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Set I
Alabama Getaway-> Promised Land, Friend Of The Devil, Me & My Uncle, Mexicali Blues, West L.A. Fadeaway, Minglewood Blues, Tennessee Jed, Looks Like Rain-> Deal
Set II
Help On The Way-> Slipknot!-> Franklin's Tower-> Playin' In The Band-> China Doll-> Don't Need Love-> Drums-> Wharf Rat-> Throwing Stones-> Not Fade Away, E: Brokedown Palace
Set III
Comment
Last Changed By
System
Sources
(10035) View Source
View Archive
Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes
(18253) View Source
View Archive
Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
(34682) View Source
View Archive
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck
(106643) View Source
View Archive
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob & Amanda Morris, lower balcony Row J, Seats 5 & 6.
(109391) View Source
View Archive
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(113882) View Source
View Archive
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
(132912) View Source
View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132913) View Source
View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(135804) View Source
View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
(135805) View Source
View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger
(136794) View Source
View Archive
flac16; Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD
(137247) View Source
View Archive
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
(137271) View Source
View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
(137272) View Source
View Archive
DTS-Audio-CD 5.1 Mix: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
(137273) View Source
View Archive
flac16/48kHz: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin
(137380) View Source
View Archive
flac16; FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
(141117) View Source
View Archive
flac24; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
(141118) View Source
View Archive
flac16; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
(10035) View Source
View Archive Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes
(18253) View Source
View Archive Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
(34682) View Source
View Archive Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck
(106643) View Source
View Archive flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob & Amanda Morris, lower balcony Row J, Seats 5 & 6.
(109391) View Source
View Archive flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(113882) View Source
View Archive flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
(132912) View Source
View Archive flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132913) View Source
View Archive flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(135804) View Source
View Archive flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
(135805) View Source
View Archive flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger
(136794) View Source
View Archive flac16; Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD
(137247) View Source
View Archive flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
(137271) View Source
View Archive flac16; Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
(137272) View Source
View Archive DTS-Audio-CD 5.1 Mix: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
(137273) View Source
View Archive flac16/48kHz: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin
(137380) View Source
View Archive flac16; FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
(141117) View Source
View Archive flac24; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
(141118) View Source
View Archive flac16; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 455 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| trailmix (5/5) | shn / 0 | View | 18253 | FOB (17th Row Split 30 feet) Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM... | ||
| Notes: | FOB Neumann U87s | |||||
| Jordan Jacobs (5/3) | SHN / 0 | View | FOB | |||
| Notes: | FOB (17th Row Split 30 feet) Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR > EAC > *Cool Edit Pro > CDWave > mkwACT | |||||
| Jordan Jacobs (5/3) | Flac / 0 | View | FOB | |||
| Notes: | 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes ;Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files | |||||
| thrak (5/5) | shn / 3 | View | 18253 | FOB (17th Row Split 30 feet) Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM... | ||
| Brent Easton (5/4.9) | CDR / 3 | A | A | View | SBD>RR>DAT>CDR | |
| Rick Hanlon (5/5) | cdr / 2 | View | ||||
| Steve Swartz (5/0) | / 0 | View | 18253 | |||
| Steve Swartz (5/0) | / 0 | View | 34682 | |||
| whodogg (5/5) | cdr / 3 | View | ||||
| ratskrad (5/0) | / 0 | View | 18253 | |||
| Jason Westerfeld (5/4.9) | shn / 2 | View | 18253 | FOB (17th Row Split 30 feet) Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM... | ||
| niccolo mugnaioni (5/5) | cdr / 3 | View | aud>c>dat>cdr | |||
| Notes: | disc1/set1:alabama getaway(4:51)>promised land(7:17),friend of the devil(10:31),me and my uncle(3:22)>mexicali blues(7:01),west l.a. fadeaway(8:02),new minglewood blues(9:47),tennessee jed(8:13)>tuning(0:15). disc2/set1:looks like rain(7:43)>deal(8:37). set2:help on the way>slipknot!>franklin's tower(27:29)>playing in the band(11:32)>china doll(6:39)>don't need love(5:37). disc3/set2:drums>space(20:08)>wharf rat(10:37)>throwing stones(9:04)>not fade away(7:52),brokedown palace(5:44). | |||||
| captain_trip_420 (5/0) | / 2 | View | 34682 | AUD | ||
| Notes: | unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) | |||||
| captain_trip_420 (5/0) | / 3 | View | 18253 | FOB | ||
| Notes: | FOB (17th Row Split 30 feet) Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR > EAC > *Cool Edit Pro > CDWave > mkwACT | |||||
| RamblinBear (5/0) | DVD / 1 | View | 18253 | Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki | ||
| Notes: | .18253. | |||||
| RamblinBear (5/0) | DVD / 1 | View | 34682 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on... | ||
| Notes: | .34682. | |||||
| Rudolf E. Zielinski (5/5) | CDR / 3 | A+ | View | AUD | ||
| Mark Page (5/4.7) | CDR / 3 | A+ | View | SBD | ||
| Notes: | #1 | |||||
| barry bryson (5/4.3) | analog/180 / 2 | View | aud | |||
| Andrew Murawa (5/5) | cd / 2 | View | FOB AUD (Neumann U87s) | |||
| Notes: | set two | |||||
| RamblinRose (5/5) | CD-R / 3 | View | FOB/AUD>PCM>DAT>CDR | |||
| jfresh (5/4.3) | cdr / 3 | View | ||||
| Notes: | no trades | |||||
| David D (5/0) | SHN / 2 | View | 10035 | Neumann U-87 mics> Technics SV-100 PCM> DAT> CDR> EAC> SHN | ||
| Cptn Trips (5/3) | CDR / 3 | A+ | View | SBD | ||
| AJ (5/0) | CDR / 3 | A- | View | Audience | ||
| Notes: | Set 1 & 2 | |||||
| Sean McIntyre (5/0) | CD / 3 | View | 10035 | AUD | ||
| Notes: | Taper: Jeff Silberman Neumann U87 cardoids spaced 30 feat in 17th row->Technics SV-100(PCM)->DAT->SHN->CDR | |||||
| Neil (5/5) | CD-R / 3 | View | FOB Neumann U 87 Omni w 30 ft. Spread>Sony Pro Mixer>TechnicsSV100>D | |||
| Notes: | AUD | |||||
| Joey Browning (5/4.9) | cdr / 3 | A | View | 18253 | ||
| CTDEADHEAD (5/5) | SHN / 2 | View | 10035 | |||
| Notes: | AUD - FOB | |||||
| kurt thompson (5/5) | shn / 2 | View | 10035 | |||
| Notes: | Eaton | |||||