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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
winterland121072 (1/0) | / 0 | View | 88760 | |||
winterland121072 (1/0) | / 0 | View | 107385 | |||
winterland121072 (1/0) | / 0 | View | 107075 | |||
winterland121072 (1/0) | / 0 | View | 107384 | |||
winterland121072 (1/0) | / 0 | View | 89031 | |||
Cosmic Bob (1/5) | CD / 3 | View | SBD | |||
Cosmic Bob (1/5) | CD / 1 | View | 121 | SBD | ||
Cosmic Bob (1/5) | CD / 2 | View | 122 | SBD | ||
Cosmic Bob (1/5) | CD / 3 | View | SBD | |||
Notes: | Different set of FLACs | |||||
David Schroer (1/5) | cdr / 3 | View | ||||
Walter (1/0) | / 0 | View | 107384 | |||
Chuck Kiefe (1/5) | CD-R / 3 | View | ||||
Notes: | SBD>MR>DAT>CD | |||||
Israel Frankel (1/0) | flac cd-r / 3 | View | 88760 | |||
Randy Foley (1/5) | CDR / 3 | A | View | SBD | ||
Notes: | (63:12)/(56:49)/(33:34) [superb sound and performance] | |||||
Curtis Ensler (1/0) | / 3 | View | ||||
doug smith (1/0) | shn / 1 | View | 121 | |||
Notes: | Set 1 | |||||
doug smith (1/0) | shn / 1 | View | 122 | |||
Notes: | Set 2 | |||||
Freddy (1/0) | CDR / 2 | View | ||||
Notes: | SBD>?>? | |||||
Freddy (1/0) | CDR / 3 | View | 107384 | |||
wharfratpat (1/4) | FLAC / 3 | View | 107075 | |||
OBIE (1/5) | SHN / 3 | View | SBD> MR> ??>DAT> CD | |||
Dave H. in DC (1/5) | cdr / 2 | View | SBD->BETTY REEL->PCM->DAT->CDR | |||
Patrick Hitt (1/5) | shn / 1 | View | 122 | |||
Notes: | second set only | |||||
Patrick Hitt (1/5) | shn / 1 | View | 121 | |||
Notes: | first set | |||||
Carlos Haynes (1/0) | SHN / 0 | View | ||||
Notes: | The lineage of these files is: Main: S:R?D Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it. This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] | |||||
Ada Banasik (1/5) | SHN / 2 | View | 121 | SBD>Reel>?>DAT>ZA2>CDR | ||
Notes: | SBD | |||||
arthur (1/4.9) | shn / 2 | View | 121 | |||
Notes: | both sets | |||||
Tommy Danscuk (1/5) | flac / 2 | View | 88760 | Sbd > Reel | ||
Gary (1/0) | cd / 3 | A | View | |||
Chilihead (1/5) | / 3 | A | View | SBD>MRXR>DAT>CD | ||
Notes: | This is from a reel made in 1971, it has a few sound problems and rough spots. Break-up on D3, T7 @ 13:17; includes unknown filler. |