Grateful Dead 11/20/1978

Sources

View Archive
partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer; upgrade in circulation

(302) View Source

View Archive
complete set 2; AUD, precise source is unknown? (but thought to be Nak 300s), lineage? MAC> Reel> Reel (>Possible 3rd Reel Generation>) DATs> CDRs> EAC> SHN; via Rob Bertrando, Darrin Sacks

(12947) View Source

View Archive
complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?; upgrade in circulation

(21727) View Source

View Archive
Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.

(32489) View Source

View Archive
flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell

(95244) View Source

View Archive
flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> CD; Source 2: SBD -> Master Cassette -> Dat -> CD; Source 3: Nakamichi 300 -> Reels? -> Dat -> CD; Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (Upgrade now in circulation)

(95660) View Source

View Archive
flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244)

(117661) View Source

View Archive
flac16; Source: Unknown AUD (marked 4th gen) kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
Brad (1/0)	/ 0			View	21727
Brad (1/0)	/ 0			View	32489
Brad (1/0)	/ 0			View	302
Brad (1/0)	/ 0			View	12947
zerbini mike (1/0)	cd-r / 2			View
Bill Jagde (1/5)	CDR / 1		A-	View	301
Notes:	Pt Set 1> Pt Set 2
Scott Murphy (1/4.2)	CDR / 3		A	View	21727
Notes:	Whole show/Wonderful
Jim Mimna (1/4.8)	CD-R / 1	A	C	View
crazylegs69 (1/0)	/ 3			View
Notes:	Cleveland, OH
Dave (1/5)	CDR / 1			View
Notes:	Partial show: SBD>MR>C1>DAT>CDR
PC (1/5)	audio / 1			View		sbd/patched
Notes:	set II.
Aquanee (1/5)	SHN / 1			View
Notes:	Set ii (partial)
larry mcsweeney (1/5)	/ 1			View
Notes:	second set only
Dave Bristol (1/5)	/ 1			View	12947	sbd
HAVANOS (1/0)	cdr / 2	A	A-	View
Notes:	SOURCES SBD #1: SBD> ??> CAS> CD> EAC> WAV. A/D conversion by Steve Milewski via Nak BX300> Tascam CDRW700 standalone audio unit. Extraction by Conley Knott via EAC (logs report peak levels 100%, track quality 100% and no errors). This source is new to etree with this seed. Supplies set one. SBD #2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV. First seeded by Marshall Mcleod [etree shn id 301]. Supplies most of set two. SBD #3: MSC> CAS> DAT> CD-R> EAC> SHN> WAV. This seems to derive from the same orginal source as SBD #2 but have a different lineage (some distinctive cuts are identical while other cuts appear in different places; also SBD #3 has slightly higher hiss). First seeded by Art Cohen? [etree shn id 12947]. Supplies one set two patch. AUD: MAC (believed to be via Nak 300s)> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. A/D conversion by Rob Bertrando, and first seeded by Darrin Sacks [etree shn id 302]. Probably derives from the tape originally recorded by Hugh Barroll. Supplies several set two patches.EDITING NOTES: Sound Forge XP 4.5 was used for edits as noted below, and to recompile the wavs into a single wav file in preparation for final retracking. CDWav was used to cut tracks along sector boundaries. shntool was used to confirm all wav files were cut on sector boundaries. mkwACT was used to convert shn>wav, wav>shn, and create the md5. 1. Entire first set: reduced pitch by -.566 semitones throughout set one to bring the pitch of SBD #1 within 0.03% of SBD #2 (using the Peggy-O on each source for direct comparison) 2. Half Step: attenuated severe mixing problems by significantly raising amplitude of first ~4.5 secs (which was inaudible on source CD); and lowering amplitude less drastically for the next ~1.5 secs 3. LL Rain: attenuated cassette tape flip @4:55 by splicing the two segments almost flush (no cross fade or overlap). The segment before the splice was unaltered, and the segment after the splice was softened with a short fade-in. 4. tuning: entire track supplied by AUD 5. Jam #1: first ~50 secs patched by AUD 6. Jam #1: 1:26 to 1:52 patched by SBD #3 7. Jam #1: last 0:11 patched by AUD (patch starts @8:02) 8. Drums: entire track supplied