Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
Add Source    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

<< Previous       1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 1021 - 1050 | 1321 - 1350 | 1621 - 1650 | 1921 - 1950 | 2221 - 2250 | 2521 - 2550    Next >>

User (active/rating) Media / # Show Sound Details DB Source User Source
Jason Riley (5/0) CDR / 3 View 6672 7" 2-track BBD reel
Kevin D (5/5) CDR / 3 A View   SBD
Notes: Skip in St. Steven
Brandon (5/3) / 0 View  
Mark Moran (5/5) / 2 B View  
John Coulter (5/4) CDR / 3 View   MSR>DAT>CDR
Brandon (5/4.7) cdr / 3 View  
Mark Blaze (5/4.7) shn / 2 View  
Eric Mohl (5/0) CDR/SHN / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: EXTRA shn copy on Mitsui for trade (w/CDR pen).
organicgroove (5/0) CD-R / 3 A View  
michael gibbs (5/0) shn / 2 View 107
Tyler Bruce (5/4.3) cdr / 2 View  
Notes: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Don Markowitz (5/0) CDR/SHN / 2 A View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: Source: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R. 1st performances of Bertha, Greatest Story Ever Told, Johnny B. Goode, Wharf Rat, and Playin' In The Band.
Drew (5/0) / 0 View  
Drew (5/0) / 0 View  
chris ventura (5/0) / 0 View  
Ron (5/5) shn / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Andy Leslie (5/5) CD / 3 View  
Dozin (5/5) SHN / 2 View 107 SBD
B J (5/0) Shn / 2 View  
Mark Perkins (5/0) mp3 / 0 View  
ALAN J FINK (5/0) / 0 View 107
ALAN J FINK (5/0) / 0 View 6672
Drew Martin (5/0) / 0 View  
John Sherwood (5/0) CD-R / 2 View   SBD
Patrick (5/4.4) .shn / 2 View 107
scott t (5/3.7) cd-r / 2 A+ View  
Notes: shn
Ryan Newman (5/0) / 3 A View   BB>MR>DAT>EAC>SHN>CD
Jay Thomson (5/4.9) SHN / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Marko (5/0) CDR / 3 View  
Roger Walker (5/5) shn / 2 View