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Set I
Bertha, Beat It On Down The Line, Deal, Mexicali Blues, Box Of Rain, Bird Song, The Race is On, Sugaree, Looks Like Rain, Row Jimmy, Jack Straw, China Cat Sunflower-> I Know You Rider, Big River, Tennessee Jed, Playin' In The Band
Set II
Here Comes Sunshine, Promised Land, Brown Eyed Women, El Paso, Black Peter, Greatest Story Ever Told, Big Railroad Blues, He's Gone-> Truckin'-> Nobody's Fault But Mine-> The Other One-> Wharf Rat-> Sugar Magnolia, Casey Jones, E: Johnny B. Goode
Set III
Comment
Last Changed By
Hamilton, Greg & Diana
Sources
(5850) View Source
View Archive
Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
(16889) View Source
View Archive
AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner
(17270) View Source
View Archive
composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs
(85957) View Source
View Archive
flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source.
(88347) View Source
View Archive
flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details
(88526) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(92375) View Source
View Archive
flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
(140868) View Source
View Archive
flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation
(140892) View Source
View Archive
flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed sources circulated by Scott Clugston; there is another Fixed version of this source in circulation
(140897) View Source
View Archive
flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw
(5850) View Source
View Archive Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
(16889) View Source
View Archive AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner
(17270) View Source
View Archive composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs
(85957) View Source
View Archive flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source.
(88347) View Source
View Archive flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details
(88526) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(92375) View Source
View Archive flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
(140868) View Source
View Archive flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation
(140892) View Source
View Archive flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed sources circulated by Scott Clugston; there is another Fixed version of this source in circulation
(140897) View Source
View Archive flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Shawn Richter (3/5) | / 4 | View | ||||
| Pete W (3/5) | shn / 2 | View | 16889 | |||
| Pete W (3/5) | / 0 | View | 17270 | |||
| Brian Krebs (3/5) | SHN / 3 | View | 5850 | |||
| Brian Krebs (3/5) | SHN / 2 | View | 16889 | |||
| Notes: | AUDMC > Reel > Reel > CD > DAT > WAV > SHN | |||||
| tomk (3/0) | CDR / 3 | A- | View | |||
| Pat (3/0) | / 0 | View | 17270 | |||
| Notes: | MSR>PCM>DAT>CD>EAC>WAV>SHN supplies Bertha through cut in The Other One (d4t04); MAC>R>R>CD>DAT>WAV>SHN supplies various patches and Johnny B. Goode (see below); MSR>C>DAT>CD>EAC>WAV>SHN supplies end of The Other One (d4t04) through end of set 2. | |||||
| Chris Winger (3/5) | shn / 3 | View | Master Sounbdoard Reel > PCM > DAT > CDR>EAC>SHN | |||
| Notes: | Master Audience Reel > DAT source supplies patch in "The Other One" (d4t04) from 22:20 thru 29:27. Master Audience Reel > ?? > DAT source supplies the final 0:33 of Casey Jones (d4t07), as well as the "Johnny B. Goode " encore (d2t08) - which is placed at the end of the 1st set. CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 9/15/01 Disc 4 requires an 80 minute disc Disc 1 Set 1 1. Bertha | |||||
| Scott & Tracy Jackson (3/0) | SHN / 3 | View | 5850 | |||
| Notes: | md5's match etree | |||||
| michael falzone (3/0) | / 0 | View | ||||
| michael falzone (3/0) | / 0 | View | ||||
| Matt Havron (3/5) | cdr / 3 | View | ||||
| Cookie (3/0) | CDR / 5 | View | ||||
| jeff (3/4) | CDR / 3 | View | SBD | |||
| Kenn Kerper (3/4) | shn / 0 | View | 17270 | MSR>PCM>DAT>CD>EAC>WAV>SHN | ||
| Douglas McVey (3/4.5) | cdr / 4 | View | ||||
| Andy Perry (3/4.3) | audio / 3 | View | ||||
| Mike Bernfeld (3/0) | CD-R / 4 | A- | A- | View | 5850 | |
| Evan Saxton (3/0) | SHN / 3 | View | 5850 | Master Sounbdoard Reel > PCM > DAT > CDR | ||
| Brian Hedden (3/5) | CD-R / 3 | A+ | B+ | View | AUDMC (see tech notes) > Reel > Reel > CD > DAT > WAV > SHN > WAV > CD | |
| Notes: | missing Chinacat Sunflower, El Paso, JBG encore | |||||
| Mark Lyle (3/0) | shn / 3 | View | Master Sounbdoard Reel > PCM > DAT > CDR; 2 more AUD patch sources | |||
| Notes: | SBD | |||||
| Scott Bernstein (3/0) | CDR / 5 | View | 17270 | composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN | ||
| Notes: | (33) | |||||
| dpd (3/0) | CDR / 1 | View | ||||
| Notes: | He's Gone thru Casey Jones | |||||
| Peter Butts (3/0) | CDR / 4 | View | 5850 | SBD MR > PCM > DAT > CDR | ||
| Rick Vugteveen (3/0) | SHN / 0 | View | 5850 | Master Sounbdoard Reel > PCM > DAT > CDR CD Mastering by Scott Clugston EAC'ed /... | ||
| Notes: | This is a monster of a show, with a complex lineage (lots of sources...i'll just paste the information in). Overall the quality is great, although there is crackling in set one. Check out the other sources, I believe that there is one without the crackling defects. Master Sounbdoard Reel > PCM > DAT > CDR (Note from Jack Warner: the SBD portion following the AUD patch in TOO is probably MSR>C>D>CD) Master Audience Reel > DAT source supplies patch in "The Other One" (d4t04) from 22:20 thru 29:27. Master Audience Reel > ?? > DAT source supplies the final 0:33 of Casey Jones (d4t07), as well as the "Johnny B. Goode " encore (d2t08) - which is placed at the end of the 1st set. Notes: Throughout the 1st Set there is an intermittent static, mostly on the left channel, which is believed to be present on the master reels. D1t01 (Bertha): beginning cut; sound system problems for first couple of minutes D1t07 (Race Is On): beginning cut D2t04 (Rider): splice/cut @ 1:58 D4t06 (Wharf Rat): splice or subsecond discontinuity @ 2:38 | |||||
| Engineer's Monkey (3/5) | / 0 | View | 16889 | |||
| Notes: | AUDMC > Reel > Reel > CD > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60) A > D by Matt Williams and Noah Weiner, January - April, 2003 Reel playback on Teac X-1000R(no Dolby) > untracked CDs on Teac RW-CD22 > CDs playback on Toshiba SD-5700 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Sound Forge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) Amick put fade out/ins between most every song on his reel, leaving small dead air spaces between songs. These spaces were edited out in Sound Forge to provide a more smooth transition from track to track. Also worth mentioning is that Amick "dropped out" many years ago, to Hawaii apparently, and his masters and reels have vanished with him for the time being. | |||||
| Jim Decker (3/5) | CDR / 4 | View | SBD | |||
| Mike Marusin (3/0) | / 4 | View | ||||
| timl40 (3/4) | shn / 3 | View | 5850 | Master Sounbdoard Reel > PCM > DAT > CDR | ||
| Jason (3/4.7) | MD / 3 | View | ||||