by AUD 9. Jam #2: first 0:05 patched by AUD 10. Playin (reprise): last 4:29 patched by AUD (patch starts @1:46) 11. Around: entire track supplied by AUD KNOWN FLAWS REMAINING: (1) The first 3 notes of Half Step are missing; (2) Distortion is present in first ~4.5 seconds of Half Step, where amplitude was raised as much as possible; (3) Most mix problems were left untouched, and persist through the first two songs of set one [Half Step> Franklin's]. The levels are re-adjusted several times before settling on a satisfactory mix partway through Franklin's; (4) A cut in LL Rain remains at the cassette tape flip. Probably ~2 seconds are missing. ACKNOWLEDGEMENTS: Mahalo to Steve Milewski for answering a stranger's e-mail and supplying SBD #1. Thanks also to Torbj?rn Olofsson [http://tol.etree.org:8888/], to whom an immeasurable debt of gratitude is owed by many. He provided the shn sets of the SBD #2, SBD #3, and AUD sources. Finally, thanks to all of the unnamed (and unknown) people who contributed in getting these sources to this point. Compiled, edited, shn'd and seeded to etree by Conley Knott. January 11, 2004 * Source update: Jack Warner reports the AUD on this seed does not derive from Hugh Barroll's tape. Jack bases this on his personal comparison between Hugh's source and this AUD. -- Conley (1.19.2004)
HAVANOS (1/0)	cdr / 2	A	A-	View
Notes:	SOURCES SBD #1: SBD> ??> CAS> CD> EAC> WAV. A/D conversion by Steve Milewski via Nak BX300> Tascam CDRW700 standalone audio unit. Extraction by Conley Knott via EAC (logs report peak levels 100%, track quality 100% and no errors). This source is new to etree with this seed. Supplies set one. SBD #2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV. First seeded by Marshall Mcleod [etree shn id 301]. Supplies most of set two. SBD #3: MSC> CAS> DAT> CD-R> EAC> SHN> WAV. This seems to derive from the same orginal source as SBD #2 but have a different lineage (some distinctive cuts are identical while other cuts appear in different places; also SBD #3 has slightly higher hiss). First seeded by Art Cohen? [etree shn id 12947]. Supplies one set two patch. AUD: MAC (believed to be via Nak 300s)> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. A/D conversion by Rob Bertrando, and first seeded by Darrin Sacks [etree shn id 302]. Probably derives from the tape originally recorded by Hugh Barroll. Supplies several set two patches.EDITING NOTES: Sound Forge XP 4.5 was used for edits as noted below, and to recompile the wavs into a single wav file in preparation for final retracking. CDWav was used to cut tracks along sector boundaries. shntool was used to confirm all wav files were cut on sector boundaries. mkwACT was used to convert shn>wav, wav>shn, and create the md5. 1. Entire first set: reduced pitch by -.566 semitones throughout set one to bring the pitch of SBD #1 within 0.03% of SBD #2 (using the Peggy-O on each source for direct comparison) 2. Half Step: attenuated severe mixing problems by significantly raising amplitude of first ~4.5 secs (which was inaudible on source CD); and lowering amplitude less drastically for the next ~1.5 secs 3. LL Rain: attenuated cassette tape flip @4:55 by splicing the two segments almost flush (no cross fade or overlap). The segment before the splice was unaltered, and the segment after the splice was softened with a short fade-in. 4. tuning: entire track supplied by AUD 5. Jam #1: first ~50 secs patched by AUD 6. Jam #1: 1:26 to 1:52 patched by SBD #3 7. Jam #1: last 0:11 patched by AUD (patch starts @8:02) 8. Drums: entire track supplied by AUD 9. Jam #2: first 0:05 patched by AUD 10. Playin (reprise): last 4:29 patched by AUD (patch starts @1:46) 11. Around: entire track supplied by AUD KNOWN FLAWS REMAINING: (1) The first 3 notes of Half Step are missing; (2) Distortion is present in first ~4.5 seconds of Half Step, where amplitude was raised as much as possible; (3) Most mix problems were left untouched, and persist through the first two songs of set one [Half Step> Franklin's]. The