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Set I
Old Home Place, Punch You In The Eye, Reba > Cars Trucks Buses, The Lizards, Sample In A Jar, Taste, Fee > Maze, Suzy Greenberg
Set II
The Curtain > Runaway Jim, It's Ice > Brother*, Fluffhead, Run Like An Antelope > Golgi Apparatus > Slave To The Traffic Light
Set III
Wilson > Frankenstein, Scent Of A Mule^, Tweezer, A Day In The Life > Possum > Tweezer Reprise
E: Harpua#
E: Harpua#
Comment
The Clifford Ball
Before the second set, the Clifford Ball Orchestra played classical music by Debussy, Ravel, Gabriel Forte, Stravinsky and others.
* - w/ Ben Cohen & Jerry Greenfield singing a verse
^ - w/ Fishman solo instead of the typical Page and Trey duel
# - w/o the "Ooom Pah Pah" opening and cut short before finishing
Before the second set, the Clifford Ball Orchestra played classical music by Debussy, Ravel, Gabriel Forte, Stravinsky and others.
* - w/ Ben Cohen & Jerry Greenfield singing a verse
^ - w/ Fishman solo instead of the typical Page and Trey duel
# - w/o the "Ooom Pah Pah" opening and cut short before finishing
Last Changed By
STLBlues
Sources
(637) View Source
DSBD -> CD-R except for Golgi -> Slave (DAUD), which were cut from the original DSBD; [AUD also circ by itself?]; filler 9/24/88 IIp
(1927) View Source
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; Except Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN; Seeded by Art H.; d1 and d2 tracked for 80 min discs; see info files for notes; NOTE: Please make sure that your copies are from the md5's currently up (not bad), if not, do not circulate original shn's and md5's
(12680) View Source
SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie Greenberg: 1st second taken from DAUD DAT; Slave: FM SBD Broadcast > DAT > CD > EAC; Note: Reseed of previously circulated source with pitch correction
(22373) View Source
Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.
(32121) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(101610) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113416) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130654) View Source
flac16 48kHz Nakamichi 700’s shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taper: Steve Baker
(132388) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades, splice) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(136823) View Source
flac16, 44kHz; Source: Neumann km140's > Beyer mv100 > Sony TCD-D8 > DAT(c); Transfer: DAT(c) > Tascam DA-20mkII > Pro Tools > FLAC; Souce by Burris; Transfer by Dave Schall
(637) View Source
DSBD -> CD-R except for Golgi -> Slave (DAUD), which were cut from the original DSBD; [AUD also circ by itself?]; filler 9/24/88 IIp
(1927) View Source
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; Except Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN; Seeded by Art H.; d1 and d2 tracked for 80 min discs; see info files for notes; NOTE: Please make sure that your copies are from the md5's currently up (not bad), if not, do not circulate original shn's and md5's
(12680) View Source
SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie Greenberg: 1st second taken from DAUD DAT; Slave: FM SBD Broadcast > DAT > CD > EAC; Note: Reseed of previously circulated source with pitch correction
(22373) View Source
Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.
(32121) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(101610) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113416) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130654) View Source
flac16 48kHz Nakamichi 700’s shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taper: Steve Baker
(132388) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades, splice) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(136823) View Source
flac16, 44kHz; Source: Neumann km140's > Beyer mv100 > Sony TCD-D8 > DAT(c); Transfer: DAT(c) > Tascam DA-20mkII > Pro Tools > FLAC; Souce by Burris; Transfer by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Logan (4/0) | CDR / 3 | View | ||||
| Chewie (4/0) | shn / 3 | View | 1927 | DSBD>[email protected]>Event Gina S/PDIF [email protected]>WAVlab 3.0 >SHN | ||
| Notes: | DSBD>[email protected]>Event Gina S/PDIF [email protected]>WAVlab 3.0 >SHN | |||||
| Chewie (4/0) | shn / 1 | View | 22373 | |||
| Notes: | "Clifford Ball Flatbed Jam": same disc as 8/3/91 d3 in shn | |||||
| Mark Beswick (4/5) | shn / 2 | View | 1927 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN | ||
