(565) View Source    View Archive
DSBD> DAT> CDR> EAC> WAV> SHN; Seeded by an anonymous source with DATs provided by D. Murray, who sat in; EAC/SHN, u/l by Rich (yubah); stemming from Winter Oak tree; see pub comments for flaw note

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(4533) View Source    View Archive
Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255

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(8712) View Source    View Archive
DAUD/FOB Schoeps mk21(ORTF); **No DAE at all**; via Eliot Byron; Seeded to etree by Jim Raras; Dankseed certified

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(77070) View Source    View Archive
Source: SBD:DAT-> CDR - EAC-> WAV-> SHN: by yubah)[email protected] -- Retracked and re-shn'd by ret.

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(91805) View Source    View Archive
flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6’3””) > Panasonic SV 255. Recording Location: FOB DFC … Section 2, Row M, Seat 1 Recorded By: James Young & Clay Brennecke Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

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(97122) View Source    View Archive
flac16; Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger

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(109235) View Source    View Archive
flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick

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(125350) View Source    View Archive
flac16; Two Source Matrix of Source 1: SBD (shnid=77070) SBD:DAT-> CDR-> EAC-> WAV-> SHN by yubah) and Source 2: AUD (97122) Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger; Upgrade in circulation; the seeder has requested that this version be removed from circulation

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(125353) View Source    View Archive
flac16; Matrix using the following three sources: Source 1: SBD (shnid=77070) SBD:DAT-> CDR-> EAC-> WAV-> SHN; Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Recorded By: James Young & Clay Brennecke and Source 3: AUD (shnid=97122) Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger; Upgrade in circulation; the seeder has requested that this version be removed from circulation

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(126108) View Source    View Archive
flac16; Matrix Source 1: SBD (shnid=77070); SBD:DAT-> CDR; EAC-> WAV-> SHN and Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6'3") > Panasonic SV 255. Recording Location: FOB DFC Section 2, Row M, Seat 1; Recorded By: James Young & Clay Brennecke; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0

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(131736) View Source    View Archive
flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.

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(137337) View Source    View Archive
flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller

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(140821) View Source    View Archive
flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018

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(142983) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - matrix mixing by Kevin Tobin

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(142984) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin

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(142985) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin