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Phish 10/04/90
Field House, Durham, NH
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Set I
Golgi Apparatus, The Landlady > Esther > Possum, The Squirming Coil, The Lizards, Destiny Unbound, The Sloth, Uncle Pen, David Bowie
Set II
Reba, Bouncing Around The Room > Foam, Fee, Tweezer, Magilla, Cavern, You Enjoy Myself

E: The Divided Sky
Set III
 
Comment
University Of New Hampshire
Last Changed By STLBlues
Sources
(20618) View Source   
SBD > D5 > Cass/0 (Maxell MX 90) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC (24bit) > Mastering (see info file) > SHNv3; Taped by John Redmond
(138707) View Source   
flac24 48khz SOURCE: SBD > D5 TRANSFER: SBD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")>Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) NO tracking/editing/alterations performed before archiving to 24-bit FLAC except to trim silence from the ends. MASTERING: 24bit FLAC > Wavelab > 24bit FLAC Transfer>24bit FLAC files by Weave - [email protected] on 10/26/2003 Mastering>24bit FLAC by Marmar - [email protected] 4/10/2017
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Sparks (3/0) / 0 View 20618
Sloth1976 (3/0) / 0 View 20618
steve (3/5) CDR / 3 View  
Bill Mitchell (3/5) shn / 3 View 20618
Notes: not yet checked.
Andrew Butler (3/0) FLAC / 3 View 20618 SBD
Barry Smith (3/5) CDR / 3 View  
Resin421 (3/0) / 0 View 20618 SBD > D5 > Cass/0 (Maxell MX 90) > Sony TC-WE805S > Art DI/O @48kHz (Input gain...
Drew Whorley (3/5) / 3 View  
Notes: shn
Rolfe (3/5) / 0 View  
Nick's Cool List (3/5) / 0 View 20618
multipliedspace (3/0) / 0 View 20618
Notes: SBD > MC
Dragonfly (3/5) CDR / 3 A A- View   SBD, SHN, WAV
Notes: Good sounding SBD.
Ron Hollatz (3/0) SHN (2) / 3 View 20618 SBD > D5 > Cass/0 (Maxell MX 90) > Sony TC-WE805S > Art DI/O @48kHz (Input gain...
Philzone (3/4.9) Cdr / 3 A A View 20618 SOURCE SBD > D5 >Cdr
Dan (3/0) cdr / 3 View 20618
Tracy (3/5) CDR / 3 View   SBD -> MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No...
Blake Ciperski (3/4.8) SHN / 3 View 20618 SBD MCass (Maxell MX 90 min)> Sony TC-WE805S
Scott Bernstein (3/0) CDR / 3 View 20618 SBD > D5
Notes: (35)
Joe Breault (2/0) cdr / 3 View  
Amy Booth & Jim Himmelein (2/3) SHN(*) / 0 View 20618
Jonathan Hatgis (2/0) flac / 3 View 20618
Ace Mace (2/0) / 0 View 20618
Kurt Hafer (2/5) SHN / 2 View 20618
Jeff Hannan (2/0) SHN / 2 View 20618 SBD > MC > WAV
Luke Bailey (2/0) SHN / 3 View 20618 SBD > D5 > Cass/0 (Maxell MX 90) > Sony TC-WE805S > Art DI/O @48kHz (Input gain...
Notes: SBD > D5 > Cass/0 (Maxell MX 90) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC (24bit) > Mastering (see info file) > SHN
Dave Caimotto (2/0) CD-R/SHN / 3 A View   SBD > D5
Notes: SBD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3 **24/48 Masters do exist at the unedited/pre-processed level** **Mastering** 24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > Q10-ParagraphicEQ (top secret settings) > BBE @ 4/4/-4 > Waves X-Noise > Waves C4 (multi-opto mastering with tweaks) > L1 Ultramaximizer > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > montage to adjust volume to make it continuous...4 envelope points @ +1.275db > Waves L2 (24bit, no dither, +2.5 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 1/Normal via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 transfer>24bit FLAC files by Weave - [email protected] on 10/26/2003 Mastering, editing and WAV > SHN were performed on REBA by Arty- [email protected] (on 11/2003) *Notes* Faded the start of the cut opener and crossfaded the tape flip at the end of Tweezer/Magilla. Durring The Landlady, there is a dropout that was x-faded and there is some noise that can not be edited. In Destiny Unbound, there were a few pops from the instruments that were edited out. There is also what appears to be a very sudden pause in the tape durring Uncle Pen. Other than that, this show is absolutely amazing in sound quality. It still has some of the "tape" characteristics to it, but it just wouldn't sound right otherwise.
Terrapanda (2/0) / 2 View 20618
Thomas Frank (2/5) SHN / 2 View 20618 SBD > D5
Notes: Phish Field House University of New Hampshire Durham, NH 10/04/90 TAPER: John Redmond SOURCE SBD > D5 SBD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3 **24/48 Masters do exist at the unedited/pre-processed level** *Disc 1* Set 1: 01.//Golgi Aparatus 02.The Landlady 03.Esther 04.Possum 05.The Squirming Coil 06.Lizards 07.Destiny Unbound 08.The Sloth 09.Uncle Pen 10.David Bowie *Disc 2* Set 2: 01.Reba 02.Bouncing Around the Room > 03.Foam 04.Fee 05.Tweezer 06.//Magilla 07.Cavern *Disc 3* Set 2 Con't: 01.crew introduction 02.You Enjoy Myself 03.E:The Divided Sky **Mastering** 24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > Q10-ParagraphicEQ (top secret settings) > BBE @ 4/4/-4 > Waves X-Noise > Waves C4 (multi-opto mastering with tweaks) > L1 Ultramaximizer > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > montage to adjust volume to make it continuous...4 envelope points @ +1.275db > Waves L2 (24bit, no dither, +2.5 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 1/Normal via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 transfer>24bit FLAC files by Weave - [email protected] on 10/26/2003 Mastering, editing and WAV > SHN were performed on REBA by Arty- [email protected] (on 11/2003) *Notes* Faded the start of the cut opener and crossfaded the tape flip at the end of Tweezer/Magilla. Durring The Landlady, there is a dropout that was x-faded and there is some noise that can not be edited. In Destiny Unbound, there were a few pops from the instruments that were edited out. There is also what appears to be a very sudden pause in the tape durring Uncle Pen. Other than that, this show is absolutely amazing in sound quality. It still has some of the "tape" characteristics to it, but it just wouldn't sound right otherwise. Seeded to FurthurNet (www.furthurnet.org) by Marmar
khanti (2/3) SHN / 3 View 20618
Brad (2/0) SHN / 0 View 20618 SBD > D5 > CM > Sony TC-WE805S