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Grateful Dead 10/09/89
Hampton Coliseum, Hampton, VA
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Set I
Feel Like A Stranger *
Built To Last
Little Red Rooster
Ramble On Rose
We Can Run
Jack A Roe
Stuck Inside Of Mobile With The Memphis Blues Again
Row Jimmy
The Music Never Stopped
Set II
Playing In The Band >
Uncle John's Band >
Playing In The Band Reprise
Dark Star > #
Drums >
Space >
Death Don't Have No Mercy >
Dear Mr. Fantasy >
Hey Jude >
Throwing Stones >
Good Lovin'

Encore:
Attics Of My Life $
Set III

Comment
Billed as "Formerly The Warlocks" after the Grateful Dead were banned from playing at Hampton Coliseum after several fan incidents during the March 1988 shows. To maintain a low profile, Hampton was not included as part of the regular ticket sales for the East Coast fall tour. Tickets went onsale at local outlets only 10 days prior to the shows. The Marquee for the shows read The Warlocks. The Grateful Dead did not perform at Hampton again until March 5, 1992.

This Version Appears On Without A Net *
First time played since July 13, 1984 #
First time played since October 28, 1972 $

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(443) View Source    View Archive
Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename")
(2276) View Source    View Archive
SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com
(7721) View Source    View Archive
Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
(17704) View Source    View Archive
FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman
(26235) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by [email protected]; related matrix also circulates
(26236) View Source    View Archive
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by [email protected]; related 5.1 mix also circulates
(31211) View Source    View Archive
Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005)
(32902) View Source    View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(80840) View Source    View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source.
(89563) View Source    View Archive
flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
(92005) View Source    View Archive
DTS Audio 5.1 Mix; 4 Source Mix - SBD (ShnID = 80840), SBD (ShnID = 80840), AUD2 (ShnID = 17704) and AUD3 (ShnID = 443)
(92495) View Source    View Archive
flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)
(92553) View Source    View Archive
- 4 Source Mix - DVD-Audio 5.1 Surround (6ch x 24/48) via Dan Haugh
(99647) View Source    View Archive
flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson
(116646) View Source    View Archive
flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
(120403) View Source    View Archive
flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename
(120404) View Source    View Archive
flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(125737) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
(125738) View Source    View Archive
flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
(131003) View Source    View Archive
flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)
(142510) View Source    View Archive
flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
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User (active/rating) Media / # Show Sound Details DB Source User Source
Chad Q (3/5) CD-R / 3 A A- View   AUD
Notes: Slight hiss
Justin (3/0) CD-R / 3 View 26236
Notes: SBD/AUD matrix
michael falzone (3/0) / 0 View  
michael falzone (3/0) / 0 View  
Jonny J (3/5) / 3 View  
David Rosenberg (3/0) cd / 3 View   sbd
Notes: the warlocks
Matt Havron (3/5) CDR / 3 A A View  
Jeff Digby (3/5) cdr / 3 View 2276
hornsby23 (3/4.5) CDR / 3 A View   SBD
Matt (3/0) / 3 A- View  
jeff (3/4) CDR / 3 View  
Bart (3/5) CDR / 3 View  
John Bowers (3/0) SHN / 2 View   SBD
Chris (3/5) cdr / 3 A View  
jdubya (3/0) cdr / 3 A View  
