 2 A View 20379 SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain...
Notes: 850MB The tape cover for cassette 1 lists Contact as the start of Set 2 and the tape cover for Set 2 lists Anelope as the Encore. The taper sometimes put the Encore at the end of Cassette 1 if space was running low on Cassette 2. However, he also started Set 2 on cassette 1 if there was still plenty of room. Listening to the tapes, it is clear that Contact is the Encore and Antelope ends the 2nd set. 24bit/48kHz FLAC's > Wavelab 4.01b on REBA > Q10Paramatric EQ > BBE > X-Noise > Editing > L1+ Ultramaximizer > 48kHz>44.1 and 24bit>16bit w/level 2 Gaussian Dither > tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 appended There is some low level tape hiss/PA white noise that is on the masters...this did get amplified somewhat because of the level changes made durring the show. The levels for the channels were also more than 4db "off-center". I tried as best as I could by making the appropiate gain changes and EQ adjustments to "center" the recording. The X-Noise process was used on this show, as an experiment on just how far I could push it, because it is an "adaptave" process when you have it set up correctly. I decided to see just how much I could try to get the highs as *crystal* as possible without introducing so much noise that it became unbearable. All the fades were done in a montage as 2 seperate stereo tracks. While I did try to adjust the hard volume fades on the master, not all could be properly adjusted and were just left as is.
Derall Riley (1/5) SHN / 2 View 20379 SBD > Nak CR-3A
Ed Izsak (1/5) CDR / 2 View   SDBD
openpath (1/5) FLAC / 0 View 93941 SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master
aikox2 (1/4.9) / 0 View  
John Peters (1/0) FLAC / 1 View 93941 SBD: Sony WM-D6C (Maxell XL-IIS 90's) MC; Nak CR-3A > Audigy 2 > Audition 3.0 > 16/44.1k > TLH >...
Dan Mielcarz (1/0) CDR / 3 View 20379
Peterphan (1/0) FLAC16 / 3 View   SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master
Dustin B. (1/0) CD-R / 2 View  
Notes: *SBD*
cheeks (1/0) / 0 View 132467
Glenn Moses (1/5) flac / 2 View 93941 sbd master
Notes: 93941
Sky (1/4) DVD / 1 View  
Notes: 816 MB
Jon Munson (1/0) / 0 View  
Eric M. (1/5) SHN / 3 2 View 20379
Notes: SHN Detail
STLBlues (1/5) CDR/SHN / 3 View 20379 SBD (see db link)
Notes: SBD (Vol. 20)
STLBlues (1/5) CDR/FLAC / 3 View 93941 SBD (see db link)
Notes: SBD (Vol. 104)
Trey (1/5) flac / 0 View 93941
brett garvey (1/5) FLAC / 3 A View 20379 SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No
Notes: ph1990 5 of 16
brett garvey (1/5) FLAC / 2 A View 20379 SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No
Notes: ph1990 6 of 16