levels are re-adjusted several times before settling on a satisfactory mix partway through Franklin's; (4) A cut in LL Rain remains at the cassette tape flip. Probably ~2 seconds are missing. ACKNOWLEDGEMENTS: Mahalo to Steve Milewski for answering a stranger's e-mail and supplying SBD #1. Thanks also to Torbj?rn Olofsson [http://tol.etree.org:8888/], to whom an immeasurable debt of gratitude is owed by many. He provided the shn sets of the SBD #2, SBD #3, and AUD sources. Finally, thanks to all of the unnamed (and unknown) people who contributed in getting these sources to this point. Compiled, edited, shn'd and seeded to etree by Conley Knott. January 11, 2004 * Source update: Jack Warner reports the AUD on this seed does not derive from Hugh Barroll's tape. Jack bases this on his personal comparison between Hugh's source and this AUD. -- Conley (1.19.2004)
Keith Hanson (1/5)	/ 1		A	View		partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D
Notes:	excellent recording of "if i had the world to give".
Mike Williams (1/4.5)	/ 0			View	32489
Kevin Hickey (1/0)	SHN / 2			View	21727
Notes:	click date, then "SHN Info" for notes, comments and known flaws.
Kevin Hickey (1/0)	flac / 1			View	32489	Matrix: SBD/AUD mix Sick Bits Vol. 16a (Set II only)
Notes:	Matrixed by Chris Chappell ScarFireATliquidcityDOTcom 2/9/06
David Albrecht (1/5)	SHN / 1			View	302
William Kirkwood (1/4)	CDR / 1			View
Notes:	Mix from both sets
Kyle Wallace (1/5)	cdr / 2			View		see below
Notes:	EDITING NOTES: Sound Forge XP 4.5 was used for edits as noted below, and to recompile the wavs into a single wav file in preparation for final retracking. CDWav was used to cut tracks along sector boundaries. shntool was used to confirm all wav files were cut on sector boundaries. mkwACT was used to convert shn>wav, wav>shn, and create the md5. 1. Entire first set: reduced pitch by -.566 semitones throughout set one to bring the pitch of SBD #1 within 0.03% of SBD #2 (using the Peggy-O on each source for direct comparison) 2. Half Step: attenuated severe mixing problems by significantly raising amplitude of first ~4.5 secs (which was inaudible on source CD); and lowering amplitude less drastically for the next ~1.5 secs 3. LL Rain: attenuated cassette tape flip @4:55 by splicing the two segments almost flush (no cross fade or overlap). The segment before the splice was unaltered, and the segment after the splice was softened with a short fade-in. 4. tuning: entire track supplied by AUD 5. Jam #1: first ~50 secs patched by AUD 6. Jam #1: 1:26 to 1:52 patched by SBD #3 7. Jam #1: last 0:11 patched by AUD (patch starts @8:02) 8. Drums: entire track supplied by AUD 9. Jam #2: first 0:05 patched by AUD 10. Playin (reprise): last 4:29 patched by AUD (patch starts @1:46) 11. Around: entire track supplied by AUD KNOWN FLAWS REMAINING: (1) The first 3 notes of Half Step are missing; (2) Distortion is present in first ~4.5 seconds of Half Step, where amplitude was raised as much as possible; (3) Most mix problems were left untouched, and persist through the first two songs of set one [Half Step> Franklin's]. The levels are re-adjusted several times before settling on a satisfactory mix partway through Franklin's; (4) A cut in LL Rain remains at the cassette tape flip. Probably ~2 seconds are missing.
coachnatebean (1/0)	SHN / 1			View	12947	complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with...
coachnatebean (1/0)	SHN / 2			View	21727	Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24...
coachnatebean (1/0)	SHN / 1			View	301	partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD;...
coachnatebean (1/0)	SHN / 1			View	302	complete set 2; AUD, precise source is unknown (but thought to be Nak 300s), lineage MAC>...
Jenn (1/0)	SHN / 0			View	301
Jenn (1/0)	SHN / 0			View	302
Jenn (1/0)	SHN / 0			View	12947

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Brad (1/0)

/ 0


All content by members of the etree.org community, for the etree.org community. © 2018 etree.org
Cached: Sun, 5 Jan 2025 00:10:15 EST