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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Randy Carman (2/0) | cdr3/shn2 / 3 | View | 121 | |||
Notes: | set 1; set 2: SHN Detail | |||||
Kevin (2/0) | CD-R / 0 | View | ||||
ben (2/0) | / 2 | View | ||||
Notes: | set II | |||||
Alan (2/3) | CD-R / 3 | A- | View | SBD > MR > ? > DAT | ||
Scott Benson (2/5) | SHN / 2 | View | 122 | SBD>Reel>?> D | ||
Matt Johnston (2/0) | CD-R / 2 | View | ||||
Notes: | Set II Only | |||||
Paul Moreno (2/5) | SHN / 2 | View | 121 | |||
Notes: | Soundboard | |||||
Michael (2/5) | CDR / 3 | A | View | |||
Marc Pujol (2/5) | SHN / 1 | View | 121 | set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield | ||
Marc Pujol (2/5) | SHN / 1 | View | 122 | set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; | ||
Natalie Clark (2/0) | cdr / 3 | A+ | View | |||
Scott Garrison (2/5) | cdr / 2 | View | sbd | |||
Notes: | set 2 | |||||
nick (2/0) | CDR / 3 | View | ||||
Notes: | shn from either furthur or archive.org | |||||
Michael Goff (2/5) | cd / 2 | View | 122 | |||
Notes: | 71 dvd#5 | |||||
Daniel Bowman (2/4) | CD-R / 3 | View | SBD | |||
Rus K (2/0) | CDR / 1 | View | 121 | SBD>Reel>?>DAT>ZA2 (48>44.1)>CDR | ||
Notes: | Set I SHN-2 disks for both sets | |||||
Rus K (2/0) | CDR / 2 | View | 122 | SBD>Reel>?>DAT>ZA2 (48>44.1)>CDR | ||
Notes: | Set II SHN-2 disks for both sets | |||||
rw (2/5) | cdr/shn / 3 | View | 121 | SBD> MR> ?> DAT> CDR | ||
Dan Faust (2/5) | cdr / 3 | View | sbd > dat > cdr | |||
Eric Campbell (2/0) | / 0 | View | ||||
jim mcguire (2/5) | audio/cdr / 3 | A | View | 121 | ||
Charles Camacho (2/0) | shn / 2 | View | 121 | |||
HomeyLeDieu (2/0) | CD-R / 2 | A | View | Unknown | ||
evan hoeltge (2/0) | shn / 2 | View | 121 | |||
Brandon (2/5) | CD-R / 3 | A | A | View | SBD>MR>?>DAT>CDR | |
Notes: | An epic PigPen show...long rant during Good Lovin' ! | |||||
Dave Yawger (2/4.7) | CDR / 3 | View | ||||
Bob McDonough (2/5) | Shn / 2 | View | 121 | |||
Notes: | Sbd | |||||
Chris Christie (2/5) | / 0 | View | SB > ? > CDR | |||
Notes: | Very nice quality but exact lineage unknown. | |||||
Rob Harrison (2/5) | DAT / 2 | View | SBD | |||
Notes: | All sets. Soundboard>Unknown media | |||||
Martin Tuttle (2/0) | SHN / 2 | A- | View | see notes | ||
Notes: | Set I: Disc 1 01] Truckin' [8:58] 02] Big Railroad Blues [4:06] 03] Big Boss Man [5:26] 04] Bird Song [8:00] 05] Playin' in the Band [4:40] 06] Hard to Handle [8:43] 07] Loser [7:10] 08] Mama Tried [2:57] 09] Casey Jones [5:41] 10] Sugar Magnolia [7:28] Set II: Disc 2 1] Good Lovin' > 2] Drums > 3] Good Lovin' 4] Me and Bobbi McGee 5] Deal 6] Beat It On Down The Line 7] King Bee 8] Bertha Disc 3 (Set II: cont.) 1] Sing Me Back Home 2] Goin' Down The Road Feeling Bad > 3] Turn On Your Lovelight Notes: Notes: Growing up near Princeton, this show was one of the first dead tapes I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway. I later received a much better copy (sounded like 2-3 analog gens) with a really lame flip at 45 minutes (aka middle of King Bee). When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy of the set. This copy had a cut in Lovelight but beat the analogs any day. I finally found a copy without the infamous cut in Lovelight and decent levels to boot. Since this set was worth the trouble of getting different copies at least 5 times, I figured that I'd distribute it further than it has been until now. The lineage of these files is: Main: S:R?D DAT was downsampled into my computer via ZA2 (48>44.1, healy master to DAT, multi-track remix, 96bit A>D conversion. This tape is NOT an A+. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] with thanks to D.H The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it. Rod Nayfield [email protected] |