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Grateful Dead 04/21/84
Philadelphia Civic Center, Philadelphia, PA
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Set I
Alabama Getaway-> Promised Land, Friend Of The Devil, Me & My Uncle, Mexicali Blues, West L.A. Fadeaway, Minglewood Blues, Tennessee Jed, Looks Like Rain-> Deal
Set II
Help On The Way-> Slipknot!-> Franklin's Tower-> Playin' In The Band-> China Doll-> Don't Need Love-> Drums-> Wharf Rat-> Throwing Stones-> Not Fade Away, E: Brokedown Palace
Set III
 
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Last Changed By System
Sources
(10035) View Source    View Archive
Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes
(18253) View Source    View Archive
Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
(34682) View Source    View Archive
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck
(106643) View Source    View Archive
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob & Amanda Morris, lower balcony Row J, Seats 5 & 6.
(109391) View Source    View Archive
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(113882) View Source    View Archive
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
(132912) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132913) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(135804) View Source    View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
(135805) View Source    View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger
(136794) View Source    View Archive
flac16; Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD
(137247) View Source    View Archive
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
(137271) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
(137272) View Source    View Archive
DTS-Audio-CD 5.1 Mix: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
(137273) View Source    View Archive
flac16/48kHz: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin
(137380) View Source    View Archive
flac16; FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
(141117) View Source    View Archive
flac24; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
(141118) View Source    View Archive
flac16; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
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User (active/rating) Media / # Show Sound Details DB Source User Source
Rob Brokaw (0/5) cdr / 3 B+ View   PCM>DAT>CDR
Notes: Not the greatest sound quality.
Tony H (0/0) CD / 3 A A View   AUD
Jimmy (0/0) / 0 View  
Robert Goetz (0/5) shn / 2 View 18253 Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki;...
Notes: Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki; shn(2)>cda(3)
Robert Goetz (0/5) shn / 2 View 34682 Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on...
Notes: Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck; shn(2)>cda(2)
Glenn Gillis (0/3.5) CDR / 3 View   Neumann U-87>Technics SV100>DAT>CDR
Notes: II, e Aud>PCM>DAT>CDR 17th row center, 30' apart
simone (0/4) cd / 2 View 18253
Notes: shn
Jim Douglas (0/4.8) CD / 3 A A View   AUD>PCM>DAT>CDR
Notes: 1st few seconds of Minglewood cut
Rob (0/5) / 3 View  
Keith (0/0) cdr / 3 View  
BluBossa (0/5) CDR / 3 A A View   Neumann U87 > Sony Mixer > Technics SV100 PCM > DAT > CDR
Homer Jay {aka DES} (0/5) shn / 2 View   Neumann U87 > sony pro mixer > technics sv100 pcm
MalibuStacy (0/5) CDR / 3 A- View   AUD>PCM>DAT>CDR
Notes: first few seconds of Minglewood cut.
Adam Weiss (0/0) / 3 View  
Notes: SHN or AUD
Chris Brown (0/4.5) DAT / 1 A+ View   SBD
Notes: Set Two Only
Jonathan Kendall (0/4.9) CDR / 3 View 10035 Neumann U-87 mics > Technics SV-100 PCM > DAT > CDR> EAC > SHN
Brent Caron (0/0) shn / 2 View 18253 FOB (17th Row Split 30 feet) Neumann U87's (cardioid)
dps (0/0) shn / 2 View 18253 Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
Spidermans Brother (0/4.3) CD-R / 3 A A View   FOB (17th Row Split 30 feet) Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM...
Notes: FOB (17th Row Split 30 feet) Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR > EAC > *Cool Edit Pro > CDWave > mkwACT > wav > CD
Iver (0/0) cd / 3 View  
John Bray (0/5) / 3 A View  
Notes: fob-cass-dat-cdr
barryweiser (0/0) cdr - mp3 / 2 View   Philadelphia, PA.
jimmy sellers (0/5) / 0 View 10035 Neumann U-87 mics > Technics SV-100 PCM > DAT > CDR
crackmc (0/5) CD-R / 3 A View   aud?
Toad (0/0) CDR / 3 View 10035 AUD
Notes: Neumann U-87 mics > Technics SV-100 PCM > DAT > CDR> EAC > SHN
Kenneth Garretson (0/5) Analog / 2 View  
Keith Forman (0/0) CD-R / 3 A+ View   Neumann U-87 (17th Row, dfc)>Technics SV-100>DAT>CD
Koolaid (0/5) SHN / 2 View 10035
zoomis (0/0) CDR / 3 View  
Notes: AUD: FOB>ANA>DAT>CDR
Bruce Warren (0/0) CD / 3 View   SBD