Kenn Kerper (3/4) shn / 0 View 2276 SBD>CASS(x)>DAT>CDR>EAC>SHN
Notes: SBD
Brent (3/0) shn / 2 View 7721 SBD > PCM (analog output) > D > D > D > D; CD> SHN
Notes: held on DVD-shn #48
Andy Perry (3/4.3) audio / 2 View  
Mike Bernfeld (3/0) CD-R / 3 A B+ View  
David Finney (3/0) CDR / 1 View   sbd
Mike (3/0) shn / 2 View 26236
Notes: amdig1 matrix
Mike (3/0) shn / 2 View 26235
Notes: amdig1 DTS 5.1
Jason (3/0) CD-R / 3 A A+ View   SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Notes: Grateful Dead Hampton Coliseum Hampton, VA October 10, 1989 SBD + AUD Matrix Mix (60%-SBD/40%-AUD) Disc 1 - Set 1 01 [01.16] Tuning 02 [07.54] Feel Like A Stranger 03 [05.24] Built To Last 04 [09.29] Little Red Rooster 05 [08.07] Ramble On Rose 06 [06.43] We Can Run 07 [04.39] Jack-A-Roe 08 [11.26] Memphis Blues Again 09 [11.13] Row Jimmy 10 [08.07] The Music Never Stopped TT [74.18] Disc2 - Set 2 01 [10.55] Playing in the Band > 02 [10.43] Uncle John's Band > 03 [03.49] Playing Reprise 04 [12.08] Dark Star > 05 [07.23] Jam/Space > 06 [11.00] Drums > TT [55.57] Disc 3 - Set2 (con't) 01 [05.48] Space > 02 [08.52] Death Don't Have No Mercy > 03 [04.40] Dear Mr. Fantasy > 04 [03.50] Hey Jude Finale > 05 [10.23] Throwing Stones > 06 [09.24] Good Lovin' Encore: 07 [06.14] Attics Of My Life TT [49.10] --------------------------------------------------------- Source Info SBD SBD: PCM (analog out) > DAT x 4 > CDR AUD FOB: Schoeps CMC641 > DAT --------------------------------------------------------- Tech Notes I used EAC in secure mode to extract all tracks at 100% no reported errors. Cool Edit Pro 2.0 was used to align & synch both of the sources. This is a 60% SBD, 40% AUD mix. - Mixed by [email protected] - Shn conversion 8-SEP-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. - Special thanks to "For Your Eyes Only" for images used in this artwork. --------------------------------------------------------- Notes I performed a 'light NR' to the SBD source. Disc 2 and 3 can be assembled seamlessly on longer media. 38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on SBD source. Patched 25.117 using the AUD. This patch was EQ'ed & levels raised +3db. Source change from SBD to AUD is obvious to the listener. 48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .400 seconds of left channel. The result is smooth and most likely undetectable. 49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .510 seconds of left channel. The result is smooth and most likely undetectable. 50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .113 seconds of left channel. The result is smooth and most likely undetectable. Between Jack-A-Roe and Memphis Blues the AUD was missing 37.221 seconds of crow cheer. The SBD was trimmed to match. The result is smooth and most likely undetectable. 59:52.730 - 59:59.107 Drums missing on SBD source. Patched 6.377 using the AUD. This patch was EQ'ed & levels raised +3db. The result is smooth and most likely undetectable. 1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' missing on SBD source. Patched 1:06.065 using the AUD. This patch was EQ'ed & levels raised +3db. Source change from SBD to AUD is obvious to the listener. Billed as "Formerly The Warlocks" Last "Dark Star": 7-13-84 Last "Attics Of My Life": 9-27-72 --------------------------------------------------------- More Info On The SBD Recording Any/all editing, fades, NR, hiss elimination, phase shifting "time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
MJC (3/5) audio / 3 B+ View 2276
Chris Hinkle (3/5) CDA / 3 View   SBD>DAT>CD>EAC>CDR
Notes: First Dark Star since 7/13/84
ben nesler (3/0) / 3 A+ A+ View   Matrix-60%sbd 40%aud
Notes: DARKSTAR!
ben nesler (3/0) / 3 A+ A+ View   Matrix-60%sbd 40%aud
Notes: DARKSTAR!
ben nesler (3/0) / 3 A+ A+ View   Matrix-60%sbd 40%aud
Notes: DARKSTAR!
ben nesler (3/0) / 3 A A View   60-40 matrix
Notes: darkstar!
BigBeahner (3/0) CD Audio / 3 View 7721 SBD> CASS(x)> DAT> CDR