Grateful Dead 11/04/1977

Sources

View Archive
SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation

View Archive
SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman

(15208) View Source

View Archive
MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner.

(29091) View Source

View Archive
flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell

(81110) View Source

View Archive
flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC

(130927) View Source

View Archive
flac16; SBD Source ID 3739 Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac

(139656) View Source

View Archive
flac16; This source is a DAE of the GDLive material listed as source ID 2595; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6

(141004) View Source

View Archive
flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018

(141005) View Source

View Archive
flac16; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018

(141833) View Source

View Archive
flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
Morgan Nelson (5/0)	Shn / 3	A	A	View	2595	SBD
Morgan Nelson (5/0)	Flac/CDR / 3	A+	A+	View	29091	Killer matrix
Jason Westerfeld (5/4.9)	shn / 2			View	2595
niccolo mugnaioni (5/5)	cdr / 3			View
Notes:	disc1/set1:bertha(7:50)>good lovin'(5:57),brown-eyed women(5:58),cassidy(5:10),it must have been the roses(7:54),sunrise(4:31),new minglewood blues(5:22),dupree's diamond blues(6:30),let it grow(14:29). disc2/set2:band intro by phil lesh(1:56)>samson and delilah(7:21)>cold rain and snow(6:10),playin' in the band(13:05)>eyes of the world(12:49)>estimated prophet(11:25)>the other one(5:26). disc3/set2:drums(2:16)>iko iko(9:39)>stella blue(12:14)>playin' in the band reprise(6:55),johnny b.goode(4:59).
Johnny K (5/0)	CDR / 2		A	View		Soundboard
captain_trip_420 (5/0)	/ 3			View	29091	Matrix: (SBD/AUD mix)
Notes:	Sick Bits Vol. 5 - Matrix: (SBD/AUD mix)
captain_trip_420 (5/0)	/ 3			View	81110	AUD
Notes:	Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman
armyants1027 (5/0)	FLAC / 3			View
BILL SCARNATI (5/4)	CDR / 2		A	View
Jeff Schlingbaum (5/5)	CDR / 3	SBD	A-	View
Jim Bennett (5/5)	shn / 2			View	2595
Garrett in Ohio (5/5)	SHN / 3			View	2595
John (5/4.3)	/ 3			View
Notes:	book 6
Rudolf E. Zielinski (5/5)	CDR / 3		A+	View		SBD
ted1079 (5/5)	CD / 3			View	2595
davyp (5/4.3)	shn / 2			View	15208	MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158**...
davyp (5/4.3)	shn / 2			View	2595	SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?)
audiohead22 (5/5)	/ 0			View
KYHub (5/5)	SHN / 2	A	A	View		SBD Master Reels > DAT > CDR > EAC > SHN
Dan (5/0)	/ 0			View	3739
Dan (5/0)	/ 0			View	3739
Joe Rizzo (5/4.8)	CD / 3	A	A	View	2595
Notes:	2 SHN
garret (5/0)	Flac / 21	A+	A+	View	29091	Matrix: (SBD/AUD mix)
Notes:	General Notes: Given the two sources available on the Llama, I decided to put the effort into editing a matrix of this weird and powerful night at Colgate U. during their homecoming weekend. The Jerry Moore FOB AUD is an excellent recording, and the SBD is balanced with everyone in the mix and Keith featured prominently throughout. The two sources work well together even though the venue was basically an ice rink with steel walls. Music Notes: This show, albeit sloppy at points, epitomizes the ability of the band to take chances musically, knowing they can falter at any moment but also collectively discover something around the bend never before seen or heard. This is also reflected in the setlist which has some noteworthy aspects. The Let It Grow to end the first set is both out there and raging, purporting what is to come next. Technical difficulties allow time for Phil to introduce the band as the "Jones Gang" at the start of the second set. This level of hilarity is indicative of the playing to follow: loose, strange, daring, and plain old rockin'. Cold Rain & Snow hadn't been played in over a year and is one of two played in '77. The Playin' in the Band is very exploratory building to a crescendo that segues into the gem of the show: Eyes of the World - simply the most rockin' I have heard. Then, to top it off, they transition into Estimated, with Jerry sort of happening upon the song unexpectedly. This is the first Eyes > Estimated, with another on 11-5-79 and then not again until the famous night at Nassau with Branford Marsalis on 3-29-90. A powerful one-verse only Other One follows, and then the 4th Iko-Iko ever comes out of Drums. The Stella Blue is very intimate with Jerry crooning at the end similar to certain nights in the 90's. A very long and jammed out Playin' reprise ends the set at a fervent level, and the Johnny B. Goode to follow doesn't let up. Note that all of the missing elements from the SBD and AUD sources are just crowd segments in the first set (the missing elements being covered by the crowd segments of the other source). For the second set, the only music missing from the SBD source is a small portion of Drums (covererd by the AUD); and from the AUD source, a 6 second portion from the end of Eyes, and 3 seconds during the transition into Playin' Reprise (all covered by the SBD). Thus, all of the music is intact, full coverage being achieved by the combination of both sources.
jackstraw (5/0)	cd / 3			View	29091	matrix
Notes:	Sick Bits 6
prn76 (5/4)	CDR / 3			View	3739
john (5/5)	/ 2			View	2595	SBD:MR > DAT > CD-R
barry bryson (5/4.3)	analog/180 / 2			View		aud
Dan McDonald (5/5)	/ 3		A	View		MR>C>DAT>CDR
Notes:	MR>C>DAT>CDR
Adam Lawler (5/0)	.flac / 2			View	29091	SBD
MattMan_audio (5/0)	CD-R / 3			View		SBD

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Morgan Nelson (5/0)

Shn / 3


All content by members of the etree.org community, for the etree.org community. © 2018 etree.org
Cached: Wed, 15 May 2024 15:30:58 EDT