| Notes: | PHiSH- The Clifford Ball, Day 2 Saturday, 8-17-96 Plattsburgh Air Force Base; Plattsburgh, NY Taper: ? Source: DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN EXCEPT Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN seeded by Art H. Questions, comments-> [email protected] I would like to thank Morgan Bell for the FM Slave source. Without him, this seed wouldn't have been possible. All editing and tracking was performed with WaveLab 3.0. EDITING: The FM Slave was passed through these following devices; DC Remover, and DeNoiser. This was to remove most of the FM noise without disturbing the high-end freq's. The rest of the show was tracked with WaveLab and had the following done; DC Remover. All tracks reside on a sector boundary. This was throughly checked and rechecked numorus times before SHN compression. Enjoy! Disc 1 (80mins) Set 1: 1. My Old Home Place 2. PYITE* 3. Reba 4. Cars Trucks Buses 5. Lizards 6. Sample In A Jar 7. Taste 8. Fee 9. Maze 10. Susie Greenberg** Disc 2 (80mins) Set 2: 1. The Curtain 2. Runaway Jim 3. It's Ice 4. Brother 5. Fluffhead 6. Antelope 7. Golgi> 8. Slave Disc 3 (74mins) Set 3: 1. Wilson 2. Frankenstein 3. Scent Of A Mule 4. Tweezer 5. A Day In The Life 6. Possum 7. Tweezer Reprise -Encore- 8. Harpua Notes: * Slight bit of diginoise at the start, very short. Appears on DAT also. ** Very first few samples of this track are missing...Appears on DAT also. | |||||
| John Riordan (4/2) | SHN / 3 | A+ | A+ | View | 1927 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; EXCEPT... |
| Notes: | Clifford Ball day 2; 3 80 min. CDRs for audio, 2 80 min. CDRs for SHNs. Includes Slave, originally cut from SBD source! | |||||
| Stanz (4/0) | cdr / 3 | 7 | A- | View | aud | |
| chris (4/5) | cdr / 4 | A | View | |||
| Notes: | DSBD | |||||
| Colin (4/0) | cdr / 3 | A | A | View | ||
| Notes: | few songs cut | |||||
| Oz (4/5) | CD / 3 | View | ||||
| Jeff Malaney (4/5) | CDR / 3 | A | A | View | ||
| Patrick (4/5) | CDR / 3 | A | A | View | DSBD>[email protected]>Event Gina S/PDIF [email protected]>WaveLab 3.0>SHN;EXCEPT Slave:... | |
| Patrick (4/5) | CDR / 1 | A | A- | View | Flatbed Truck Jam | |
| Notes: | Flatbed Truck Jam | |||||
| Rob Berg (4/4.5) | SHN / 2 | View | 1927 | |||
| Notes: | Clifford Ball Day 2. | |||||
| Ross (4/4.5) | CDR / 3 | A | View | |||
| Don Maynard (4/4.9) | CDR / 3 | A | A | View | SBD | |
| William Zimmer (4/0) | CDR / 2 | View | ||||
| chemist (4/5) | SHN / 2 | View | 1927 | |||
| Dylan (4/0) | CDR / 3 | View | 637 | DSBD! | ||
| David Malone (4/5) | CDR / 3 | View | 1927 | |||
| gregg lebed (4/0) | cdr / 3 | View | ||||
| Notes: | 2-80s,1-74 | |||||
| Bret Ostroff (4/5) | CD / 4 | A- | View | |||
| James Mullen (4/5) | CDR / 4 | A+ | View | |||
| Notes: | I, II, III The Clifford Ball | |||||
| Scott (4/5) | CD / 3 | View | SBD | |||
| Scott (4/5) | CD, FLAC / 1 | View | 22373 | soundcheck: AUD1 Nak300 > DAT > XLII-S; HK TD4400 > Steinberg VSL2020 > Wavelab >... | ||
| Notes: | August 15, 1996 Plattsburgh, NY Clifford Ball Source: AUD1 Nak300 > DAT > XLII-S Transfer: HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC 1 Sound Check (32:03) Filler 2 Attack on the Bass - Sound Check '97 (6:36) Notes: Turn this one up and it's like being in the lot for the soundcheck to the Clifford Ball. The stage is not close by, but you can hear the mad jam going down. This is the last half hour of the sound check. Phish Plattsburgh Air Force Base Plattsburgh, NY 8/17/96 @ 3:30 am "The Clifford Ball Flatbed Jam" (excerpt) 13:39 ?mic > Sony D6 > Master DAT > Cass/1 > CDR > EAC > Soundforge 6.0 > FLAC Tape to cdr transfer done with an HHB 830-burnit stand alone burner. Notes: This excerpt of the infamous Clifford Ball faltbed jam was taped on the fly by Guy Gimbrone (RIP) and Justin Clutter of Roscoe, IL. Microphones used are unknown at this time because when Guy made this tape for me we were not in the habit of listing sources. One must be warned that this is a mobile recording with Guy holding the microphones and Justin carrying the deck as they followed the flatbed, dodging cops on horseback and fans. The microphones did get bumped and you will hear it. The only edits I made were to raise the volume of the first 51 seconds where levels were set low and then lower the volume of the next 13 seconds where levels were high, the fade-in to begin existed on the source tape. The excerpt ends abruptly and I left it that way without a fade because that is where the flatbed started moving faster and in Guy and Justin's efforts to keep up, the microphones detached from the deck. This is all was that was taped by Guy and Justin. Enjoy! Seed created on 2/19/04 and dedicated to the memory of Guy Gimbrone (2/6/69 - 9/9/03), my best friend whom I miss dearly. | |||||
| Steve (4/0) | / 3 | A | A | View | ||
| Roger K (4/3) | / 3 | A | View | 1927 | SBD | |
| Dan Torti (4/5) | DVD+R / 1 | View | ||||
| Notes: | Set 2 ONLY - The clifford ball. | |||||
| Mr. Mike (4/5) | SHN / 3 | View | 1927 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz >WaveLab 3.0 > SHN | ||
| Notes: | SBD | |||||
| Justin (4/0) | CDR / 3 | View | ||||
| Notes: | Harpua encore | |||||
| Chris Gallagher (4/5) | CDR / 3 | View | ||||