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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
T Buckley (0/0) | shn / 2 | View | 9563 | |||
Notes: | FOB-AUD>MC>DAT>CDR>EAC>SHN | |||||
T Buckley (0/0) | flac / 1 | View | 32500 | |||
Notes: | Set 2 ; SBD -> Cassette Master -> Cassette ; Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |||||
Alex (0/0) | CD / 3 | View | ||||
daze7 (0/0) | / 0 | View | 32500 | |||
chris (0/0) | flac / 1 | View | 32500 | SBD -> Cassette Master -> Cassette | ||
brad (0/0) | / 0 | View | ||||
Riventhal (0/0) | / 0 | View | 32500 | |||
Andrew Foust (0/0) | / 0 | View | ||||
sl1pkn0t (0/0) | flac / 1 | View | 32500 | SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller | ||
GD Vault (0/0) | / 0 | View | ||||
Don (0/0) | / 0 | View | 32500 | |||
nate (0/0) | flac / 2 | View | 32500 | 32500 | ||
Robert Goetz (0/5) | shn / 2 | View | 9563 | FOB-AUD>MC>DAT>CDR; shn(2)>cda(3) | ||
Notes: | FOB-AUD>MC>DAT>CDR; shn(2)>cda(3) | |||||
Robert Goetz (0/5) | flac / 1 | View | 32500 | flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller;... | ||
Notes: | flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller; flac(1)>cda(1); dvd_0023 | |||||
Glenn Gillis (0/3.5) | DAT / 1 | View | FOB-ACM>DAT>CDR Senn. 421�s>Sony 152 | |||
Glenn Gillis (0/3.5) | / 0 | B+ | View | SENN 421s>SONY 152>MC>DAT>CDR | ||
George Humphreys (0/0) | CDR / 3 | View | FOB-AUD>MC>DAT>CDR | |||
Chef Jeff (0/0) | CD / 3 | View | MAC>DBX>Decoded>DAT>CD | |||
Notes: | CD2:Drums// CD3://Space | |||||
Michael Watson (0/0) | SHN / 2 | View | 9563 | |||
Adam Weiss (0/0) | / 3 | View | ||||
Notes: | SHN or AUD | |||||
Spaz (0/0) | 2-SHN / 0 | View | 9563 | |||
Tom (0/0) | cdr / 3 | View | 9563 | |||
Chris Ventura (0/5) | CDR / 3 | View | Sennheiser 421>Sony 152 | |||
Gerald Gorinsky (0/0) | SHN / 2 | View | 9563 | |||
Notes: | 2 SHN, 3 CDR. FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy. | |||||
Willy (0/4.8) | SHN / 3 | View | 9563 | |||
Notes: | FOB-AUD>MC>DAT>CDR | |||||
For Reference Only (0/3.5) | DAT / 0 | View | ||||
Notes: | McNichols Arena, Denver Co - complete 4.7, 162min, Aud, A0D0, Cass M->Dat 0, 48k Nak 550 Cassette Master w/421's center->3800 x 0 | |||||
EOTW (0/0) | / 0 | View | 9563 | |||
Mike Snider (0/0) | / 0 | View | 9563 | |||
sleepingalligator (0/0) | CDR / 3 | A | View | Recorded on Sony 152 Portable w/Senn 421 Microphones | ||
Notes: | (audience recording by Rob Eaton) All three of these shows were supposed to be at Red Rocks, just west of Denver in the foothills but due to very bad weather the venue was moved. I didn't record the 8/12/79 Red Rocks show due to the weather, but did record both 8/13 and 8/14 from virtually the same location with the same setup. Although the 13th is maybe a better show, the 14th is much less common in the trading world. In 79' for reasons unknown to me today I would pause my deck between songs. That policy changed as the years went on but for the most part I was into getting as few song cuts as possible and somehow i had better tape management by pausing. This show is no exception as the only comes during drums/space. I got in later than normal for the 14th and really didn't get settled until Easy To Love You. I raised the mic's as the show progressed as was the custom for FOB taping in the late 70's. There is a small tape artifact early in Jack A Roe that happened after the show in the car. It is very slight and not really a problem. | |||||
sleepingalligator (0/0) | CDR / 3 | A | View | Recorded on Sony 152 Portable w/Senn 421 Microphones | ||
Notes: | (audience recording by Rob Eaton) All three of these shows were supposed to be at Red Rocks, just west of Denver in the foothills but due to very bad weather the venue was moved. I didn't record the 8/12/79 Red Rocks show due to the weather, but did record both 8/13 and 8/14 from virtually the same location with the same setup. Although the 13th is maybe a better show, the 14th is much less common in the trading world. In 79' for reasons unknown to me today I would pause my deck between songs. That policy changed as the years went on but for the most part I was into getting as few "song cuts" as possible and somehow i had better tape management by pausing. This show is no exception as the only comes during drums/space. I got in later than normal for the 14th and really didn't get settled until Easy To Love You. I raised the mic's as the show progressed as was the custom for FOB taping in the late 70's. There is a small tape artifact early in Jack A Roe that happened after the show in the car. It is very slight and not really a problem. |