Grateful Dead 04/17/1971

Sources

View Archive
set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield

View Archive
set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield

(88760) View Source

View Archive
flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav

(89031) View Source

View Archive
flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate

(107075) View Source

View Archive
flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith

(107384) View Source

View Archive
flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin

(107385) View Source

View Archive
DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin

(138033) View Source

View Archive
flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017

User (active/rating)	Media / #	Sound	Details	DB Source	User Source
Torbj�rn Olofsson (3/0)	/ 2		View	122
Dan Freedman (3/0)	CDR / 3		View		SBD>MR>DAT>?>CDR
Ed Stevenson (3/5)	/ 1		View
Jeff Korona (3/0)	CDR / 3	A	View
Randy Perkins (3/5)	CDR / 3	A-	View	121	.WAV
longcreektrailer (3/5)	.shn / 1		View	121
Whit (3/0)	cdr(2 shn) / 3		View
Notes:	set 1 sbd>reel>?>dat> za2(48>44.1)>cd set 2 sbd>reel>?>d w/ a 1.1 sec patch from secondary source to patch a drop out in bobby mcgee, no lovelight flip
robert naylor (3/3)	CD / 3	A	View		Sbd
mark e (3/5)	CDR / 3	A	View
Notes:	Brooklyn Bridge Rap
Dean (3/0)	cdr/shn / 2		View
Ryan G (3/0)	CD-r / 3	A	View
robert naylor (3/3)	CD / 3	A	View		SBD>MR>RR>?>DAT>SHN>CDR
Jon Salmon (3/0)	CDR / 3	A	View
Notes:	Filler: Workingman's Dead outtakes
David P. Finnigan, M.D. (3/5)	shn / 2		View	121
Jeffrey Pyne (3/0)	SHN / 2		View		SBD > Reel > DAT
Notes:	Set I: SBD>Reel>?>DAT Set II: Main: SBD>Reel>?>DAT Dub: SBD>RPD
Noah Parr (3/3.9)	SHN / 1		View	121	SBD > Reel > ? > DAT > ZA2 (48>44.1) > CD
Notes:	Set I
Noah Parr (3/3.9)	SHN / 1		View	122	SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o
Notes:	Set II
Lee Rosenbaum (3/5)	SHN / 2	B+	View	121	SBD>??>CDR>.wav>.shn
Lee Rosenbaum (3/5)	SHN / 2	A-	View	122	set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a...
Kevin Mayfield (3/0)	SHN / 2		View		See Notes
Notes:	The lineage of these files is: Main: S:R?D DAT was downsampled into my computer via ZA2 (48>44.1) This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] with thanks to D.H. Disc 1 01] Truckin' [8:58] 02] Big Railroad Blues [4:06] 03] Big Boss Man [5:26] 04] Bird Song [8:00] 05] Playin' in the Band [4:40] 06] Hard to Handle [8:43] 07] Loser [7:10] 08] Mama Tried [2:57] 09] Casey Jones [5:41] 10] Sugar Magnolia [7:28] Disc 2 1] Good Lovin' > 2] Drums > 3] Good Lovin' 4] Me and Bobbi McGee 5] Deal 6] Beat It On Down The Line 7] King Bee 8] Bertha Disc 3 1] Sing Me Back Home 2] Goin' Down The Road Feeling Bad > 3] Turn On Your Lovelight
John (3/5)	/ 0		View
Shecky (3/0)	cd / 2	A+	View		SBD*
Notes:	The Grateful Dead 04/17/71 Set II Dillon Gym, Princeton University, Princeton NJ Growing up near Princeton, this show was one of the first dead tapes I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway. I later received a much better copy (sounded like 2-3 analog gens) with a really lame flip at 45 minutes (aka middle of King Bee). When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy of the set. This copy had a cut in Lovelight but beat the analogs any day. I finally found a copy without the infamous cut in Lovelight and decent levels to boot. Since this set was worth the trouble of getting different copies at least 5 times, I figured that I'd distribute it further than it has been until now. The lineage of these files is: Main: S:R?D Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it. This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] Disc 1 1] Good Lovin' > 2] Drums > 3] Good Lovin' 4] Me and Bobbi McGee 5] Deal 6] Beat It On Down The Line 7] King Bee 8] Bertha Disc 2 1] Sing Me Back Home 2] Goin' Down The Road Feeling Bad > 3] Turn On Your Lovelight There is plenty of room for filler at the end of Disc 2.
Joe Clayton (3/0)	CDR / 2		View
TLEO (3/0)	flac16 / 0		View		sbd
Jim Van Houten (2/5)	CD / 3		View		https://archive.org/details/gd1971-04-17.138033.sbd.unknown.flac1648
adam (2/0)	cd / 2		View	121	set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD
Notes:	NFA tease before lovelight
Dave Wenzel (2/5)	/ 3	A.	View	107384
Notes:	Phenomenal Good Lovin' !
Dave Wenzel (2/5)	/ 3	A	View	88760
Scott Miller (2/0)	/ 0		View
Eric H. (2/5)	CDR / 3	A	View		Sbd>MR>DAT>CDR

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Torbj�rn Olofsson (3/0)

/ 2


All content by members of the etree.org community, for the etree.org community. © 2018 etree.org
Cached: Tue, 7 Jan 2025 22:17:37 EST